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violinoable liked a video
(5 days ago)
0:00 - I. Allegro
9:49 - II. Adagio molto expressivo
16:17 - III. Scherzo, allegro molto
17:32 - IV. Rondo, Allegro ma non troppo
Violin Sonata 5 in F,...
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0:00 - I. Allegro
9:49 - II. Adagio molto expressivo
16:17 - III. Scherzo, allegro molto
17:32 - IV. Rondo, Allegro ma non troppo
Violin Sonata 5 in F, Op. 24 "Spring"
Piano: Vladimir Ashkenazy
For more videos of this type see:
Color-Coded Analysis of Beethoven's Music (INDEX):
http://lvbandmore.blogspot.com/p/simp...
Introduction to Sonata Form:
http://lvbandmore.blogspot.com/p/abou...
Arrangement for Electric Rock Band:
http://www.youtube.com/watch?v=5VBNSr...
My Analysis Cheat Sheet:
-SONATA FORM: Most common form, almost always in the 1st movement and often last movement of a work. The basic sequence is Intro, Exposition, Development, Recapitulation and Coda.
-EXPOSITION: Main theme(s) are presented, usually in the home key and then a modulated key
-THEME / THEME GROUP: musical "paragraph". These can be broken down into 1 or more "tunes". These are grouped according to key and end on cadences. The 1st Theme Group is in the home key. The 2nd Theme Group is in the dominant or other key.
-CLOSING/CADENCE SECTION: a theme group which closes the Expo or Recap (it follows the 2nd theme) and revives Theme 1 to provide closure.
-MODULATING BRIDGE/TRANSITION: material to get from 1 key/theme group to another, often w sequencing.
-DEVELOPMENT: free-form "working out"/"fantasia" section where earlier themes are subjected to variations and atomizations. Possibly a new theme is introduced ("Eroica").
-RECAPITULATION: Repeat of the Expo, except that this section remains in the same key throughout and there can be theme variations from the initial Expo versions of themes.
-CODA: Follows the Recap, kind of a second development designed to finish off the work.
-SEQUENCING: repeating a phrase on different starting notes (keys)
-TERNARY FORM: 3-part form in A-B-A, usually a Scherzo or Minuet
-SCHERZO/MINUET: 1st pt. of a 3-pt. Scherzo form, usually AA.BA'.BA' in 3/4 time. Lively.
-TRIO: Middle section of a Scherzo movement, slower, broader than the Scherzo section
-RONDO: Similar to Sonata form except that the Development is replaced by a new section and there is less transition material. A principal theme (A) alternates with contrasting themes (BCD...). (Ex.ABACABA.)
-FUGUE: form in which a subject(s) undergoes canonical permutations
-VARIATION: repeat of a theme with variation
-CADENZA: unaccompanied instrumental solo
-BINARY FORM: Structure in AB. 2-Part Song form.
(Disclaimer: I do not have a music degree, all of the above is purely from memory and observation)
2/3 Beethoven's "Spring" Violin Sonata (Color Analysis)
http://lvbandmore.blogspot.com/2011/0...
Movement I. Allegro
Exposition
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Exposition Repeat
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Development (PURPLE)
Part 1 - on 1st Theme
Part 2 - on 2nd Theme
Recapitulation
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Coda (GREEN)
Movement II: Adagio molto expressivo (starting at 9:49)
1st Theme (piano) (MAROON)
1st Theme (violin)
2nd Theme (BLUE)
1st Theme Variation (piano) (MAROON 2)
1st Theme Variation (violin)
2nd Theme Variation (violin) (BLUE 2)
2nd Theme Variation (piano)
1st Theme Development (BROWN)
Movement III: Scherzo, Trio (starting at 16:17)
Scherzo (BROWN)
Trio (OLIVE)
Scherzo Repeat (BROWN)
Movement IV: Finale (starting 17:32)
Exposition
1st Theme (MAROON)
2nd Theme (OLIVE)
3rd Theme (GREEN)
Development
1st Theme (Var 1) (MAROON LIGHT)
2nd Theme (Var 1) (OLIVE LIGHT)
Transition (BLUE)
Recapitulation
1st Theme (Var 2) (MAROON)
2nd Theme (OLIVE)
3rd Theme (GREEN)
Development 2
1st Theme (Var 3) (MAROON LIGHT)
2nd Theme (Var 2) (OLIVE LIGHT)
Coda (2nd Theme) (OLIVE)
(from Alan Rich's Play by Play)
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Claude Debussy - Nocturnes, L.91
1.Nuages (Clouds) @0:00
2.Fêtes (Festivals) @6:15
3.Sirènes (Sirens) @12:43
For more videos of this type see:
http:/...
