It was 1906. "Get Music on Tap Like Gas or Water" promised the headlines, and soon the public was enchanted with inventor Thaddeus Cahill's (1867-1934) electrical music by wire.
The Telharmonium w...
It was 1906. "Get Music on Tap Like Gas or Water" promised the headlines, and soon the public was enchanted with inventor Thaddeus Cahill's (1867-1934) electrical music by wire.
The Telharmonium was a 200-ton behemoth that created numerous musical timbres and could flood many rooms with sound.
Beginning with the first instrument, constructed in the 1890's, and continuing with the installation of the second instrument at Telharmonic Hall in New York, the rise and fall of commercial service, the attempted comeback of the third Telharmonium, and ending with efforts to find a home for the only surviving instrument in 1951, this documentary provides a definitive account of the first comprehensive music synthesizer.
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Even the Moog, with its magnetic tapes, is based on magnetic induction. One could argue that if the telharmonium's rotor faces were formed in such a way as to reflect, as they passed the stator, the varying magnetic waveform of the recorded signals on a moog tape, it could produce some of the simpler sounds.
Various tone-wheel organs and synths are/were (50's to 70's) based on this magnetic induction concept. They used amplifiers to boost the tiny signals made by magnetic pickup heads over small rotating drums having metal teeth rather than the Telharmonium's brute force generation of the music signals.
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