Leonid Kogan plays Lalo's Symphonie Espagnole in D minor, Op. 21
5. Rondo
Kirill Kondrashin and the London Philharmonia Orchestra
February, 1959
HQ Audio: http://www.youtube.com/watc...
Leonid Kogan plays Lalo's Symphonie Espagnole in D minor, Op. 21
5. Rondo
Kirill Kondrashin and the London Philharmonia Orchestra
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The reason why Kogan didn't get as much attention as Heifetz or Oistrakh is because he shunned publicity. Ironically, Kogan used all steel strings, trading warmth and sweetness for the clarity and articulation inherent in steel.
Also have to consider what happens at the time of recording..older recording equipment if "off" just a bit in speed throws off intonation (I worked in a recording studio)The violin is the most difficult instrument even today to record with accuracy but digital equipment has changed the face of recording dramatically. Taking recording equipment to a site in the past could be difficult and results unpredictable.
I listened to Kogan again--I hear the incredible clarity--he's great- I've got to just listen and resist the temptation to compare--takes a lot of discipline. I'm a fan, too, or have been--I have some great recordings of Kogan on the big concertos.
I understand what you are saying about Kogan. I only have this to say: The fruits of Kogan's artistry are not always offered up at first encounter. Heifetz, Perlman - one immediately says "wow". Kogan is more subtle and difficult to comprehend I think. But once one understand him - shizam!
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P.S. " 'Iron'-ically, Kogan used all steel strings" hahaha... haha... ha... okay, end of terrible pun.