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Hey agree with you, mrmolinodelahoz, however it is quite brilliant that the choreographer uses 3 or 4 styles within, say, a couple of seconds: jazz/lindy-moves (the Wellington Stepover at 0:15 and 0:23, then a 2-group fuga in the actual music fuga (1:28), old-fashoned Russian propaganda dance (1:46) and traditional Russian dancing at 1:56! Bravo, I'd say! And funny too. But okay, the music beats it.
As this music is so powerful it is very difficult to coreograph a satisfactory ballet as the ballet cannot possibly equal the music. This is always true for Stravinski as well. "I came to see the ballet and ended up listening to the symphony"
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