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larockeramenor favorited a video
(1 week ago)
**The material on this site is shared without profit for educational pur...
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**The material on this site is shared without profit for educational purposes, information and research** All images used are shared by various websites allowing public usage without restriction** I believe this constitutes a 'Fair Use' of any such Copyrighted material as provided for in section 107 of the US Copyright Law, In accordance with Title 17 U.S.C. Section 107**
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larockeramenor favorited a video
(4 weeks ago)

This title is taken from King Crimson´s album, " In the Court of th...
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This title is taken from King Crimson´s album, " In the Court of the Crimson King" (1969 / England)
In the Court of the Crimson King is the 1969 debut album by the British progressive rock group King Crimson. The album reached #5 on the British charts, and is certified gold in the United States http://en.wikiped...
Official Website: http://www.king-c...
Robert Fripp - guitar Greg Lake - bass guitar, vocals Ian McDonald - keyboards, mellotron, reeds and woodwind, vibraphone, vocals Michael Giles - drums, percussion, vocals Peter Sinfield - lyrics, illumination Barry Godber - painted the album cover
The Court Of The Crimson King (Including ''The Return Of The Fire Witch'' And ''The Dance Of The Puppets'') Written-By -- Ian McDonald, Peter Sinfield Recorded at Wessex Sound Studios, London.
The rusted chains of prison moons Are shattered by the sun. I walk a road, horizons change The tournament's begun. The purple piper plays his tune, The choir softly sing; Three lullabies in an ancient tongue, For the court of the crimson king.
The keeper of the city keys Put shutters on the dreams. I wait outside the pilgrim's door With insufficient schemes. The black queen chants the funeral march, The cracked brass bells will ring; To summon back the fire witch To the court of the crimson king.
The gardener plants an evergreen Whilst trampling on a flower. I chase the wind of a prism ship To taste the sweet and sour. The pattern juggler lifts his hand; The orchestra begin. As slowly turns the grinding wheel In the court of the crimson king.
On soft grey mornings widows cry, The wise men share a joke; I run to grasp divining signs To satisfy the hoax. The yellow jester does not play But gently pulls the strings And smiles as the puppets dance In the court of the crimson king.
King Crimson One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised of guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who "invented" the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles. They toured extensively and released the album In The Court Of The Crimson King (An Observation By King Crimson), a seminal piece of late '60s music. Shortly afterwards, the band split to reform again suffering continuous personnel changes for a period of two and a half years (early 1970-mid 1972), releasing three more studio albums and one recorded live, with Robert Fripp as the only remaining member. The new King Crimson that evolved in July 1972 (again with some personnel changes) marks a turn toward a heavier progressive sound, with experimental and fusion overtones, that climaxes mostly on their unique semi-improvisatory live performances throughout the whole 1973 until mid 1974, when Fripp broke up the band for good.
In mid 1981, after a full 7 years, a new-formed band by Robert Fripp (with Adrian Belew on guitar; Tony Levin on bass; and drummer Bill Bruford, who also featured in the landmark years 1972-74) will change its name, from Discipline to King Crimson. This line-up will surprisingly stay intact until summer 1984, releasing three studio albums.
Ten years after (May 1994), King Crimson start rehearsing again, this time as a double trio (added to the four above, are Pat Mastelotto on percussion, and Trey Gunn on stick). It is in this time that the Discipline Global Mobile label is started, enabling for the first time Mr. Fripp and associates to release their own music by their own (high) standards. The double trio scheme will only release two full albums and various ep's, yet it will lead to its "fractalization" to groups of three (or four), thus forming the ProjeKcts. Five such ProjeKcts will live and flourish (One, Two, Three, Four, and X), and their live and studio sessions will be released by DGM, along with numerous other recordings from all periods of King Crimson (some under the King Crimson Collector's Club; bi-monthly releases for members only). In the hands of DGM, the King Crimson back catalogue (most late additions only on FLAC/MP3 format) grows enormously, making it one of the biggest for any rock group ever.
The next reincarnation of the band, their first complete studio work being "The ConstruKction of Light" album (May 2000), omits Bill Bruford and Tony Levin and carries on until the end of 2003. Since, Tony Levin has rejoined and Trey Gunn has departed. In 2008, with the addition of Gavin Harrison the new King Crimson is performing again. http://www.discog...
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larockeramenor liked a video
(4 weeks ago)

