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Beethoven (Part 15 of 18)

"Beethoven" (2005) Episode 1: "The Rebel" (Parts 1-6) Episode 2: "Love and Loss" (Parts 7-12) Episode 3: "Faith and Fury" (Parts 13-18) Part 1: http://uk.youtube.com/watch... Part 2: http://uk.yo...  
 
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pianoCsolo (1 month ago) Show Hide
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what is the choir song that they're singing
thx for answer
susumu07 (4 months ago) Show Hide
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At 6:54 the woman who played Mozart's wife is in the choir!
thegoddescomposer (5 months ago) Show Hide
+1
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dear god the missa solomnis , the greatest work i ever heard ,
Adamalgorithm (3 months ago) Show Hide
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I love it too; the greatest choral music ever
fkm093 (6 months ago) Show Hide
+1
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Scene starting at around 7.30 reminds me of the opening scene of Amadeus.
Chulkov89 (1 year ago) Show Hide
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Whoops, I meant harmonic minor, not melodic.
Justino111 (1 year ago) Show Hide
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the first scale was ascending melodic minor, you had it correct.
Chulkov89 (1 year ago) Show Hide
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The first scale he played was a D melodic minor scale (ascending only), and then he played a D dorian mode. Dorian was one of the "original" 4 modes. I'm assuming it's always been like that. Any accidentals used are purely accidental and undiatonic, and don't contribute to the nature of the Dorian mode.
karlakor (2 months ago) Show Hide
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I see no sense in describing a melodic line as dorian when the crucial seventh tone is harmonized as a secondary dominant. Harmony trumps this melody and robs it of any sense of modality. The same is true of Brahms' fourth symphony, which is often described as phrygian mode.
Chulkov89 (2 months ago) Show Hide
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Yes, I agree. Harmony is the most important thing when playing modally. And you're correct in that sense. But I think we're overthinking things. The host was just describing the difference between Dorian and Harmonic Minor lol.

Don't worry lol, the same thing came to my mind also.

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