stefijula's channel

@elnorke

LOL, too funny min

C'mon, shock us dead with volume 2 already

@skatecky3

All these comments are so incredibly valid! I am from another planet (Perth, Western Australia) and aside from two very good mates of mine who got me into thisin 1989.....where is everyone else. Thank youTube.

@stefijula

er....disregard that apostrophe

Now that suckers! was funny

Onya Russ - welcome back to the church of lines

What irks me the most is that I'm wanting to hear that pitch-shifted "baby devil" solo (solo No. 1) immediately after the harmonized lead-in fill they play - it is "No Love" encapsulated IMO.

Aside from that - what am I griping about? Exodus live, in person and playing No Love - I love that!

Kill...

Fuck I love this band - they are tight, lean and fucking mean!

Class act.

I love Forbidden - and yep, agreed that there is a recovery in Russ's vocals (from '08) - and that is pleasing, as is the "new" Alvelais stage left - he pissed on this solo in his own way - a shitload better than some of the more try-hard note-for-note impositions I've encountered by other player...

This demo really does highlight the need for production. The final version (whilst almost identical in arrangement) is far superior to this one.

Great band

Very nicely played - I like your tone too....nice and smooth and cutting through.

One thing I always loved about this piece is how the sweeping arpeggios sound very piano-like and are dropped right back in the mix - which made working it out by ear a slight challenge (God I am old all of a sudden...

I wish that everytime somebody made a negative remark or critical post (which are definitely warranted at times - and often many times) that they would post up a video showing or explaining exactly how to remedy whatever it is they are criticising or opposed to (whether it be regarding tone, fin...

I think you must've accidently had the camera facing the mirror.

Nice reflection of the piece all the same. To be honest....Becker would've struggled to keep up with you - you are first and foremost fast.

The timing is at first quite rushed though settles nicely as you progress. I also see the all-too-familiar curse of attempting to mimic exactly what YOU are hearing in the music (attempting a note-for-note perfect translation as opposed to getting inside the brain and "feel" of the original) You ...

I like the fact you performed that without the signature wah! Pretty good

beautifully done - cheers

You can play - you have good technique. I just wanted to see the "cover" - particularly the blues section. This style of playing relies on a wide style of vibrato - you have to pull it in from afar. It's what gives it the distinctive character that it has. A whammy bar cannot replace this style -...

I dislike the whammy "substitute" for what should be a wide and purposely-perverted vibrato. You, in my opinion, are too quick for the actual song - you have a very impressive technique, you play very well but lose a bit of the bar and find the wrist a bit more. BUT you are a pretty impressive li...

Jeez guys, lighten up. The audio quality is crap - but this lil chap can play very well.

Give him a chance to show it with better quality.

It's a pretty good interpretation - it certainly is phrased differently than my own version in some parts but overall pretty bloody good. Well done!