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This is EXACTLY how the finale of this piece should be played. Exactly how it MUST be slowed down. Every other conductor rushes the damned thing at the end.
I played it (second violin) in spring 1981 with the Haddonfield Symphony Orchestra in New Jersey.
This piece is the alpha and omega of all being. I hate Tchaikovsky's own criticism of this work. NO idea WTF he was thinking.
I like the way Bernstein draws out the main theme of this finale...he does the same with the Brahms 1st and the Dvorak 9th..and then things go CRAYYYYYZZEEEEEEEE! The frown of the violinist at 4:02 was one of involvement and intensity! It's one thing to wave your arms around wildly...but to get players to play for you in this way..that takes force of personality. I also like the way he looks to be having a blast conducting this music, other conductors seem either bored or annoyed.
In a word..... breathtaking!!!!!! This is one amazing performance - the orchestra is top-notch, but Bernstein is COMPLETELY at the top of his form - which always produced spectacular music :-+). The energiser bunny would LOVE this one: it just keeps going and going.......
LOL Were you on drugs while writing this or feeling a bit melancholic?? Bernstein was a great conductor, but jesus... he was nothing you've described. Life is a movie. One only have to act well, and Bernstein was with the greatest of actors.
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I played it (second violin) in spring 1981 with the Haddonfield Symphony Orchestra in New Jersey.
This piece is the alpha and omega of all being. I hate Tchaikovsky's own criticism of this work. NO idea WTF he was thinking.
The frown of the violinist at 4:02 was one of involvement and intensity! It's one thing to wave your arms around wildly...but to get players to play for you in this way..that takes force of personality. I also like the way he looks to be having a blast conducting this music, other conductors seem either bored or annoyed.