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I saw Kogan play in of all places the Canberra Theatre back in the 70s. There has never been a better player, his Paganini recordings are certainly the most flawless that I've heard. I think his loyalty to the Soviets really hurt his career.
To a point, the instrument doesn't matter. A great player can make a Roth violin sound marvelous. (And this I've heard first hand) But a great violin allows you to "ask" certain things of it and it replies-- YES!
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And Kogan seems so shy!
But a great violin allows you to "ask" certain things of it and it replies-- YES!
But what itzhak said is true, the player is more important.