|
|
|
| |
|
r0ckz0rz favorited a video
(1 week ago)

Film clip for the Gotye song Somebody That I Used To Know, featuring Kimbra from the album Making Mirrors Buy Somebody That I Used To Know here: htt...
more
Film clip for the Gotye song Somebody That I Used To Know, featuring Kimbra from the album Making Mirrors Buy Somebody That I Used To Know here: http://www.smarturl.it/gotyesomebody Buy Making Mirrors here http://www.smarturl.it/gotye http://www.gotye.com/ http://www.facebook.com/gotye/ http://www.twitter.com/gotye/
********************************************** Somebody That I Used To Know lyrics
Now and then I think of when we were together Like when you said you felt so happy you could die Told myself that you were right for me But felt so lonely in your company But that was love and it's an ache I still remember
You can get addicted to a certain kind of sadness Like resignation to the end Always the end So when we found that we could not make sense Well you said that we would still be friends But I'll admit that I was glad that it was over
But you didn't have to cut me off Make out like it never happened And that we were nothing And I don't even need your love But you treat me like a stranger And that feels so rough You didn't have to stoop so low Have your friends collect your records And then change your number I guess that I don't need that though Now you're just somebody that I used to know
Now and then I think of all the times you screwed me over But had me believing it was always something that I'd done And I don't wanna live that way Reading into every word you say You said that you could let it go And I wouldn't catch you hung up on somebody that you used to know...
But you didn't have to cut me off Make out like it never happened And that we were nothing And I don't even need your love But you treat me like a stranger And that feels so rough You didn't have to stoop so low Have your friends collect your records And then change your number I guess that I don't need that though Now you're just somebody that I used to know
I used to know That I used to know
Somebody... *************
Video credits: Directed, produced and edited by Natasha Pincus Body art by Emma Hack Cinematographer and colourist: Warwick Field Scenic artist: Howard Clark Key grip: Rob Hansford Assistants: Rose Cidoni, Claire Leighton, Rob Murray Original artwork by Frank De Backer
Music credits: Produced by Wally De Backer Mixed by Francois Tetaz, assisted by Wally at Moose Mastering, Richmond, VIC Bass recorded by Wally in Lucas Taranto's loungeroom, Melbourne, VIC All other sounds put together by Wally in The Barn, Merricks, VIC
Bass guitar: Lucas Taranto Lead and backing vocals: Kimbra Guitar, flutes, percussion and synth samples, lead and backing vocals: Wally
Contains a sample of the recording Seville as performed by Luiz Bonfa. Courtesy of Geffen Records, under license from Universal Music Enterprises. Used by permission. All rights reserved. Written by Luiz Bonfa and published by Sasqua Music. Used by permission.
less
|
|
| |
|
r0ckz0rz liked a video
(1 month ago)

the misfits die die my darling studio version ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Die, die, die my darling Dont utter a single word Die, die, die my dar...
more
the misfits die die my darling studio version ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Die, die, die my darling Dont utter a single word Die, die, die my darling Just shut your pretty mouth
Ill be seeing you again Ill be seeing you in hell
Dont cry to me oh baby Your futures in an oblong box, yeah Dont cry to me oh baby Should have seen it a-comin on Dont cry to me oh baby I dont know it was in your power Dont cry to me oh baby Dead-end girl for a dead-end guy Dont cry to me oh baby Now your life drains on the floor Dont cry to me oh baby
Die, die, die my darling Dont utter a single word Die, die, die my darling Just shut your pretty mouth
Ill be seeing you again Ill be seeing you in hell
Dont cry to me a baby Your future is in an oblong box Dont cry to me oh baby Should have seen the end a-comin on, a-comin Dont cry to me oh baby I dont know it was in your power Dont cry to me oh baby Dead-end girl for a dead-end guy Dont cry to me oh baby Now your life drains on the floor Dont cry to me oh baby
Die, die, die my darling Dont utter a single word Die, die, die my darling Shut your pretty mouth
Ill be seeing you again Ill be seeing you in hell
Dont cry to me oh baby Die, die, die my darling Dont cry to me oh baby Die, die, die my darling Die, die, die my darling Die, die, die my darling
Die, die, die, die, die, die....
less
|
|
| |
|
r0ckz0rz liked a video
(1 month ago)
http://itunes.apple.com/gb/album/rain... Thanks to Barry M Cosmetics! HQ audio version here http://www.barrym.com/fun/jacqueline-...
Lyrics:
There's ...
more
http://itunes.apple.com/gb/album/rain... Thanks to Barry M Cosmetics! HQ audio version here http://www.barrym.com/fun/jacqueline-...
Lyrics:
There's always some place I can go In my head, in my head You'll never know the things I know and there's no way I'm gonna stick around and listen to the sound of you complain
The world is still It's Raining again You're standing still It's Raining again
Heading out further away Not gonna stay, not gonna stay Glancing around in dismay 'cause I have got nothing to lose but I still have something left to gain
The world is still It's Raining again You're standing still It's Raining again Against your will It's Raining again
Time to contemplate your ways But nothing's gonna change It's too late
The world is still It's Raining again You're standing still It's Raining again Against your will It's Raining again
less
|
|
| |
|

Ballet Artist Statement This ballet series reflects my experience and connections with the honesty of the human body, as well as the degradation of ...
more
Ballet Artist Statement This ballet series reflects my experience and connections with the honesty of the human body, as well as the degradation of strength, frailty, and power. I'm seeking to capture the 'aesthetic experience' of ballet, and the fragility of different bodily connections through the contradictory impulses of strength and restraint that often go overlooked. My desires to capture these aspects of movement connect to a personal empathy and experience that I have received from the act of dance. To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is grandeur on earth and it is the individual's own to take. I have revealed these different roles of 'identity' and 'power' through the use of gender, using the male body and setting free the boundaries of artistic emotion and theatrical restrictions societally placed on them. I am constrained by the scanner for this project, as well as the degrading aspects of digital manipulation, translating this 'aesthetic experience' into a processed, degraded, virtual one. I have liberated the camera, and invented an autonomous yet restrained scene and translated it into a frozen performance. Dance is something to be enjoyed as beauty while still within your own mental and physical restraints, and through this series I seek to expose this contradiction of aesthetics.
less
|
|