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jagdishmamtadhody uploaded a new video
(1 week ago)
Bush first coins the term "axis of evil," in his 2002 State of...
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Bush first coins the term "axis of evil," in his 2002 State of the Union Address. Original source: ABC News
Axis of evil is a term initially used by the former United States President George W. Bush in his State of the Union Address on January 29, 2002 and often repeated throughout his presidency, describing governments that he accused of helping terrorism and seeking weapons of mass destruction. Bush labeled Iran, Iraq and North Korea as the axis of evil.
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"State Sponsors of Terrorism" is a designation applied by the United States Department of State to nations which are designated by the Secretary of State "to have repeatedly provided support for acts of international terrorism." Inclusion on the list imposes strict sanctions.
The list began on December 29, 1979, with Libya, Iraq, South Yemen, and Syria.
Sanctions
The sanctions which the US imposes on countries on the list are:
1. A ban on arms-related exports and sales.
2. Controls over exports of dual-use items, requiring 30-day Congressional notification for goods or services that could significantly enhance the terrorist-list country's military capability or ability to support terrorism.
3. Prohibitions on economic assistance.
4. Imposition of miscellaneous financial and other restrictions, including:
Requiring the United States to oppose loans by the World Bank and other international financial institutions;
Lifting diplomatic immunity to allow families of terrorist victims to file civil lawsuits in U.S. courts;
Denying companies and individuals tax credits for income earned in terrorist-listed countries;
Denial of duty-free treatment of goods exported to the United States;
Authority to prohibit any U.S. citizen from engaging in a financial transaction with a terrorist-list government without a Treasury Department license; and
Prohibition of Defense Department contracts above $100,000 with companies controlled by terrorist-list states.
http://en.wikiped...
http://en.wikiped...
Babbar Khalsa -Can
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Sanatan Dharma The heart chakra is the seat of balance within the body. ...
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Sanatan Dharma The heart chakra is the seat of balance within the body. There is no longer any concern with attachments to worldly pleasures, honors or humiliations.
Anahata chakra has twelve vermillion petals. The Yantra in the centre of the chakra is composed of two overlapping, intersecting triangles. One triangle, facing upward symbolizes Shiva, the male principle. The other triangle, facing downward, symbolizes Shakti, the female principle. A balance is attained when these two forces are joined in harmony.
The seed mantra is Yam and the vital breath is Prana.
The presiding deity is Ishana Rudra Shiva. He has a camphor-blue skin, he is two-armed,
wears a tiger skin. He holds the trident in his right hand and a damaru drum in his left.
The holy Ganga (river Ganges) flowing from his hairlocks is a cooling and purifying stream of self-knowledge: the knowledge that "I am That". The snakes coiled around his body are the passions, which he has tamed. His energy is Kakini Shakti, her skin is rose-colored. Her sari is sky-blue and she is seated upon a pink lotus. In her four hands Kakini Shakti holds the implements necessary for one to attain balance: The sword provides the means to cut through obstacles blocking the upward energy flow. The shield protects the aspirant from external worldly conditions. The skull indicates detachment from a false identification with the body. The trident symbolizes the balance of the three forces of
preservation, creation and destruction. It is in the heart chakra that Kundalini Shakti appears for the first time as
a beautiful goddess.
She sits in lotus posture within a triangle.
The triangle is pointing upward, showing the tendency of Shakti to move upward and carry the aspirant into the higher planes of existence.
Behind Kundalini Shakti stands a lingam in
which Rudra Shiva appears as Sadashiva
(sada : "eternal", shiva : "benefactor").
He is Shabda Brahma, or the eternal Logos.
The chakra's associated animal
is the black antelope or gazelle,
symbolizing the lightness of physical substance.Element: Air
Shape: Hexagram
Plane: Balance
Sense: Touch
Sense Organ: Skin
Work Organ: Hands
Name: Unstruck
Location: The Heart Sound: Yang
Nb of petals: 12
The heart chakra is the seat of balance within the body. There is no longer any concern with attachments to worldly pleasures, honors or humiliations. Anahata chakra has twelve vermillion petals. The Yantra in the centre of the chakra is composed of two overlapping, intersecting triangles. One triangle, facing upward symbolizes Shiva, the male principle. The other triangle, facing downward, symbolizes Shakti, the female principle. A balance is attained when these two forces are joined in harmony. The seed mantra is Yam and the vital breath is Prana.
