mueet

studies of the gaze, observation, and voyeurism through an ontological video cinema, using still images and montage to create a passage from space to space and the lo-fidelity quality of digital video in oppositional resistance to the seamless and uniformal manipulation of sound and image in commercial and capital pursuits. Cinema is produced, circulated, and consumed through digital video, establishing the video with a material existence enabled by its self-reflection on its self-perception.

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