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online192 favorited a video
(10 hours ago)
Channel Live - Mad Izm (Feat. KRS-One)
dope hip hop video
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online192 favorited a video
(10 hours ago)
Single from the Group Home's sophomore effort, 'A Tear for the Ghetto', ...
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Single from the Group Home's sophomore effort, 'A Tear for the Ghetto', released in 1999 on Replay Records.
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online192 favorited a video
(1 day ago)

From 1994 Album: "Word...Life".....
O.C.'s Myspace: http://www.m...
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From 1994 Album: "Word...Life".....
O.C.'s Myspace: http://www.myspac...
.....Purchase O.C.'s music from there also
Omar Credle (born in 1972 in Brooklyn, New York), known by his stage name, O.C., is an American rapper who has been involved with several renowned underground hip-hop groups and also released many solo albums.
Credle was born in Brooklyn and raised in the Bushwick section. In 1991, he made his recording debut on Organized Konfusion's "Fudge Pudge" and one year later he made a featuring on the remix of MC Serch's "Back to the Grill" (which also features a very young Nasty Nas). By 1994, he had signed with Wild Pitch Records and recorded the seminal classic Word...Life which featured his most notable single "Time's Up". The album was critically acclaimed and remains beloved in hip-hop circles.
In 1997, O.C. signed to Pay Day Records, where he released his second album Jewelz — another critically acclaimed effort that kept O.C. headed in the right direction and featured collaborations with DJ Premier, Da Beatminerz and Freddie Foxxx. By this time, he was a part of the underground rap act known as Diggin' in The Crates together with legends like Lord Finesse, Showbiz & A.G., Diamond D, Buckwild and Big L. In 2000 the crew released their self-titled debut album through Tommy Boy Records on which O.C. featured on the majority of the songs.
The 2001 release of Bon Appetit was met with very mixed reviews; the negative accused O.C. of selling out with a polished, shining and toned-down sound. This was although Buckwild produced the large bulk of the album with the only help coming from Lord Finesse and Ahmed (pretty much the same formula that made Word...Life'. After the disappointing release O.C. disappeared from the scene until 2005, when he released his fourth album with Grit Records; Starchild which only dropped as a very limited Japanese/European import and was met with great acclaim. Later that year, he signed with Hieroglyphics Imperium Recordings and teamed up with Bronx-native producer Mike Loe, and dropped Smoke and Mirrors.
O.C. is also known for his feature on the Clockers soundtrack as part of the Crooklyn Dodgers, which also featured rappers Chubb Rock and Jeru the Damaja on the now classic DJ Premier produced "Return of the Crooklyn Dodgers". This is however the only time the group has ever collaborated.
Right now, O.C. is collaborating with fellow D.I.T.C. member A.G. for an album entitled Oasis which is set to be released on November 23 2009. The bulk of the album is produced by French beatsmith E-Blaze with additional tracks supplied by Lord Finesse, Statik Selektah and Showbiz who also acts as the executive producer of the album.
Updated & Extended Info here: http://en.wikiped...
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From 1990 Album: "Brown & Proud"...[Artist info below].......
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From 1990 Album: "Brown & Proud"...[Artist info below].....
Get LSOB's Music: http://www.amazon... & http://itunes.app...
Part of the early-'90s explosion of Latin rap, Lighter Shade of Brown (LSOB) was formed in Riverside, CA, in 1990, when the teenage ODM (One Dope Mexican, born Robert Gutierrez) was introduced to DTTX (Don't Try to Xerox, born Bobby Ramirez). The duo began cutting demos and secured a record deal within the year; they debuted with 1990's Brown and Proud for Quality Records hip-hop subsidiary Pump. Though they didn't break out on the level of Cypress Hill, the group garnered some positive reviews and established themselves as one of the better Latin rap outfits around. The follow-up, Hip Hop Locos, was released in 1992, and helped LSOB land a major-label shot with Mercury, where they contributed to the soundtracks of the Latino-oriented films Mi Vida Loca and I Like It Like That. 1994's full-length Layin' in the Cut proved disappointing, however, and the disillusioned partners took a temporary break from the music business. They returned in 1997 on Oakland's much smaller Thump Records (in partnership with the Greenside label), issuing a self-titled album with guests including Rappin' 4-Tay and Tony! Toni! Toné!'s Dwayne Wiggins. Thump released a greatest-hits collection in 1999, and their fifth album, If You Could See Inside Me, followed, producing a minor hit single in "Sunny Day." In late 1999, Gutierrez became a radio DJ in the Los Angeles area.
Extended & updated info here: http://en.wikiped...
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