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mizbeautiful15 favorited a video
(3 months ago)
Portland OR Kurdish Newroz Party - March 2009
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mizbeautiful15 favorited a video
(3 months ago)
kurdish party portland kak fayek
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mizbeautiful15 favorited a video
(4 months ago)
ME ESTOY ENAMORANDO
_______________________
Me has hecho tanta falta
Hoy me...
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ME ESTOY ENAMORANDO
_______________________
Me has hecho tanta falta
Hoy me siento tan solo
¿Qué me estará pasando?
te necesito aquí
No puedo consolarme
Si no tengo tus besos
¿Qué me estará pasando?
Hay corazón por ti
Me estoy enamorando hoy de ti
Pero perdidamente
Yo que tanto decía que jamás
Me volvería a pasar
Me estoy enamorando hoy de ti
Desesperadamente
Yo no me lo esperaba
Pero te amo cada día más
Pero de que manera
Me estuve preguntando
Yo que ni lo pensaba
Ni me lo presentí
No puedo estar sin verte
Siempre te estoy soñando
¿Qué me estará pasando?
Ya no vivo sin ti
Me estoy enamorando hoy de ti
Pero perdidamente
Yo que tanto decía que jamás
Me volvería a pasar
Me estoy enamorando hoy de ti
Desesperadamente
Yo no me lo esperaba
Pero te amo cada día más
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mizbeautiful15 favorited a video
(5 months ago)
GMA Records
from the album "Love Is All I Need"
Directed by Milo...
more
GMA Records
from the album "Love Is All I Need"
Directed by Milos Curameng
Fans and critics alike may remember the enjoyable pop concoctions she and her producers have created in her debut. Those dreamy vocals sliding smoothly on a piano base sure kept listeners humming and aptly longing for more. This time though as a reaction to requests, and expectations perhaps, Yasmien's eagerly awaited sophomore effort has finally materialized.
Nourished by actual music industry experience and inescapable critique - an applicable combination for growth - Yasmien returns to the big league with "Love Is All I Need", a surprisingly noble effort framed with the intention of eliciting impressed looks and raves, as well as silencing detractors. It seemed that the time it took to craft this album had changed Yasmien's point of view; it's as if she closed her eyes and envisioned that a timely transformation is a key.
Make no mistake about it, Yasmien still glows with the same friendly light; only that she is more capable of harnessing it now in varying degrees. Under the professional support of GMA Records, "Love Is All I Need" is an assertive collection of sensible pop goodies supplied with an ample amount of inventive collaborations. Produced by Miguel Alcaraz and Michael Dizon of Sandwich, Alwyn Cruz and Rene Salta, the result of the experimentation is adequately astonishing.
And this exploration is none more palpable than in the first single "Kisapmata", a rock anthem baptized in modern pop fashion. Unlike the original's dark emotive treatment, Yasmien's adaptation plays around the riveting lyrics with amiable, sunny production. The accompanying video, directed by Milos Cumareng, portrays a magical Yasmien wandering around streets and districts; the backdrop of which is a venue of ordinary life. Essentially, the video translates the song's very meaning that is, wherever you go, in the blink of an eye, you are transported to an entirely different world.
The carrier single leaves a lasting effect and clear indication of what one may expect from the rest of the album. From the cool breeziness of "Give Me A Sign" to the positive piano chords of "Wishing Well", and the vintage soul of "One Day", the so-called sophomore slump is crushed to oblivion; here is a girl who knows what she is doing and revels in it.
Riding along the delightful line-up change, Yasmien takes a huge leap in her music career as she gleefully strides into the singer-songwriter path with title track "Love Is All I Need". Considering that this is her first take at songwriting, she pulls it off, to a large extent, with fairylike grace, proudly singing "Climb a mountain and touch the clouds, Sing a song in different sounds..." backed by soft arrangements and memorable, modest lines. This is a significant moment for her music career that demands-and commands-respect and that she is recognized as an artist serious in the perfection and development of her craft.
On the subject of development, her vocal technique remains breathy but not frail, and still esoterically appealing. But now she is gradually realizing, and understanding, the range and distortions that come along with possessing a distinct voice. Two songs that exhibit subtle vocal variations include the despondent but rich "Even If", a ballad reminiscent of a young Sarah McLachlan, and the ultra-catchy "Take It Or Leave It", molded in the same structure as "I Know", which incidentally is interjected in a mix version included in the album.
Rock-tinged "Hayaan Mo Na", a collaboration with Mong Alcaraz and Mike Dizon of Sandwich, turns up the heat. The steady beats and dampened guitar riffs are as catchy as hell and Yasmien doesn't disappoint: she delivers with ethereal melodrama in the presence of accomplished musicians. Her cover of "Goodbye" follows suit, bringing a new touch to an old iconic track.
Yasmien ups the ante and shifts genre in "Candlelight Romance", an electronica/dance ditty rich in driving beats, laser-like penetrating thumps, and synth-heavy bangs. Her voice, in typical electronic manner, is manipulated to sound mechanized. This also proves her comprehension of the musical repertoire an artist should have.
Acting has been Yasmien's foremost forte, naturally calling forth assorted personas with each role. But upon listening to this follow-up, she has taken that instinctive adaptability in her music too. It is always a relief to see someone rooted in safe territory reaching out to greater heights; so it is even a greater delight to see Yasmien, generally groomed as a pop princess in the public eye, trying out different styles. Yes, the good, old princess is still there but you get the sense that the adventurous, self-assured queen within her is steadily making its presence felt.
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mizbeautiful15 favorited a video
(5 months ago)
GMA Records - from the album "Love Is All I Need"
Directed by M...
more
GMA Records - from the album "Love Is All I Need"
Directed by Milos Curameng
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