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hedgechair

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  • 8 months ago

    Peter Pears sings "The Land of Lost Content" - LIVE!

    Here is one of the last performances given by Benjamin Britten with his lifelong partner Peter Pears. From Snape Maltings, Aldeburgh, September 22...

    hedgechair hedgechair commented:

    "I shall have lived a little while before I die for ever" Heartbreaking singing !

  • 9 months ago

    Sir John Tomlinson discusses singing Purcell

    Bass-baritone Sir John Tomlinson discusses singing Purcell, with musical illustrations: 'They who go down to the sea in ships', and 'Wondrous Machi...

    hedgechair hedgechair commented:

    Total nonsense to label voices. Some have a few notes more or less at one end or the other, some have vocal colour suggesting lower or higher voice types. Sir John is a versatile singer who might once have been described as "basso cantate", but the C# is remarkable for a singer in his sixties.

  • 10 months ago

    Johan Botha - "Morgenlich leuchtend" - Meistersinger '08

    "Morgenlich leuchtend im rosigen Schein"

    Walter - Johan Botha

    Die Meistersinger von Nürnberg - Act III

    Wiener Staatsoper 2008

    c. Christian Thielem...

    hedgechair hedgechair commented:

    Up to the best, I think, Urgent, impassioned and somehow innocent. Compare Peerce or Tucker. Not a pretty man I grant, but does not ghost or fillet his voice like Kaufmann, who thus seems to me to lose his authority and maleness. I have no status myself, bass- baritone; once reasonably bel cant...

  • 1 year ago

    Heldentenor sing-off - Siegmund's Valse cry from Walkure - 13 tenors

    Thirteen heldentenors of the last hundred years sing Siegmund's tortured cry during the first act of Die Walküre:

    Wälse! Wälse!

    Wo ist dein Schwer...

    hedgechair hedgechair commented:

    On this little exposure in a few moments I suggest

    1/ Domingo, simply for his focus, trumpet tone and rhythmic energy. (not the biggest

    voice)

    2/ James King , Underrated?

    3/ Robert Dean Smith, A real voice, good .

  • 1 year ago

    Mark Reizen - Prince Gremin's aria

    Reizen was born into a Jewish family of mine workers. He had four brothers and a sister, and all were musically trained, playing mandolin, guitar, ...

    hedgechair hedgechair commented:

    @HandwhistlerBen Not myself Jewish, but I have always admired Peerce and Tucker. I think Richard Tucker sang in "La Juive" Shortly before his death. (Perhaps 1970?) In a radio relay, one of the best voices of the big tenor kind I have heard.

  • 1 year ago

    Kurt Moll - O Isis und Osiris

    The great basso delivers an elegant and beautiful rendition of Sarastro's aria "O Isis und Osiris" from Mozart's Die Zauberflöte.(MET, 1991)

    hedgechair hedgechair commented:

    Please please no anger! This is beautiful "basso cantate" Can we just be glad to live?

  • 1 year ago

    Renee Fleming "Final Scene" Capriccio

    Met, 2008

    hedgechair hedgechair commented:

    Some of us are lucky enough to know the Schwarzkopf recording, and some, but not me, may have seen her on stage. Fleming , like ES, has such sexy shoulders, no small thing, I think. Her voice is also less restrained , but earthier and more free. If we manage to get to the MET next year (perhaps...

  • 1 year ago

    Billy Budd, Act I: Handsomely done, my lad

    Benjamin Britten (1913-76)

    Billy Budd, Act I:

    Handsomely done, my lad. . . Beauty, handsomeness, goodness

    John Claggart: Richard van Allan

    David At...

    hedgechair hedgechair commented:

    Very horrifying! Vere knew he could have saved Billy: Claggart "In my depravity" could not dare to. Both would have given themselves up to Aschenbach's "Abyss"

    and order would have gone out of the window. Vere finally manages to forgive himself as Billy becomes a sort of Christ to forgive him(...

