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Skeppet Bernadotte [469-470] 78

by hultonclint 3 months ago

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Pt. 2 of Shanties from the 7 Seas Pawn yer boots an' clothes and ship around the Horn. Along the way you'll meet the Creole gal know as "Sally Brown," "Shallow Brown," "Salambo," or "Shenandoah." You'll see places like Valaparaiso, Callao, several Rios, the Plains of Mexico, Mobile Bay (wuz yiz ever screwin' cotton there?), New Bedford, Boston, Newfoundland, Liverpool, London Town, Hong Kong, South Australia, Ilo, and Hilo. Everywhere, it seems, the judies got no combs, but haul away and make yer pay, and soon you'll be in Such-n-such Bay! Details: A quasi-systematic project of recording examples of ALL the sea chanteys (shanties) in Stan Hugill's book of the same title. The text compendium contains "over 400 shanties," and Hugill was one of the last living working chanteymen aboard merchant sailing vessels, who was responsible for keeping alive much know-how of chantey-singing after the days off sail had ended. Page numbers in [brackets] correspond to the original edition of 1961, while numbers in (parentheses) refer to the abridged Mystic Seaport edition of 1994. PART 1 [45-142] http://www.youtube.com/playlist?list=PL58B55DD66F22060C PART 2 [143-251] [currently viewing] http://www.youtube.com/playlist?list=PL9182743BD3FD6DA2 PART 3 [253-351] http://www.youtube.com/playlist?list=PL1CE70F6ACA19402A PART 4 [353-477] http://www.youtube.com/playlist?list=PL30864020BA60C2F6 PART 5 [479-589] http://www.youtube.com/playlist?list=PLE6C6D53217D87989

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Pt. 4 of Shanties from the 7 Seas Pawn yer boots an' clothes and ship around the Horn. Along the way you'll meet the Creole gal know as "Sally Brown," "Shallow Brown," "Salambo," or "Shenandoah." You'll see places like Valaparaiso, Callao, several Rios, the Plains of Mexico, Mobile Bay (wuz yiz ever screwin' cotton there?), New Bedford, Boston, Newfoundland, Liverpool, London Town, Hong Kong, South Australia, Ilo, and Hilo. Everywhere, it seems, the judies got no combs, but haul away and make yer pay, and soon you'll be in Such-n-such Bay! Details: A quasi-systematic project of recording examples of ALL the sea chanteys (shanties) in Stan Hugill's book of the same title. The text compendium contains "over 400 shanties," and Hugill was one of the last living working chanteymen aboard merchant sailing vessels, who was responsible for keeping alive much know-how of chantey-singing after the days off sail had ended. Page numbers in [brackets] correspond to the original edition of 1961, while numbers in (parentheses) refer to the abridged Mystic Seaport edition of 1994. PART 1 [45-142] http://www.youtube.com/playlist?list=PL58B55DD66F22060C PART 2 [143-251] http://www.youtube.com/playlist?list=PL9182743BD3FD6DA2 PART 3 [253-351] http://www.youtube.com/playlist?list=PL1CE70F6ACA19402A PART 4 [353-477] [currently viewing] http://www.youtube.com/playlist?list=PL30864020BA60C2F6 PART 5 [479-589] http://www.youtube.com/playlist?list=PLE6C6D53217D87989

