whiteheadcm's channel

@vidaa82 Letterman makes jokes.

@Rustyy444 that kid wasn't detuned for a moment

@swaywillkillbush haha yeah he copied this song 100% get a grip

@josephisalive you're crazy man. porn is free! embrace your sexuality

Hell yeah. You don't get to hear from Phil very often. And I don't know, I believe Bobby about never being stoned on stage (aside from the early years). He's obviously a sensitive soul

these poor little hicks aren't smart enough to do anything funny.

@erickdiffin79 why is that sad?

i thought rappers were supposed to be able to flow

@ankyk05 jesus wasn't a bearded white boy

@blee21483 what are you trying to say? articulate

Fucking Filthy.

This is a perfect song.

I can quote the guitar solos from the studio version like the god damn gospel.

This is easily the greatest band that I got to witness while they were actually current.

the whitest of white audience!

I would love to see one of the backup players just demand and take a solo on live TV spontaneously. Heads would roll!

you can really hear the My Bloody Valentine influence

@leftasmokingcrater Exactly. That OneWorldHistory person is mixed up. The Dead was his only constant musical outlet. It was his home. Minor?!

@earinsound thass right.

And the award for most boring drumming goes toooooooooo.. MICK FLEETWOOD!

Not even a single fill in this super loose song.

Also, killer dual that rivals Allman and Betts? What? These fellas were just playing the song structure.

Good little song, but I just don't see anything profound here.

hahaha this is great. Bobby calling the high harmony.

@TheNorthernSoulKing nah man, he wasn't the last president. there have been 2 since him! America didn't just quit having President's after Slick Bill, unfortunately.

love that Jerry signature at 1:13

@battlebod all right man, this will be my last interaction with you, but i just wanted to say that hey, atleast i had something positive to say. just making a little joke on a youtube site. you're the one trying to make someone feel silly about nothing. by the way, it didn't work, because my joke...

there's a lot to be enjoyed here, from a musical as well as psychological point of view.

@joeslipknot100 what? it doesn't get rid of it, it just reminds you of it and reinforces it.

....like equals! haha

that's a rainstorm of notes. and not a single one of them pointless.

@777revolt i mean john could be called pompous, but i'd be willing to bet he has a great sense of humor. it comes out in the songs so subtly.

also, on that transparent note, i'll say that i respect john's singing because you can tell he really wants you to understand every word he's relaying.

a kind of... LAP DANCE?!?!

listen to how they just put the brakes on at 6:15. its the masterful subtleties like that.

nice interview... but the way they're talking is just making me anxious. what's going on???

what a riff

@frenchsaber oh come on, everyone knows this song by now

but see, this is part of what really draws me to the dead. they got caught up, they weren't perfect. and, in bobby's defense, he would have had to sing this song way too fast. it already requires a pretty fast delivery at a normal tempo.

whether they were on or off, one thing the boys always were was Tasteful. that's ultimately what i need in music.

@memorial87 yeah man. Conor can do no wrong. He can just connect with any conscious human soul that is willing to let him. the only two music makers I've found that can do that are him and the Dead. both just flood emotion out of their selves.