more
Claude Debussy - Nocturnes, L.91
1.Nuages (Clouds) @0:00
2.Fêtes (Festivals) @6:15
3.Sirènes (Sirens) @12:43
For more videos of this type see:
http://lvbandmore.blogspot.com/p/simp...
A special role is allotted to the English horn in "Nuages" (Clouds), the first piece of the group. Thin, two-voice counterpoint in steady quarter notes provides a background for the English horn's rather plaintive gesture. The same melodic fragment is repeated several times with very little alteration or extension, interrupted occasionally by comments from the French horn section. A stark contrast is provided by a pentatonic interlude, scored for flute and harp against a sustained chordal background and marked "Un peu animé." The English horn raises its quiet voice again, only to dissolve against the pianissimo tremolo background as the flute takes up its melody one more time. The quietly pulsating pizzicati of "Nuages" conclusion provide a sense of "grey agony," as Debussy put it.
"Fêtes" (Festivals) will be friendly ground to any listener familiar with the final movement of Respighi's 1929 work along the same lines, Feste Romane. The juxtaposition of a forceful, even percussive, rhythmic ostinato in 12/8 time with the earthy tune of the brass band (representing the Garde Républicaine) provides for the same kind of multi-textural feel that Respighi would exploit even further three decades later. Through sheer repetition the music builds to several swaggering climaxes, only to be deflated each time and have to begin the process all over again. The music trails away into nothingness as the brass band finally completes its journey through the heart of the celebration. Remarkable about "Fêtes" is Debussy's ability to hint at raunchiness and vulgarity within the context of his own extremely refined soundworld.
A vocalizing (i.e., textless) women's chorus is added to the ensemble for "Sirènes," the last, and in many ways the most evocative of the Nocturnes. One must not be misled by "Sirènes" repetitiveness and apparent simplicity—a simplicity meant to parallel the deceptively innocent charm of the mythological sea sirens—for here is a work of great subtlety indeed. The dense intricacy of the orchestral effects contained throughout the piece, set almost exclusively at a piano or pianissimo dynamic indication, has reminded more than one listener of the techniques of that most accomplished of orchestrators, Maurice Ravel. Debussy's methods, however, are entirely his own. Not surprisingly, the music drifts away into the sea, floating upon the few sparse harmonics of the two harpists.
© All Music Guide
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violinoable favorited a video
(5 days ago)
0:00 - I. Allegro
9:49 - II. Adagio molto expressivo
16:17 - III. Scherzo, allegro molto
17:32 - IV. Rondo, Allegro ma non troppo
Violin Sonata 5 in F,...
more
0:00 - I. Allegro
9:49 - II. Adagio molto expressivo
16:17 - III. Scherzo, allegro molto
17:32 - IV. Rondo, Allegro ma non troppo
Violin Sonata 5 in F, Op. 24 "Spring"
Piano: Vladimir Ashkenazy
For more videos of this type see:
Color-Coded Analysis of Beethoven's Music (INDEX):
http://lvbandmore.blogspot.com/p/simp...
Introduction to Sonata Form:
http://lvbandmore.blogspot.com/p/abou...
Arrangement for Electric Rock Band:
http://www.youtube.com/watch?v=5VBNSr...