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Pt. 1 of Shanties from the 7 Seas Pawn yer boots an' clothes and ship around the Horn. Along the way you'll meet the Creole gal know as "Sally Brown," "Shallow Brown," "Salambo," or "Shenandoah." You'll see places like Valaparaiso, Callao, several Rios, the Plains of Mexico, Mobile Bay (wuz yiz ever screwin' cotton there?), New Bedford, Boston, Newfoundland, Liverpool, London Town, Hong Kong, South Australia, Ilo, and Hilo. Everywhere, it seems, the judies got no combs, but haul away and make yer pay, and soon you'll be in Such-n-such Bay! Details: A quasi-systematic project of recording examples of ALL the sea chanteys (shanties) in Stan Hugill's book of the same title. The text compendium contains "over 400 shanties," and Hugill was one of the last living working chanteymen aboard merchant sailing vessels, who was responsible for keeping alive much know-how of chantey-singing after the days off sail had ended. Page numbers in [brackets] correspond to the original edition of 1961, while numbers in (parentheses) refer to the abridged Mystic Seaport edition of 1994. PART 1 [45-142] [currently viewing] http://www.youtube.com/playlist?list=PL58B55DD66F22060C PART 2 [143-251] http://www.youtube.com/playlist?list=PL9182743BD3FD6DA2 PART 3 [253-351] http://www.youtube.com/playlist?list=PL1CE70F6ACA19402A PART 4 [353-477] http://www.youtube.com/playlist?list=PL30864020BA60C2F6 PART 5 [479-589] http://www.youtube.com/playlist?list=PLE6C6D53217D87989

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Regional Accents Using Youtube to find examples of regional accents

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Sea Chanteys in Film

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About Hulton Clint's Projects

Created by

hultonclint

Latest Activity

Mar 5, 2012

Date Joined

Sep 2, 2006

About this user

"Look for chanty with a C -- you'll find me"

SORRY, YOU WON'T FIND NO 'NANCY BLAIR' HERE.

This channel is about the music that keeps me alive.

It has often been said that a chantey was worth ten hands on a rope. I say that nowadays a chantey is worth 1000 songs in an iPod.

Follow my new blawg:
http://shantiesfromthesevenseas.blogspot.com/

Mission Statement: to make technology obsolete. To promote self-made music and to demote musical chauvinism.
-----------------------------------------------------
This channel has several thrusts. Some of these can be gleaned from the playlists. Most is related to:

**Jamaican music and soul...the world of riddims, sound systems, and musical messages -- my first love**
**Chanties...the world of work, wit, and history - my fascination and motivation**
**Punjabi music - my research interest**

One of the main thrusts has been:

The "Shanties From the Seven Seas" project.

A quasi-systematic project of recording examples of the sea chanteys (shanties) in Stan Hugill's book of the same title. The text compendium contains "over 400 shanties," and Hugill was one of the last living working chanteymen aboard merchant sailing vessels, who was largely responsible for keeping alive the know-how of chantey-singing after the days off sail had ended.

The goals of this project are both personal and public.

Personal: By going through the book ~systematically~ I am broadening my repertoire beyond the more common chanteys...and by recording them regularly, I am forced to really learn them, while also becoming a better singer, too (compare earlier dated uploads to more recent). Needless to say, the experience of doing is much more enriching that simply reading the book!

Public: I won't pretend: I have issues with much of today's commercial music. As much "music" as there is around these days (perhaps too much???), I think most people in the developed world, especially, are unnecessarilly distanced from the ~experience~ of music-making. I hate that people fear singing, and think everyone should sing, regardless of whether their singing/voice is "bad." The presiding vibe seems to say, "How dare you sing, your voice is bad!"

Making music is something that all humans are hardwired to do...and the culture that makes people feel embarrassed to express themselves musically-- as if to encourage only the "best" performances-- only destroys itself by limiting expression; just look at the garbage we have in public culture, which only exists because it fits the lowest common denominator criteria of not challenging this strange sense of what is "appropriate" musical expression.

I think sea chanteys, in their quasi-authentic style, challenge ideas abour what it means to sing "well," as one quickly realizes that what is important to them may be something else than one was expecting. They are a good vehicle for amateur music making since they require little training to sing along and are not required to please anyone except for the people making them.

While not denying the coloring of my own personality and reality of my ahistorical position, I hope to create examples that reasonably respect the basic genre characteristics, which include:
--a capella for true chanteys (work songs)
--realistic tempos
--a rhythmic vocal, where necessary, for keeping time
--full-bodied tone/volume
--natural diction
--a full set of lyrics, not watered down or Disney-fied. (Be advised that sometimes this means the lyrics are not politically correct or may contain mature themes.)

Age

Hometown

Hartford

Country

United States

Interests

harmony, dissonance, music, noise, rum, truth, tea & cookies

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