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Elvis Presley Forget Me Never (Take 3 and Take )
Written by Fred Wise and Ben Weisman. Elvis recorded it November 7, 1960 at Radio Recorders. Take...
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Elvis Presley Forget Me Never (Take 3 and Take )
Written by Fred Wise and Ben Weisman. Elvis recorded it November 7, 1960 at Radio Recorders. Take 3 was released. It was to be used for Elvis' 1961 film Wild in the Country, but it was cut from the final print. Take 3 is available on Separate Ways, Elvis for Everyone, and the FTD Wild in the County; Take 1 is available on FTD Wild in the County and Elvis-Close Up.
If I should go, forget me never
Please say that you'll remember me
I pray the dreams we share together
Will shine on in your memory
Each time a star falls out of heaven
It leaves the sky a deeper blue
So if we part, forget me never
And don't forget my love for you
And don't forget my love for you
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sixtiesbrowser liked a video
(2 weeks ago)
Carson - Blown (1972)
Carson's career was relatively short - almost exactly three years - but in that time the "Kings of Boogie" built a r...
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Carson - Blown (1972)
Carson's career was relatively short - almost exactly three years - but in that time the "Kings of Boogie" built a reputation as a powerful live act, and they were one of the most popular Australian blues bands of the early 70s. Together with Bulldog, Chain, The Aztecs, Company Caine and Pirana, Carson was part of the stable of acts handled by Consolidated Rock, the Melbourne agency founded by young entrepreneur Michael Gudinski. Carson was also an important stepping stone for several of its members, including singer Broderick Smith, and the group's original keyboard player John Capek.The original 4-piece lineup formed in in January 1970. Guitarist "Sleepy" Greg Lawrie (ex-The Creatures, Chocolate) was already considered one of the best slide players in the country; John Capek was ex-Leo De Castro and Friends; Ian "Fingers" Ferguson's career had started way back in 1961 with Shepparton rockers Tony & The Shantels, and completing the lineup was drummer Tony Lunt. The group was originally called The Carson County Band, but they had dropped the "...County Band" part of the name by the end of 1970 because they were being mistakenly tagged as country rock group, and only their first single came out under that name. They were strongly influenced by Chicago blues, and by the emerging "boogie" style being popularised by bands like Canned Heat and, later, ZZ Top.(According to Who's Who of Australian Rock, Paul Lever and Tony Enery were also members during this year, but details of their role in the band are not known at this stage.)
Their first single was On The Highway / Resting Place, issued on the Rebel label around May 1970; at about the same time Lawrie and Capek got together with Matt Taylor, Tim Piper and Yuk Harrison from Genesis, plus Trevor Courtney (ex-Chants R&B, Cam-Pact) in a one-off recording project called The Meating. The single they recorded together, Bad Luck Feeling / Back Home was released on Rebel in August 1970.
John Capek left Carson in late 1970 or early 1971, moving on to King Harvest, Flite and Hannagan. To replace him, Carson recruited singer and harp player Broderick Smith, formerly of Adderly Smith Blues Band and Sundown, and second guitarist Ian "Willy" Winter (ex-Brothers Grimm, Five Just Men, Pigface).
The new lineup recorded a single for the Havoc label, Travelling South / Moonshine, which was issued in August 1971. Meanwhile, Ian Ferguson left in July to join Island, and he was replaced by ex-Chain bassist Barry "Big Goose" Sullivan. Sullivan left after about three months to join Flite so he was replaced by Garry Clarke (ex-King Harvest). In November they added a new keyboard player, Mal Logan (ex-Healing Force), and they also augmented the band even further for concerts, adding a three-piece horn section.
Ian Winter left in March 1972 when he was invited to join Daddy Cool as second guitarist, but after Daddy Cool split in August he returned to Carson. Brod Smith also branched out during the year -- Carson's manager, Rhett Walker (who was also the program manager for Melbourne radio station 3AK) decided that Smith could be promoted as a solo artist (along similar lines to Rod Stewart's parallel solo career with his work with The Faces). Broderick cut two singles for the Image label, and all four sides of which were written and produced by Brian Cadd.
Sometime during this period, Broderick was also called in to sing on the soundtrack to Albie Falzon's surfing movie Morning Of The Earth. Oddly enough, the track he appeared on, First Things First, was actually by Tamam Shud. Singer Lindsay Bjerre was having voice problems when they cut the song, so the original vocal was done by lead guitarist Tim Gaze. However, producer G. Wayne Thomas was evidently not satisfied with the result so he erased Tim's vocal, and he brought in Broderick Smith to lay down a new track. Although this has previously been reported as having been done without the Shud's knowledge or permission, recent information from Brod himself contradicts this.
This is at odds with Lindsay Bjerre's claim that Tamam Shud didn't find out about the substitution until the night of the film's premiere, later in the year, and they were understandably furious about it. (Bjerre acknowledged, however, that Brod's vocal was a good effort in its own right, despite the circumstances.)
By September 1972 Carson had signed with EMI's Harvest imprint. Their first single for the label, Boogie, Parts I & II gave them their first taste of chart success in September, going to #30 nationally, and it is now widely regarded as one of the classics Australian rock singles of that period.
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Thanks for the Add. Welcome on Board
Greetings from Brazil, Belo Horizonte (hometown)
xxx Armando
ik mis nog een nummer van les baroques