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jazztitch

jazztitch's channel

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23,972 video views
  • jazztitch jazztitch commented 1 day ago

    Jim Black's AlasNoAxis - Maybe

    Live at A Vaulx Jazz 2009, Vaulx-en-Vilen, France

    Chris Speed- tenor sax, Hilmar Jensson- guitar, Skuli Sverrisson- bass, Jim Black- drums

    Film b...

    jazztitch said:

    The sound of nothing happening, for a very, very long time. Oh, except art.

    • Jim Black's AlasNoAxis - Maybe

      Live at A Vaulx Jazz 2009, Vaulx-en-Vilen, France

      Chris Speed- tenor sax, Hilmar Jensson- guitar, Skuli Sverrisson- bass, Jim Black- drums

      Film b...

      jazztitch said:

      Ok, I must admit my interest in music is proportional to the amount, complexity and variety of musical information it contains. That's why I got into jazz. Though I still love 70/80s rock, I found in jazz from bebop to fusion energy plus content. I realise your agenda may be different and discoun...

    • Jim Black's AlasNoAxis - Maybe

      Live at A Vaulx Jazz 2009, Vaulx-en-Vilen, France

      Chris Speed- tenor sax, Hilmar Jensson- guitar, Skuli Sverrisson- bass, Jim Black- drums

      Film b...

      jazztitch said:

      I'm afraid you're all wrong. But what would you know?

    • Jim Black's AlasNoAxis - Maybe

      Live at A Vaulx Jazz 2009, Vaulx-en-Vilen, France

      Chris Speed- tenor sax, Hilmar Jensson- guitar, Skuli Sverrisson- bass, Jim Black- drums

      Film b...

      jazztitch said:

      No, playing jazz-pop - this is hardly experimental. It's derivative, recreationist - a bit of punk, bit of country, simple diatonic structures. No advance here.

    • Jim Black's AlasNoAxis - Maybe

      Live at A Vaulx Jazz 2009, Vaulx-en-Vilen, France

      Chris Speed- tenor sax, Hilmar Jensson- guitar, Skuli Sverrisson- bass, Jim Black- drums

      Film b...

      jazztitch said:

      How bizarre, seeing Sverrisson, an old man who can really play (Allan Holdsworth et al) with a punk jazz band. I'm sure he's coining it though - musicians gotta live, and that often means compromise.

    • Ibanez Tsa15H.

      This is one nice 15 watt amp. sounds a lot like S.R.V. It is a TSA15H, I hit the wrong key on my video.

      jazztitch said:

      What part of the world are you from? That's the most interesting accent - sort of US but all the old English pronunciation in there. As rare as good amp tone!

    • Music Man Amp 210 HD One Thirty for sale on eBay

      Mike Pritchard founder of the band Msbehavin and good friend doing a short demo on the MM Amp. He was at the studio for 9 hours yesterday but still...

      jazztitch said:

      Dreadful OD but probably ok with pedal.

    • First day with a Fender Deluxe Reverb Reissue

      1963 Fender Stratocaster, Fender Deluxe Reverb Reissue, Lovepedal Eternity stompbox

      http://www.guitarmatze.com

      http://magic-acoustic-guita...

      jazztitch said:

      Great to hear an amp demo with (more than) decent guitar playing and recording. Well done!

    + 3 more videosshow less

  • jazztitch jazztitch commented 2 months ago

    The Lick

    The Lick reigns supreme. None can escape its influence. Enjoy!

    *This video was assembled from clips which were discovered by a Facebook group ca...

    jazztitch said:

    So who invented it at 1.23? Debussy? Ravel?

    • The Lick

      The Lick reigns supreme. None can escape its influence. Enjoy!

      *This video was assembled from clips which were discovered by a Facebook group ca...

      jazztitch said:

      So who invented it as 1.23? Debussy? Ravel?