My Analysis Cheat Sheet:
-SONATA FORM: Most common form, almost always in the 1st movement and often last movement of a work. The basic sequence is Intro, Exposition, Development, Recapitulation and Coda.
-EXPOSITION: Main theme(s) are presented, usually in the home key and then a modulated key
-THEME / THEME GROUP: musical "paragraph". These can be broken down into 1 or more "tunes". These are grouped according to key and end on cadences. The 1st Theme Group is in the home key. The 2nd Theme Group is in the dominant or other key.
-CLOSING/CADENCE SECTION: a theme group which closes the Expo or Recap (it follows the 2nd theme) and revives Theme 1 to provide closure.
-MODULATING BRIDGE/TRANSITION: material to get from 1 key/theme group to another, often w sequencing.
-DEVELOPMENT: free-form "working out"/"fantasia" section where earlier themes are subjected to variations and atomizations. Possibly a new theme is introduced ("Eroica").
-RECAPITULATION: Repeat of the Expo, except that this section remains in the same key throughout and there can be theme variations from the initial Expo versions of themes.
-CODA: Follows the Recap, kind of a second development designed to finish off the work.
-SEQUENCING: repeating a phrase on different starting notes (keys)
-TERNARY FORM: 3-part form in A-B-A, usually a Scherzo or Minuet
-SCHERZO/MINUET: 1st pt. of a 3-pt. Scherzo form, usually AA.BA'.BA' in 3/4 time. Lively.
-TRIO: Middle section of a Scherzo movement, slower, broader than the Scherzo section
-RONDO: Similar to Sonata form except that the Development is replaced by a new section and there is less transition material. A principal theme (A) alternates with contrasting themes (BCD...). (Ex.ABACABA.)
-FUGUE: form in which a subject(s) undergoes canonical permutations
-VARIATION: repeat of a theme with variation
-CADENZA: unaccompanied instrumental solo
-BINARY FORM: Structure in AB. 2-Part Song form.
(Disclaimer: I do not have a music degree, all of the above is purely from memory and observation)
2/3 Beethoven's "Spring" Violin Sonata (Color Analysis)
http://lvbandmore.blogspot.com/2011/0...
Movement I. Allegro
Exposition
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Exposition Repeat
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Development (PURPLE)
Part 1 - on 1st Theme
Part 2 - on 2nd Theme
Recapitulation
1st Theme (MAROON)
2nd Theme (BLUE)
3rd Theme (TAN)
Coda (GREEN)
Movement II: Adagio molto expressivo (starting at 9:49)
1st Theme (piano) (MAROON)
1st Theme (violin)
2nd Theme (BLUE)
1st Theme Variation (piano) (MAROON 2)
1st Theme Variation (violin)
2nd Theme Variation (violin) (BLUE 2)
2nd Theme Variation (piano)
1st Theme Development (BROWN)
Movement III: Scherzo, Trio (starting at 16:17)
Scherzo (BROWN)
Trio (OLIVE)
Scherzo Repeat (BROWN)
Movement IV: Finale (starting 17:32)
Exposition
1st Theme (MAROON)
2nd Theme (OLIVE)
3rd Theme (GREEN)
Development
1st Theme (Var 1) (MAROON LIGHT)
2nd Theme (Var 1) (OLIVE LIGHT)
Transition (BLUE)
Recapitulation
1st Theme (Var 2) (MAROON)
2nd Theme (OLIVE)
3rd Theme (GREEN)
Development 2
1st Theme (Var 3) (MAROON LIGHT)
2nd Theme (Var 2) (OLIVE LIGHT)
Coda (2nd Theme) (OLIVE)
(from Alan Rich's Play by Play)
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"Wonderful!!!! What a beatiful arrangement!!!! What a beatiful and full of emotion playing!!! Bravo!!!!!!!!"
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Parabéns, Roberto !!
Um forte abraço !! :)
Um Novo Ano pleno de paz, amor e realizações, para ti e família, um grande abraço !
Great Channel !
I too LOVE the Violin. I listen with my ears but my heart hears it.
A big hug
*****Rosalba
Bill