Pat Martino,Welcome to a prayer.

Nice, but irritating vibration coming from the guitar. Sounds like something loose on the amp or mic stand.

love this tune

I first heard Pat Martino on an old vinyl LP that featured several guitarists playing with Bro. Jack MacDuff. It was, overall, a soulful knockout session. As a longtime fan of both jazz and blues, I love how they come together in that Philly organ/guitar sound.  Guys like Joey D. bring it all up to date.

I forgot to mention that Martino uses a bass pick. So, it's just hopeless...he's in his own place. Tonally.
Hey...Tom Waits this summer....see you folks in Phoenix!
silly, seelly, seellyman. Sounds like a Jamaica hit!

the N64 comment was pretty funny. Haven't heard the Pube Sniff line before either.
Go sit on a penny.

Joey's Philadelphia Connection CD is amazing. You can hear the guitar better...
I have another comment sideways of this tone argument. Pat Metheny's reverb has driven many folks nuts over the years, but the album he did with Jack DeJohnette (the first one) has his best playing, but the reverb really kills the edge. Love to have that album without the RV.

Ok. In Pat's latest album, I agree that he doesn't sound projected in front of his band, say, compared to Scofield's tone and hear-ability on his ray charles CD. If you'd like a great mix with Pat, his first album, Hombre holds up still as a classic badass set, with much better Pat in the mix. Still the best. I imagine that alone, Pat hears hmself quite well, of course, and on his earlier solo work, it's very effective. But he keeps it for his group work, and engineers should bring him forward.

oh, uhm...pat would not abide all of this arguing

must be that philly connection where they hammond organ is played nonstop for 20 yearss...