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micikaJEBOTEPAS favorited a video
(1 month ago)
the real deceptacon by le tigre
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micikaJEBOTEPAS favorited a video
(2 months ago)
Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 18...
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Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.
Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
"Gnossienne" is the name given to several piano pieces by French composer Erik Satie in the late 19th century.
Satie's coining of the word "gnossienne" was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. Satie had and would use many novel names for his compositions; for example, "ogive" had been the name of an architectural element until Satie used it as the name for a composition, the Ogives Similarly with "vexations", "croquis et agaceries" and so on—but "gnossienne" was a word that did not exist before Satie used it to indicate a composition. "Gnossienne" appears to be derived from the word gnosis; Satie was involved in gnostic sects and movements at the time that he began to compose the Gnossiennes. However, some published versions claim that the word derives from Cretan "knossos" or "gnossus" and link the Gnossiennes to Theseus, Ariadne and the Minotaur myth.
The Gnossiennes were composed by Satie in the decade following the composition of the Trois Sarabandes (1887) and the Trois Gymnopédies (1888). Like these Sarabandes and Gymnopédies, the Gnossiennes are often considered dances. It is not certain that this qualification comes from Satie himself—the sarabande and the Gymnopaedia were at least historically known as dances.
The musical vocabulary of the Gnossiennes is a continuation of that of the Gymnopédies (a development that had started with the 1886 Ogives → Sarabandes → Gymnopédies → Gnossiennes) later leading to more harmonic experimentation in compositions like the Danses Gothiques. These series of compositions are all at the core of Satie's characteristic 19th century style, and in this sense differ from his early salon compositions (like the 1885 "Waltz" compositions published in 1887), his turn-of-the-century cabaret compositions (like the Je te Veux Waltz), and his post-Schola Cantorum piano solo compositions, starting with the Préludes flasques in 1912.
[from Wikipedia]
Artwork:Remedios Varo
Played by:Daniel Varsano
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micikaJEBOTEPAS favorited a video
(2 months ago)
Eszterne(K) ∞ One
Jimmy Page, Robert Plant: Walking into Clarksdale (1998)
Track 7.
Vocal: Robert Plant
Guitar: Jimmy Page
Bass: Charlie Jones
Drums: M...
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Eszterne(K) ∞ One
Jimmy Page, Robert Plant: Walking into Clarksdale (1998)
Track 7.
Vocal: Robert Plant
Guitar: Jimmy Page
Bass: Charlie Jones
Drums: Michael Lee
Lyrics:
Do you gather flowers for me
Moving softly through the trees
With the scent against your arms
Long ago I knew your charms
As I walk through the purple hills of
Soon forgotten
Know that my heart was in your hand
And my heart was in your hand
Do your lips still call my name
Would your mouth still taste the same
There I learned the sweetest words
Oh! What price of mercy
Yeah, though I steal all across the years
The memory lingers on
With my heart in your hand
Oh, my heart in your hand
Should I fall beside the road
Everlasting wandering soul
And the memory sublime
And my heart was there
Yeah, as I walk through the purple hills of
Long ago
I know my heart was in your hand
Oh, my heart was in your hand
my heart is in your hand
Oh, my heart
Örök
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micikaJEBOTEPAS liked a video
(2 months ago)
Comparison of the two tracks
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micikaJEBOTEPAS favorited a video
(3 months ago)
Part one of 'The Angel and the Soldier Boy', based on the picture book by Peter Collington. Music by Clannad. Animation by Alison de Vere.
If you li...
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Part one of 'The Angel and the Soldier Boy', based on the picture book by Peter Collington. Music by Clannad. Animation by Alison de Vere.
If you like this animation, check out the others from Grasshopper Productions. They deserve more attention than they've received. I do not own the copyrights to this video.
http://www.grasshopper.co.uk/html/ang... http://www.organa.com/index.php?main_...
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kao prvo hvala sto postojis,
a kao drugo da li bi negdje mogao skinuti sve epizode ewoksa??????
pozz brna
Hvala ti na podesacnju na detinjstvo :)
Pozdrav iz Beograda,
Ivana