This title is taken from King Crimson´s album, " In the Court of th...
more
This title is taken from King Crimson´s album, " In the Court of the Crimson King" (1969 / England)
In the Court of the Crimson King is the 1969 debut album by the British progressive rock group King Crimson. The album reached #5 on the British charts, and is certified gold in the United States http://en.wikiped...
Official Website: http://www.king-c...
Robert Fripp - guitar Greg Lake - bass guitar, vocals Ian McDonald - keyboards, mellotron, reeds and woodwind, vibraphone, vocals Michael Giles - drums, percussion, vocals Peter Sinfield - lyrics, illumination Barry Godber - painted the album cover
The Court Of The Crimson King (Including ''The Return Of The Fire Witch'' And ''The Dance Of The Puppets'') Written-By -- Ian McDonald, Peter Sinfield Recorded at Wessex Sound Studios, London.
The rusted chains of prison moons Are shattered by the sun. I walk a road, horizons change The tournament's begun. The purple piper plays his tune, The choir softly sing; Three lullabies in an ancient tongue, For the court of the crimson king.
The keeper of the city keys Put shutters on the dreams. I wait outside the pilgrim's door With insufficient schemes. The black queen chants the funeral march, The cracked brass bells will ring; To summon back the fire witch To the court of the crimson king.
The gardener plants an evergreen Whilst trampling on a flower. I chase the wind of a prism ship To taste the sweet and sour. The pattern juggler lifts his hand; The orchestra begin. As slowly turns the grinding wheel In the court of the crimson king.
On soft grey mornings widows cry, The wise men share a joke; I run to grasp divining signs To satisfy the hoax. The yellow jester does not play But gently pulls the strings And smiles as the puppets dance In the court of the crimson king.
King Crimson One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised of guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who "invented" the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles. They toured extensively and released the album In The Court Of The Crimson King (An Observation By King Crimson), a seminal piece of late '60s music. Shortly afterwards, the band split to reform again suffering continuous personnel changes for a period of two and a half years (early 1970-mid 1972), releasing three more studio albums and one recorded live, with Robert Fripp as the only remaining member. The new King Crimson that evolved in July 1972 (again with some personnel changes) marks a turn toward a heavier progressive sound, with experimental and fusion overtones, that climaxes mostly on their unique semi-improvisatory live performances throughout the whole 1973 until mid 1974, when Fripp broke up the band for good.
In mid 1981, after a full 7 years, a new-formed band by Robert Fripp (with Adrian Belew on guitar; Tony Levin on bass; and drummer Bill Bruford, who also featured in the landmark years 1972-74) will change its name, from Discipline to King Crimson. This line-up will surprisingly stay intact until summer 1984, releasing three studio albums.
Ten years after (May 1994), King Crimson start rehearsing again, this time as a double trio (added to the four above, are Pat Mastelotto on percussion, and Trey Gunn on stick). It is in this time that the Discipline Global Mobile label is started, enabling for the first time Mr. Fripp and associates to release their own music by their own (high) standards. The double trio scheme will only release two full albums and various ep's, yet it will lead to its "fractalization" to groups of three (or four), thus forming the ProjeKcts. Five such ProjeKcts will live and flourish (One, Two, Three, Four, and X), and their live and studio sessions will be released by DGM, along with numerous other recordings from all periods of King Crimson (some under the King Crimson Collector's Club; bi-monthly releases for members only). In the hands of DGM, the King Crimson back catalogue (most late additions only on FLAC/MP3 format) grows enormously, making it one of the biggest for any rock group ever.
The next reincarnation of the band, their first complete studio work being "The ConstruKction of Light" album (May 2000), omits Bill Bruford and Tony Levin and carries on until the end of 2003. Since, Tony Levin has rejoined and Trey Gunn has departed. In 2008, with the addition of Gavin Harrison the new King Crimson is performing again. http://www.discog...
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from the episode The Couch in season 6
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larockeramenor favorited a video
(1 month ago)

HAPPY NEW YEAR / ABBA
No more champagne And the fireworks are through Her...
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HAPPY NEW YEAR / ABBA
No more champagne And the fireworks are through Here we are, me and you Feeling lost and feeling blue It's the end of the party And the morning seems so grey So unlike yesterday Now's the time for us to say
Happy new year Happy new year May we all have a vision now and then Of a world where every neighbour is a friend Happy new year Happy new year May we all have our hopes, our will to try If we don't we might as well lay down and die You and I
Sometimes I see How the brave new world arrives And I see how it thrives In the ashes of our lives Oh yes, man is a fool And he thinks he'll be okay Dragging on, feet of clay Never knowing he's astray Keeps on going anyway
Happy new year Happy new year
May we all have a vision now and then Of a world where every neighbour is a friend Happy new year Happy new year May we all have our hopes, our will to try If we don't we might as well lay down and die You and I Seems to me now That the dreams we had before Are all dead, nothing more Than confetti on the floor It's the end of a decade In another ten years time Who can say what we'll find What lies waiting down the line In the end of eighty-nine
Happy new year Happy new year May we all have a vision now and then Of a world where every neighbour is a friend Happy new year Happy new year May we all have our hopes, our will to try If we don't we might as well lay down and die You and I
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Thank You for Your comment!!!
Maria:)))
my bad
BUT I WILL TRY.
and Thank you so much for that :)
Take Care ...
I love latin Reggateon Music :) I hear alot of thier Music , and You can send me some if you have more :)
Take Care ...
David