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and "Run Like Hell" (after the crowd, loving nazi-Pink, has been whipped into a frenzy, now hunting minorities in the street, much like late 1930 Germany). While it does seem that this is a song about the "joy of heroin," it has little, if any connection to heroin even if it's condition resembles that of somebody who's totally wasted.
This song is the final step in Pink's (Roger Water's) transformation into the Neo-Nazi, fascist character you see in the movie The Wall. Medics and the band manager come in and give Pink a shot to pull him out of his catatonic stupor, the manager pays protesting Meds some cash to shut up and let him take Pink to the concert in the state he's in (obviously a threat to his health, but the Meds, who probably don't make enough money, accept).
In a radio interview around 1980 with Jim Ladd from KLOS in Los Angeles, Waters said part of the song is about the time he got hepatitis but didn't know it. Pink Floyd had to do a show that night in Philadelphia, and the doctor Roger saw gave him a sedative to help the pain, thinking it was a stomach disorder. At the show, Roger's hands were numb "like two balloons." He was unable to focus, but also realized the fans didn't care because they were so busy screaming, hence "comfortably" numb.
Roger Waters wrote the lyrics. While many people thought the song is about drugs, Waters claims it is not. The lyrics are about what he felt like as a child when he was sick with a fever. As an adult, he got that feeling again sometimes, entering a state of delirium, where he felt detached from reality.
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