The presiding deity is Ishana Rudra Shiva. He has a camphor-blue skin, he is two-armed,
wears a tiger skin. He holds the trident in his right hand and a damaru drum in his left. The holy Ganga (river Ganges) flowing from his hairlocks is a cooling and purifying stream of self-knowledge: the knowledge that "I am That". The snakes coiled around his body are the passions, which he has tamed. His energy is Kakini Shakti, her skin is rose-colored. Her sari is sky-blue and she is seated upon a pink lotus. Element: Air
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jagdishmamtadhody uploaded a new video
(1 week ago)
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidy...
more
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Keeje Sudrishti - 2
Sewak Jaan Apna
Itna Vardaan Dije
Taan Taan Aur Alaap Budhdhi Alankaar
Shaarda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Hey Mata Saraswati Sharda
http://en.wikiped...
http://en.wikiped...
http://www.koausa...
That Kashmir has been a part and parcel of Bharatvarsha from time immemorial has been testified to by Pandit Kalhana by recording in his Ragatarangani that pilgrims from Kashmir used to visit holy places from Rameshwaram to Badrinath and Dwarka to Puri and that devotees of Durga and Shiva from all over the country would flock to the holy shrine of Sarada and the sacred cave of Amarnath in Kashmir. The author, the renowned historian of Kashmir, describes the importance of the Sarada Temple which now lies in Pak-occupied Kashmir: Editor
From time immemorial Kashmir has been known all over India as Saradapeeth or the abode of Sarada the goddess of learning and fine arts. Every orthodox Brahmin in South India, for instance, on rising from his bed in the morning faces north and with folded hands offers salutations to goddess Sarada:
Namaste Sarada Devi, Kashmira mandala vasini
(Salutations to Goddess Sarada who resides in Kashmir).
The place of pride which the Valley acquired in Sanskrit language and literature as well as in humanities like medicine, astronomy, astrology, philosophy, religion, law and jurisprudence, music, art and architecture is attributed to the grace and benediction of the goddess who revealed herself in all her divine grandeur to Muni Sandalya at Saradavana in the Upper Kishenganga Valley in the north of Kashmir.
No wonder the holy spot became a sacred shrine to which thousands of devotees not only from the Kashmir Valley but from distant parts of India were attracted to seek blessings from Sarada Devi, the goddess in her three aspects of Sarada, Narada or Saraswati and Vaghdevi.
The exact location of the shrine where, in course of time, a huge temple complex came up, is indicated by Kalhana himself. He has occasion to speak of the siege of Sirahsila castle (Raj. viii- 2556-2706) which took place in his own time. His references show clearly that the shrine was in close proximity to this hill stronghold. Various indications gathered from the general description of the locality pointed to the Upper Kishneganga Valley.
An earlier source, the Sarada Mahatmya, narrating the origin of the tirtha mentions the various stages of the pilgrim route. The Muni Snadalya, son of Matanga, was practising austerities in order to obtain the sight of the goddess Sarada, who is a Sakti embodying three separate manifestations. Divine advice prompts him to proeeed to Syamala (the present Kupwara district).
There at Ghusa, Mahadevi appears before him and promises to show herself in her true form as Sakti in the 'Sarada Forest'. The goddess vanishes from his sight at Hayasrama, the present village of Hayahoma situated about four miles to the N.E- E of Ghusa.
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jagdishmamtadhody uploaded a new video
(1 week ago)
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidy...
more
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Keeje Sudrishti - 2
Sewak Jaan Apna
Itna Vardaan Dije
Taan Taan Aur Alaap Budhdhi Alankaar
Shaarda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Hey Mata Saraswati Sharda
http://en.wikiped...
http://en.wikiped...
http://www.koausa...
That Kashmir has been a part and parcel of Bharatvarsha from time immemorial has been testified to by Pandit Kalhana by recording in his Ragatarangani that pilgrims from Kashmir used to visit holy places from Rameshwaram to Badrinath and Dwarka to Puri and that devotees of Durga and Shiva from all over the country would flock to the holy shrine of Sarada and the sacred cave of Amarnath in Kashmir. The author, the renowned historian of Kashmir, describes the importance of the Sarada Temple which now lies in Pak-occupied Kashmir: Editor
From time immemorial Kashmir has been known all over India as Saradapeeth or the abode of Sarada the goddess of learning and fine arts. Every orthodox Brahmin in South India, for instance, on rising from his bed in the morning faces north and with folded hands offers salutations to goddess Sarada:
Namaste Sarada Devi, Kashmira mandala vasini
(Salutations to Goddess Sarada who resides in Kashmir).
The place of pride which the Valley acquired in Sanskrit language and literature as well as in humanities like medicine, astronomy, astrology, philosophy, religion, law and jurisprudence, music, art and architecture is attributed to the grace and benediction of the goddess who revealed herself in all her divine grandeur to Muni Sandalya at Saradavana in the Upper Kishenganga Valley in the north of Kashmir.
No wonder the holy spot became a sacred shrine to which thousands of devotees not only from the Kashmir Valley but from distant parts of India were attracted to seek blessings from Sarada Devi, the goddess in her three aspects of Sarada, Narada or Saraswati and Vaghdevi.
