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Inland Empire Ending Credits

Divine Nina Simone and her "Sinner Man" performed in the ending credits for David Lynch's Inland Empire  
 
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BrendaChu (2 months ago) Show Hide
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METAFORM did an amazing remix of this.
PayneToTheMax (3 months ago)
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ginkgonk122 (4 months ago) Show Hide
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Cinema, simply put, at its very very best.
jkhgsdhgdhgjklsdhfgj (4 months ago) Show Hide
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So powerfull, like walking into a church and feeling god...
when I went to see it, there was even the usual part of the crowd that goes home in the middle....

masterclass cinema.
colectividual (5 months ago) Show Hide
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I´m agree with bignosebob, the main topic in the film is the usual religious experiences. I think the film is at the same time surrealist and existencialist. The argument is existencialist (in his christian variation) and the developement is surrealist, or atonal. The sinnerman song, and the dance, is a resume of the film: a mix of sin, promiscuity, beauty, prayer, madness and absurd- see the face of Laura Dern. The black dancer is remaking to Nina. That´s the key of the film the repetition
jkhgsdhgdhgjklsdhfgj (4 months ago) Show Hide
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what is atonal? been trying to find out.... thanks mate.
colectividual (4 months ago) Show Hide
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is metaphoric, sorry for my english, im spanish. Atonal means that the film has not argument as an atonal song has not tone. Each scene is connected with the next one but not with the whole tone. Do you understand. The song, obviously, is not atonal
jkhgsdhgdhgjklsdhfgj (4 months ago) Show Hide
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hmmmmmmmm....thank you man! I've seen this word a lot recently, specially in texts refering to editing of images and stuff like that..

and long live Buñuel, 'viridiana' fucking rocks!!!
cineasta71 (1 month ago) Show Hide
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it has no tone...at all...
mrsdengler (2 months ago) Show Hide
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@colectividual in what way is it existential in the religious sense? I don't know much about the religious sense of existentialism, but it seems to be to be some sort of a crisis with regards to how to get to god. Correct me if I'm wrong

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