    • jazztitch said:

      This is a classic, before the heavier strings and jazz fundamentalism of the Blue Note years. Clear, highly original phrasing - no-one had done this in jazz or fusion before. Ibanez AS-200, 10-46 strings (sometimes 11 for 10), Pro-co Rat - one of the most imitated guitar sounds of the 80s-90s was...

    + One more videoshow less

  • jazztitch jazztitch commented 2 months ago

    Billy Bang & William Parker - concert from "Mozg"

    Recorded during 3rd Muzyka z Mózgu Festival in Bydgoszcz (Poland)

    25.11.2007

    jazztitch said:

    I never quite get these players - they seem sometimes out of tune and with merely ok technique - not much speed and sometimes shaky time. Or is that an intentional attitude? It's sounds kind of weak - or is it an intentional expression of human frailty and in a minute they might pull a hot, killi...

    • Jan Johansson/Rune Gustafsson Quartet playing Night In Tunesia

      Jan Johansson - pno, Rune Gustafsson - guit, Gunnar Johnsson - bass, Ingvar Callmer - drums

      jazztitch said:

      Stunning! Why did Scandinavians stop playing this way in favour of gazing forlornly across the fjord and wandering rubato over one or two dreary modes?

    • Kairos 4tet - V.C.

      Adam Waldmann - Soprano Saxophone

      Ivo Neame - Piano

      Jasper Høiby - Bass

      Jon Scott - Drums

      -From "Kairos Moment" (2010)

      jazztitch said:

      Why play the same lick/riff how many times? I wanna hear crafty development from my "new" Brit jazz bands not a bunch of dreary repeated modal licks - like, Trane and Reich were there decades ago!

    • Acoustic ladyland thing

      Acoustic ladyland live on jools holand

      jazztitch said:

      Chicken, the music. Postmodernist cobblers - a hollow imitation, in its unbridled lo-fi freedom, of the worst of the 1970s (the best was outstandingly innovative). I think this kind of thing is a musical reflection of the faux revolution of New Labour - kids playing at rebellion when comfy consum...

    • Acoustic ladyland thing

      Acoustic ladyland live on jools holand

      jazztitch said:

      Don't worry everyone. I know who they are, just being ironic. Competent jazzers dumbing for effect. I think it's pretentious crap.

    • Acoustic ladyland thing

      Acoustic ladyland live on jools holand

      jazztitch said:

      Where the jazz bit though?

    • Acoustic ladyland thing

      Acoustic ladyland live on jools holand

      jazztitch said:

      Loads of energy - imagine if they played jazz. It's encouraging to see punks adopting jazz instruments, though. A few lessons in harmony, rhythm and melodic invention and it might be the next big thing. At the moment it's a bit 1970s. Remember Back Door (though they knew harmony so not an exact c...

    + 3 more videosshow less

  • jazztitch jazztitch commented 3 months ago

    GRAHAM COLLIER (R.I.P) ABERDEEN ANGUS.wmv

    What can I say, British Jazz at it's absolute best,make sure to check out the incredible Drum solo courtesy of John Marshall working overtime on hi...

    jazztitch said:

    Tremendous - world class stuff in writing and trumpet - Harry Beckett? Superb clarity of recording too. He must have been an inspirational character.

    By the way, he died 9 September, about 10.30pm. The 10 September error is proliferating over the web, as it will.

    + One more: Likedshow less

  • jazztitch jazztitch commented 3 months ago

    David Murray and Cuban Big Band

    Recorded live in Havana in 2005 with the Cuban Big Band. Featuring some interviews and comments by the musicians. Check out www.myspace.com/davidmu...

    jazztitch said:

    What an irony - Murray in a musical culture renowned for its virtuosity, finesse and accuracy

    • Marcin Wasilewski Trio - Jazz pod gwiazdami 2008 (1/2)

      W trzy kolejne niedziele na przełomie sierpnia i września 2008 na dziedzińcu Muzeum Plakatu w Wilanowie miał miejsce cykl koncertów pod nazwą 'Jazz...

      jazztitch said:

      Sounds more like 10 minutes of the boring rubato drivel of the Coltrane quartet. McCoy and Trane were ok cos they did it first and were also tremendous on changes too but is it really good value in 2011 to be rolling around formlessly on some dreary mode? It's so old! THE greatest Pole, Fred Chop...

