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1-10 of 14-
Potameides
taryn2179
924 views
This video is made in effort to raise funds and pay dancers for the Artist in Residence Program at Dancers' Studio West in Calgary, CANADA. Performance dates Oct. 27-29, 20...
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AIR Teaser
taryn2179
30 views
A sneak peak video of the work of Taryn Javier and Pamela Tzeng - featured choreographers for the 2011 Artist in Residence program at Dancers' Studio West (Calgary, CANADA)...
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revamps
taryn2179
135 views
two trio sections...
womens section...working a new transition to aid the journey to the floor..."blowing/nudging"
trio....working a new intro to add intimacy and urg...
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things we leave unsaid - beginning - mtl - nov. 18/09
taryn2179
72 views
running the beginning ....
working on building intensity and finetuning...
second trial run with the music....
"i couldn't say the 'i love you part'...i just could...
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fortysoloteachingpoints
taryn2179
28 views
teaching points for forty...
further development of some solo work he created....
tweaking etc....anything you would like to see? anything you do not feel connected t...
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layeronetrioprocess
taryn2179
60 views
working a trio contact section...
the progression of getting it into the body so it runs smoothly.
november 17 in montreal
choreography/direction taryn
interpreta...
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andreamtl
taryn2179
41 views
working into a solo....based on "things we leave unsaid"
gave the dancers this comment and asked them to build material based on something left unsaid with someone about...
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thewomen
taryn2179
51 views
new exploration using contact
developed from searching with the sense of smell....
using accents to make a stronger dynamic
moves into a section highlighting solos c...
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women2posta
taryn2179
59 views
"what we leave unsaid"
a womens section....building tension
different perspective....
critical feedback please! :D
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mtl-layer 1-what we leave unsaid
taryn2179
75 views
beginning for group section of piece, working with building tension...
exploring execution of tasks while remaining aware of group connection
cultural and personal iden...
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