The history of the Latin rock was in three basic stages. The first of them starts with the entry of the anglo-saxon rock. At that time the latin-americanisation gave through translation of what he was doing Elvis Presley and rock musicians of the United States and England. On the contrary, the second stage began with the proliferation of bands who were looking for a sound and voice their own. During this period, the latin american rock already begins to outline their identity in each country and it is converted to a product with an aesthetic and cultural tradition. The third wave is that of consolidation as a genre that is characterized by a diversity of musical styles, the product of mergers, and always filled with a powerful message. The First Steps in the first few times we need to focus on what is happening at the end of the 1940s in the United States, particularly in the state of California. But immediately we will have to look to Mexico and Argentina.

In the city of Los Angeles makes his appearance Richie Valens, the most famous of the first rockers latinos, who was charged with introducing the mexican folklore in the American audience by means of rock and roll, creating songs as famous as "La Bamba". But still the rock in Spanish had not deployed its wings and was still essentially hot in english. In the decade of the 60's and 70 's, the majority of the Latino groups interpreted the themes of the Beatles or other similar bands. But it was from the 80's when the recording industry realizes that the rock emerged in Latin America, presented some very interesting prospects for that time. One of the pioneers was Miguel Mateos, who with a stunning success in argentinean lands, reaches up to Mexico, even the United States and spanish coasts, but dragging it to groups that are so important for the musical scene as Enanitos Verdes, Soda Stereo and viruses. This also helped to ensure that the bands in Mexico would have a greater support and may arise groupings such as the Tri and Caifanes, and then having the spanish bands as men-G, the Union, Heroes of the Silence, the last in the Row, among others. From there we also have the musical geniuses such as Charly García, GIT, Nacha Pop Radio Future and Kenny and Electric. The concept of the Rock in Spanish rose steeply, and as well as the bands sold abundant material in their own countries, the labels supported the internationalization of the same making them foreign scenarios.

Soy estudiante me gusta el rock en español, las baladas en ingles.

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