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These recordings marked her best reproductions in Studio, Just like she had been doing ON STAGE those years (1956 and 1957) and IL PIRATA by that time (both on stage and studio)
One of the most mesmerizing examples of bel canto EVER! She truly sounds as if she is totally mad - but the hurt she expresses at the end of the aria - that it seemed as if their love only lasted one day - is truly palpable and heart-wrenching.
In the 1957 recording of the actual performance at La Scala - the audience went BALLISTIC at the end of the aria - even cutting her off.
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In the 1957 recording of the actual performance at La Scala - the audience went BALLISTIC at the end of the aria - even cutting her off.
God bless her!
...may she rest in peace...