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The Saint Thomas Choir of Men & Boys, under the direction of John Scott, sings Psalm 150 in closing procession at Sunday Choral Evensong. Chora...
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The Saint Thomas Choir of Men & Boys, under the direction of John Scott, sings Psalm 150 in closing procession at Sunday Choral Evensong. Choral Evensong occurs most Sundays (September - May) at 4pm and many Tuesday, Wednesday and Thursday evenings at 5:30pm. See www.SaintThomasChurch.org/music for details.
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Johann Sebastian Bach (1685 - 1750): RUHT WOHL, IHR HEILIGEN GEBEINE
Final chorus and chorale from the St. John Passion.
The handwriting is by Johann ...
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Johann Sebastian Bach (1685 - 1750): RUHT WOHL, IHR HEILIGEN GEBEINE
Final chorus and chorale from the St. John Passion.
The handwriting is by Johann Nathanael Bammler, who was prefect in the Thomanerchor Leipzig and an assistant to Bach in the late 1740s.
The St. John Passion was composed in the beginning of 1724 and had its first performance on Good Friday the same year (April 7). The original score by Bach is now lost. In the late 1730s, Bach began writing a new fair copy of the score. But he broke off his writing in the middle of the 10th movement (the recitative "Derselbige Jünger"). It is known that a planned passion performance in 1739 was cancelled by the church authorities in Leipzig, because Bach had not in due time seeked their approval of the passion text. Possibly this incident explains why he did not complete the score at that time. In 1749, in connection with a new performance of the St. John Passion, the score was finally completed by Bammler. Bach then reviewed the score and corrected various mistakes.
Ruht wohl, ihr heiligen Gebeine, Die ich nun weiter nicht beweine, Ruht wohl und bringt auch mich zur Ruh! Das Grab, so euch bestimmet ist Und ferner keine Not umschließt, Macht mir den Himmel auf und schließt die Hölle zu.
Ach Herr, laß dein lieb' Engelein Am letzten End die Seele mein In Abrahams Schoß tragen, Den Leib in seim Schlafkämmerlein Gar sanft ohn ein'ge Qual und Pein Ruh'n bis am jüngsten Tage! Alsdenn vom Tod erwecke mich, Daß meine Augen sehen dich In aller Freud, o Gottes Sohn, Mein Heiland und Genadenthron! Herr Jesu Christ, erhöre mich, Ich will dich preisen ewiglich!
Rest well, ye holy bones and members, Which I henceforth shall never weep for, Rest well and bring me, too, to rest! The tomb which for you is assigned, And henceforth no distress will hold, Doth open heav'n to me and shut the gates of hell.
Ah Lord, let thine own angels dear At my last hour my spirit bear To Abraham's own bosom, My body in its simple bed In peace without distress and dread Rest till the day of judgment! And then from death awaken me, That with mine eyes I may see thee In fullest joy, O God's own Son, My Savior and my gracious throne! Lord Jesus Christ, give ear to me, I would thee praise eternally!
The autograph score by Bammler can be found here (Satz 39 & 40): http://www.bach-digital.de/receive/Ba...
The Monteverdi Choir The English Baroque Soloists Conducted by John Eliot Gardiner
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Johann Sebastian Bach (1685 † 1750) Zweiter Teli (Schluss):
work: St. Matthew Passion, BWV244 Nr.68 Wir setzen uns mit Tränen nieder (Chor I/II)
Satz...
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Johann Sebastian Bach (1685 † 1750) Zweiter Teli (Schluss):
work: St. Matthew Passion, BWV244 Nr.68 Wir setzen uns mit Tränen nieder (Chor I/II)
Satzzählung nach der Neuen Bach-Ausgabe
Ernst Haefliger, Tenor (Evangelist) Walter Berry, Bass (Jesus) Agnes Giebel, Sopran Marga Höffgen, Alt John van Kesteren, Tenor (Arien) Franz Crass, Bass (Arien) Leo Ketelaars, Bass (andere Partien)
Niederländischer Rundfunkchor Einstudierung: Carel Laout Royal Concertgebouw Orchestra Amsterdam EUGEN JOCHUM
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