Pelléas et Mélisande
Act I: "Il fait sombre dans les jardins" & "Hoe! Hissé, hoe!"
Claude Debussy. Libretto by Maurice Maeterlinck.
Orchestra and Chorus of Welsh National Opera.
Conduction: Pierre ...
Pelléas et Mélisande Act I: "Il fait sombre dans les jardins" & "Hoe! Hissé, hoe!" Claude Debussy. Libretto by Maurice Maeterlinck. Orchestra and Chorus of Welsh National Opera. Conduction: Pierre Boulez. Staging and direction: Peter Stein.
Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
I was a stage hand on this show, 120 hour weeks were not uncommen . it was the show that persuaded me to get a proper job, having said that 17 years later and now ive stopped having the nightmares it was an experience i will never forget
I'm not a exactly a big fan of this rendition of Pelleas et Melisande. Boulez is great conductor, but I feel that are better interpretations of this work, specially, Abbado's one. Another thing that I don't like it, why does the opera is set in the Edwardian era? How come that the delusion from the medieval times are not respected? Debussy didn't messed with a word of Maeterlinck play, how come they can change the space and time of it?
In setting this opera in the edwardian days, how they explain such a incrogrous and wandering kingdom? Maeterlnick choose a vague time to give the play a certain freedom from modern conventions, and to give a vague, and wrondous, spetacular if I may say, symbolist and allegorical challenge to us, viewers of the play/opera, to try to imagine, and not to THINK about times and morals, and others stuff related to a specifc time of mankind.
and yet you searched for it go back to listening to rappers talk a bout fucking their girlfriedns and doin weed we'll keep listening to sophisticated music while you listen to black people screaming at you while music is playing in the background
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Another thing that I don't like it, why does the opera is set in the Edwardian era? How come that the delusion from the medieval times are not respected? Debussy didn't messed with a word of Maeterlinck play, how come they can change the space and time of it?
Maeterlnick choose a vague time to give the play a certain freedom from modern conventions, and to give a vague, and wrondous, spetacular if I may say, symbolist and allegorical challenge to us, viewers of the play/opera, to try to imagine, and not to THINK about times and morals, and others stuff related to a specifc time of mankind.
go back to listening to rappers talk a bout fucking their girlfriedns and doin weed
we'll keep listening to sophisticated music while you listen to black people screaming at you while music is playing in the background