    + One more videoshow less

  • jazztitch jazztitch uploaded 5 months ago

    Boogie Mk IV graphic and reverb buzz.mov

    First you see the noise from the graphic, then from the reverb as I reach to the back. The reverb noise occurs only when volume turned and worsens ...

    • jazztitch jazztitch commented 4 months ago

      jazztitch said:

      Thanks - I called John Kelly, Mesa's main London engineer for years and as soon as I described the problem he said he doubted it was faulty. He says it's a high gain amp with transformer close to eq, and the reverb is another gain stage at the end of several. So on full power, pentode, simul-clas...

    + One more: Commentedshow less

  • jazztitch jazztitch commented 11 months ago

    Jazz, soul music - Gregory Porter - Lonely one

    Vocal Jazz & soul music by Gregory Porter: http://motema.com/artist/gr...

    "His all-solo-vocal take on "Feeling Good" is an absolute show...

    jazztitch said:

    Nice, but Kurt Elling got there first, with an operatic technique and more nuance.

    • Charles Gayle Trio- pt 1

      In concert at Bruges

      Charles Gayle (saxofoon), Hilliard 'Hill' Greene (contrabas), Klaus Kugel (drums)

      jazztitch said:

      It's posited on a misunderstanding of bebop. Although fast and chromatically dense, bebop was structured - harmonically, above all. Those who couldn't grasp the harmonic element, or be bothered to grasp it, took the speed and energy and jettisoned difficult harmonic control as symbolising a polit...

    • fred frith & camel zekri Luz 2005

      Guitar improvisation in Jazz a Luz festival,2005,with the amazing Fred Frith and the talented french/algerian Camel Zekri who also played in a gnaw...

      jazztitch said:

      Frith shows no technique and precious little musical awareness. Zekri plays well although his vocab over this drone is pretty much in the McLaughlin mode of In A Silent Way. It's ok. The notion of art as suffering that entitles every Tom, Dick and Harry to bore us to death has got a lot answer for.

    • Anthony Braxton - Impressions

      Anthony Braxton play Impressions - John Coltrane - Woodstock Jazz Festival

      jazztitch said:

      Braxton articulation and intonation are dead poor, no? Or does he like it that way? He's got no harmonic command either - we just mostly hear the underlying mode.

    • DEREK BAILEY - Playing For Friends on 5th Street

      Playing for Friends on 5th Street catches free-improv guitar legend Derek Bailey in an intimate concert for about 40 friends and fans on December 2...

      jazztitch said:

      The political dimension should not be missed. Notice how he dismisses his dance-band 2-5-1s in favour of the 'freedom' of atonality. The implication is that 2-5-1s stand for bourgeois complacency while atonality expresses free-thinking. Ironically, for its success the 'music' requires the complic...

    • DEREK BAILEY - Playing For Friends on 5th Street

      Playing for Friends on 5th Street catches free-improv guitar legend Derek Bailey in an intimate concert for about 40 friends and fans on December 2...

      jazztitch said:

      I think a man who's heart is in the right place and comes from an honourable British tradition of avant-garde whimsy, but notice what a large part humour and audience complicity plays in the whole performance. The free improv would be hard put to stand on its own terms as, his routine dance band ...

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  • jazztitch jazztitch commented 1 year ago

    Gjerstad,Parker,Drake @ the Vortex 1.12.10

    Frode Gjerstad,Willian Parker,Hamid Drake @ the Vortex 1.12.10

    jazztitch said:

    Rhythmically occasionally engaging in a pedestrian way but harmonically flat. Why not use all musical dimensions?

    + 5 more videosshow less

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