The exact location of the shrine where, in course of time, a huge temple complex came up, is indicated by Kalhana himself. He has occasion to speak of the siege of Sirahsila castle (Raj. viii- 2556-2706) which took place in his own time. His references show clearly that the shrine was in close proximity to this hill stronghold. Various indications gathered from the general description of the locality pointed to the Upper Kishneganga Valley.
An earlier source, the Sarada Mahatmya, narrating the origin of the tirtha mentions the various stages of the pilgrim route. The Muni Snadalya, son of Matanga, was practising austerities in order to obtain the sight of the goddess Sarada, who is a Sakti embodying three separate manifestations. Divine advice prompts him to proeeed to Syamala (the present Kupwara district).
There at Ghusa, Mahadevi appears before him and promises to show herself in her true form as Sakti in the 'Sarada Forest'. The goddess vanishes from his sight at Hayasrama, the present village of Hayahoma situated about four miles to the N.E- E of Ghusa.
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jagdishmamtadhody uploaded a new video
(1 week ago)
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidy...
more
Mata Saraswati Sharda
Mata Saraswati Sharda
Hey, Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Keeje Sudrishti - 2
Sewak Jaan Apna
Itna Vardaan Dije
Taan Taan Aur Alaap Budhdhi Alankaar
Shaarda
Hey Mata Saraswati Sharda
Vidyadani Dayani Dukh-harini
Jagat Janani Jwalamukhi Mata
Saraswati Sharda
Hey Mata Saraswati Sharda
Hey Mata Saraswati Sharda
http://en.wikiped...
http://en.wikiped...
http://www.koausa...
That Kashmir has been a part and parcel of Bharatvarsha from time immemorial has been testified to by Pandit Kalhana by recording in his Ragatarangani that pilgrims from Kashmir used to visit holy places from Rameshwaram to Badrinath and Dwarka to Puri and that devotees of Durga and Shiva from all over the country would flock to the holy shrine of Sarada and the sacred cave of Amarnath in Kashmir. The author, the renowned historian of Kashmir, describes the importance of the Sarada Temple which now lies in Pak-occupied Kashmir: Editor
From time immemorial Kashmir has been known all over India as Saradapeeth or the abode of Sarada the goddess of learning and fine arts. Every orthodox Brahmin in South India, for instance, on rising from his bed in the morning faces north and with folded hands offers salutations to goddess Sarada:
Namaste Sarada Devi, Kashmira mandala vasini
(Salutations to Goddess Sarada who resides in Kashmir).
The place of pride which the Valley acquired in Sanskrit language and literature as well as in humanities like medicine, astronomy, astrology, philosophy, religion, law and jurisprudence, music, art and architecture is attributed to the grace and benediction of the goddess who revealed herself in all her divine grandeur to Muni Sandalya at Saradavana in the Upper Kishenganga Valley in the north of Kashmir.
No wonder the holy spot became a sacred shrine to which thousands of devotees not only from the Kashmir Valley but from distant parts of India were attracted to seek blessings from Sarada Devi, the goddess in her three aspects of Sarada, Narada or Saraswati and Vaghdevi.
The exact location of the shrine where, in course of time, a huge temple complex came up, is indicated by Kalhana himself. He has occasion to speak of the siege of Sirahsila castle (Raj. viii- 2556-2706) which took place in his own time. His references show clearly that the shrine was in close proximity to this hill stronghold. Various indications gathered from the general description of the locality pointed to the Upper Kishneganga Valley.
An earlier source, the Sarada Mahatmya, narrating the origin of the tirtha mentions the various stages of the pilgrim route. The Muni Snadalya, son of Matanga, was practising austerities in order to obtain the sight of the goddess Sarada, who is a Sakti embodying three separate manifestations. Divine advice prompts him to proeeed to Syamala (the present Kupwara district).
There at Ghusa, Mahadevi appears before him and promises to show herself in her true form as Sakti in the 'Sarada Forest'. The goddess vanishes from his sight at Hayasrama, the present village of Hayahoma situated about four miles to the N.E- E of Ghusa.
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During the British rule in India, Odissi dance came close to extinction. Due to cultural misunderstanding and insensitivity, the Anti-Nautch Bill was passed which outlawed dance by the devadasis in the temples throughout India. It was only later, in the 1950's, when India gained Independence, that Odissi was slowly revived. It was brought back to its former glory by Gurus of both the Mahari and Gotipua styles, using ancient texts, temple sculptures, and paintings in an effort to reconstruct the dance. Among these experts were Pankaj Charan Das (son of a Mahari), and Kelucharan Mohapatra, Dev Prasad Das, and Mayadar Rout (all of whom were once Gotipuas).
I ran into your channel doing a relevant search and glad I did because ei love connecting with like thinkers.
All the best,
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