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Violin Instrumental Ustad Raees Ahmad Khan Banwari chakori kare dunya se Noor Jehan Anarkali
Ustad Raees Ahmad Khan is a famous violin virtuoso of ...
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Violin Instrumental Ustad Raees Ahmad Khan Banwari chakori kare dunya se Noor Jehan Anarkali
Ustad Raees Ahmad Khan is a famous violin virtuoso of Pakistan. He has been awarded 'Pride of Performance' by Government of Pakistan
Nurjehan or Noorjehan (Punjabi, Urdu: نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 December 23, 2000) who was a singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarranum (Urdu: ملکہ ترنم, English: the queen of melody).
Born in a family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of Pakistan including Urdu, Punjabi and Sindhi languages,[5] Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.
In 1957, Jehan was awarded the President's Award for her acting and singing capabilities.
Born in Kasur, Punjab, British India[6] and was one of the eleven children of professional musicians Madad Ali and Fateh Bibi.
The family would often perform at theaters, although only Wasai's eldest sisters would go on to pursue a career in acting. Two of her sisters, Eidan Bai and Haider Bandi, were successful actors at the rural Taka Theatre[8] in Lahore.
Wasai began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal.[9] At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti,[10] who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.
The family moved to Calcutta (now Kolkata) in hope of developing the movie careers of Wasai and her sisters. During their stay in Calcutta, the renowned singer Mukhtar Begum, encouraged Wasai and her two older sisters to join film companies and recommended them to various producers. She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences). It was here that Wasai received the stage name Baby Noor Jehan. Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail.[5] Wasai would later adopt Mukhtar Begum's way of performance and sari attire.
In 1935, K.D. Mehra directed Pind di Kurhi in which Jehan acted along with her sisters.She next acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer, Damodar Sharma.Baby Noor Jehan also played the child role of Heer in the film Heer-Sayyal (1937). After a few years in Calcutta, Noor Jehan returned to Lahore in 1938. In 1939, Ghulam Haider composed songs for Jehan which led to her early popularity. She then recorded her first song Shala Jawaniyan Mane for Dalsukh M. Pancholi's movie Gul Bakavli.
Prior to Khandaan Jehan was cast as a child artist. It was in 1942 that she played the main lead opposite Pran. Khandaan's success saw her shifting to Bombay (now Mumbai), where she shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. In 1945 Jehan played the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Bari Maa.
In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye". This was the first ever Qawwali recorded in female voices in South Asian films.
Indian Pakistan urdu hindi punjabi songs music folk classical film bollywood lollywood
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