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PART ONE: THE MORAL SIDE OF MURDER
If you had to choose between (1) killing one person to save the lives of five others and (2) doing nothing even t...
more
PART ONE: THE MORAL SIDE OF MURDER
If you had to choose between (1) killing one person to save the lives of five others and (2) doing nothing even though you knew that five people would die right before your eyes if you did nothing—what would you do? What would be the right thing to do? Thats the hypothetical scenario Professor Michael Sandel uses to launch his course on moral reasoning. After the majority of students votes for killing the one person in order to save the lives of five others, Sandel presents three similar moral conundrums—each one artfully designed to make the decision more difficult. As students stand up to defend their conflicting choices, it becomes clear that the assumptions behind our moral reasoning are often contradictory, and the question of what is right and what is wrong is not always black and white.
PART TWO: THE CASE FOR CANNIBALISM
Sandel introduces the principles of utilitarian philosopher, Jeremy Bentham, with a famous nineteenth century legal case involving a shipwrecked crew of four. After nineteen days lost at sea, the captain decides to kill the weakest amongst them, the young cabin boy, so that the rest can feed on his blood and body to survive. The case sets up a classroom debate about the moral validity of utilitarianism—and its doctrine that the right thing to do is whatever produces "the greatest good for the greatest number."
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此歌收錄在【巴黎妓院回憶錄】原聲帶
【巴黎妓院回憶錄】1/6歡迎來到全巴黎最溫暖的地方
Lee Moses（1941~1997）是六十年代前後非常著名的R&B、靈魂音樂歌手，同時也是傑出的吉他手。他的歌聲最大特色即是以深沈吶喊的方式，唱出靈魂最底層的生命力，而吉他風格則偏向藍調與情歌式靈魂曲風。...
more
此歌收錄在【巴黎妓院回憶錄】原聲帶
【巴黎妓院回憶錄】1/6歡迎來到全巴黎最溫暖的地方
Lee Moses（1941~1997）是六十年代前後非常著名的R&B、靈魂音樂歌手，同時也是傑出的吉他手。他的歌聲最大特色即是以深沈吶喊的方式，唱出靈魂最底層的生命力，而吉他風格則偏向藍調與情歌式靈魂曲風。Lee Moses的音樂第一時間總未能吸引社會注意，往往要經過一段時間發酵沈澱才會帶來影響力，且看1971年所發行的《time and place》便能發現當時並未引起話題，但等到他過世多年2007年重新發行，世人才發現他的音樂具備無遠弗屆的影響力，並給新生代音樂人包括Eli Reed與Sharon Jones帶來深刻的影響。這首〈Bed Girl〉在1967年發行之初，也在當時被許多音樂人視為失敗之作，但後來卻一一證明，Lee Moses的音樂不僅充滿Jimi Hendrix（搖滾史上最具影響力的吉他樂手之一）深邃的特點，更獲Hendrix讚譽：「擁有粗獷、強大的深刻靈魂及演唱風格。」
Lee Moses《BAD GIRL》
This is a song about a bad girl
Something that happened to me long time ago
Everybody was telling me how the little girl was running around
I had a head of my own
and I just wouldn't listen to nobody
my father he told me
my mother sat down and cried
said son this woman will break your heart
and then she'll put you down
that's when I told mama these words
lord have mercy
baaaaaad girl mama
bad, bad girl
mama they call her bad girl
all because she wanted to be free
but i'm in love with the little girl
and i believe that she loves me.
what my heart feels
my lips must confess
so I will never let her alone
i don't care if they call her bad
bad girl, mama
lord have mercy
bad, bad girl
love is a mystery
never can be explained by anything
but i believe one of these days
the whole world will understand
what my heart feels
my lips must confess
so i will
never let that little girl alone
i don't care if they call her bad
bad girl
you better believe it, mama
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roryphelan added a new video to people 96
(2 days ago)
PART ONE: THE MORAL SIDE OF MURDER
If you had to choose between (1) killing one person to save the lives of five others and (2) doing nothing even t...
more
PART ONE: THE MORAL SIDE OF MURDER
If you had to choose between (1) killing one person to save the lives of five others and (2) doing nothing even though you knew that five people would die right before your eyes if you did nothing—what would you do? What would be the right thing to do? Thats the hypothetical scenario Professor Michael Sandel uses to launch his course on moral reasoning. After the majority of students votes for killing the one person in order to save the lives of five others, Sandel presents three similar moral conundrums—each one artfully designed to make the decision more difficult. As students stand up to defend their conflicting choices, it becomes clear that the assumptions behind our moral reasoning are often contradictory, and the question of what is right and what is wrong is not always black and white.
PART TWO: THE CASE FOR CANNIBALISM
Sandel introduces the principles of utilitarian philosopher, Jeremy Bentham, with a famous nineteenth century legal case involving a shipwrecked crew of four. After nineteen days lost at sea, the captain decides to kill the weakest amongst them, the young cabin boy, so that the rest can feed on his blood and body to survive. The case sets up a classroom debate about the moral validity of utilitarianism—and its doctrine that the right thing to do is whatever produces "the greatest good for the greatest number."
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~Jessica
Спасибо за подписку. ;-) С наилучшими пожеланиями из Москвы. :-)