Esthete of "neo-archaisms" and primitive sonic acts... performing solo rituals (or mono-rites) based on hybrid electronics and digital percussive devices...
Esthete of "neo-archaisms" and primitive sonic acts... performing solo rituals (or mono-rites) based on hybrid electronics and digital percussive devices...
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Since June 2007 Qiipnm'id Yorgomnüg is re-working and ordering his personal sound-material to create his first recording ever. The complexity to organize -- and fix on a recording -- textures and patterns that are not supposed to be heard twice, forces him to dissect his own playing. The result of this precise and quasi analitic inventory is a succession of sonic equations or sound-formulas that conjugate the scientific qualities of experimental composition with synthetic aspects of a raw material empirically obtained and selected.
Made of shamanic-like sonorities (such as gongs, metal bells, deep frame drums...) viewed via a digital/analogic electronic prism using real-time treatments -- "A silica(te) replica" presents for the first time on disc the peculiar language of this enigmatic figure. ..............................
November/December 2007 : "Monolith"
A surprising piece for pure electronics, mouth organ, metal string and contact microphone is gradually down-graded to reach infra-bass sound-sculpting. A work in 4 parts between noise-trajectory study and signal-loss testing.
N.B. "Monolith IV" cannot be heard on mediocre sound-systems. If using headphones, beware of high volume listening... ..............................