Performance at transmediale '08, Berlin. For the project "Everybody can be Wireless Artist
Performance at transmediale '08, Berlin. For the project "Everybody can be Wireless Artist" Institut FATIMA uses the open source software "reacTIVision" to control and manipulate digital music. A webcam registers the movements of paper cards, each printed with a different symbol. These movements are processed by the computer as data for the controlling of different musical elements in an audiovisual arrangement.
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Added: 5 months ago
Views: 609
Short excerpts from the "Best of Transmedia" programme, curated by Michelle Kasprzak, pres
Short excerpts from the "Best of Transmedia" programme, curated by Michelle Kasprzak, presented at Manchester Urban Screens.
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Added: 9 months ago
Views: 106
Short excerpts from "Otherworldly", curated by Michelle Kasprzak, and featuring the work o
Short excerpts from "Otherworldly", curated by Michelle Kasprzak, and featuring the work of Nelly-Eve Rajotte, Nina Levitt, and Kelly Richardson.
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Added: 9 months ago
Views: 250
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Documentation of Linescape, a work in the exhibition Schematic: Eric Raymond at Canada Hou
Documentation of Linescape, a work in the exhibition Schematic: Eric Raymond at Canada House in Trafalgar Square in London, UK, from April - June 2008.
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Added: 3 months ago
Views: 71
Selections of 8GG's live video mixing performance at the Cathedral Square screen. Part of
Selections of 8GG's live video mixing performance at the Cathedral Square screen. Part of Manchester Urban Screens.
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Added: 9 months ago
Views: 117
Wrestlers at the Hot Chip after-party at Shunt, a club underneath London Bridge Tube stati
Wrestlers at the Hot Chip after-party at Shunt, a club underneath London Bridge Tube station.
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Added: 1 year ago
Views: 475
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Documentation of video from the Immaterial performance. http://michelle.kasprzak.ca/immate
Documentation of video from the Immaterial performance. http://michelle.kasprzak.ca/immaterial.html
With "Immaterial", Michelle Kasprzak explores the frontiers of 3D visualization, video and live performance. Kasprzak integrates digital video loops with 3D objects being animated and textured in real time.
The objects appear to be responding to the movements of the video character (Kasprzak), but it is not immediately apparent which is initiating the interaction: the character, the objects, or both. Notions of actual time and retransmissions are then questioned, and the artist herself has to confront this inversion of time by re-enacting the exact initial movements in order to maintain the integrity of the image.
Upon closer inspection, the audience slowly realizes that their initial assumption, which is that a live video is responding to pre-rendered digitised elements, is false. The performer is in the physical performance space, live, but her representation on the screen is not live. The video character is a loop, an echo of the real person at the computer. The essence of the performance is the harmonization of real time 3D graphics and a video representation of the artist.
With the palette of 3D objects transforming in real time, Kasprzak attempts to respond to and trace her past movements. "Immaterial" is Kasprzak's conversation with her video persona in 3 dimensions.
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Added: 1 year ago
Views: 447
An outtake from video shot for the "Scrub" project: http://michelle.kasprzak.ca/scrub.html
An outtake from video shot for the "Scrub" project: http://michelle.kasprzak.ca/scrub.html
You must have the sound on for the video to make any sense.
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Added: 1 year ago
Views: 452
video art by Michelle Kasprzak
Added: 1 year ago
Views: 72
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