  • 1 year ago

    Jonas Kaufmann "Vittoria, vittoria!" Tosca Met 4/24/2010

    Patricia Racette as Tosca. Bryn Terfel as Scarpia

    hedgechair hedgechair commented:

    Quite amazing comments about spectrographs etc! I hear a very unusual tenor, with a touch of the elemental, as with Vickers, and a similar placement. He copes with what sounds like a retracted tongue position, without impairing his high notes even in pp. Siegmund at the Met soon should be very...

  • 1 year ago

    Diana Damrau - Deh vieni, non tardar

    Diana Damrau - Deh vieni, non tardar - Le Nozze di Figaro - 2006

    hedgechair hedgechair commented:

    @lorifredrics Well, we all argue, from our viewpoints, reading these comments,knowledgable or not. How much I agree with you. The chest notes are coloured beautifully so they are not out of the line, and the high mezza voce is not given more volume for the same reason.

    DD is one of the most rema...

  • 1 year ago

    BIlly Budd, Act II: Poor fellow, who could save him

    Benjamin Britten (1913-76)

    Billy Budd, Act II: Poor fellow, who could save him

    Captain Vere: Philip Langridge

    David Atherton, English National Oper...

    hedgechair hedgechair commented:

    We saw a concert performance of "Death In Venice" at the QE hall in about 2006. May I just say, as Aschenbach died, that I was surrounded by men and women weeping. Great actor indeed, and a very big voice, filling the ROH at a whisper. Still really sad. Nearly cried driving through Hawkhurst las...

  • 1 year ago

    R. Strauss: Beim Schlafengehen - Diana Damrau

    Richard STRAUSS: Beim Schlafengehen

    Version for voice and piano, arranged for voice and harp

    Lyrics by Hermann Hesse:

    Nun der Tag mich müd gemach...

    hedgechair hedgechair commented:

    @operatube Thank you for your perfectly true comment. I hope we cannot disagree on both these ladies voices showing beatiful femininity, great technical facility, and though quite dissimilar, except for a purity in the highest range (presentation of the Rose?), Diana, to be cruder than I wish...

  • 1 year ago

    ANNELIESE ROTHENBERGER IN MEMORIAM

    Zum Gedenken an die große deutsche Sopranistin Anneliese Rothenberger,

    die am Montagabend, 24.05.2010 für immer von uns gegangen ist.

    Sie hat Theat...

    hedgechair hedgechair commented:

    Oh! How sad I am. She could make sounds more beautiful than any heard in recorded history. How her loveliness of soul shone through her voice and physical beauty. God grant her rrest and reward and comfort to her family.

  • 1 year ago

    Johann Botha bowling

    Johann Botha bowling in the SCG for the New Year's Test 2006. An RSA spinner he has been reported by Chris Broad for a suspect action. Video courte...

    hedgechair hedgechair commented:

    The mistake was allowing a15 degree bend/sraighten between the horizontal and point of delivery. Spinners can do anything given this opportunity. A real quick however doing this could kill. RB Desai, Cuan Mc Carthy, Ian Meckiff, Charlie Griffith,and a few more recent and so obvious (PC preven...

  • 1 year ago

    "Gretchen am Spinnrade" Franz Schubert

    hedgechair hedgechair commented:

    Electifying singing! Goose bumps of horror at Faust's kiss! Very beautiful young woman, gorgeous secure singing . A new star!

  • 1 year ago

    Elly Ameling live sings Fauré's "Après un rêve"

    Elly Ameling live sings Gabriel Fauré's "Après un rêve" op. 7, no.1 with Dalton Baldwin, piano. Recorded 1980

    hedgechair hedgechair commented:

    Ameling's was the generation of Ilse Wolf and Heather Harper who shared the effortless intake of breath and no air wasted in any note. Singers of the highest skill.

    Ameling sang English better than any non-native I have heard by the by.

  • 1 year ago

    Gérard Souzay - Après un rêve - Gabriel Fauré

    Gérard Souzay est le grand interprète de la mélodie française !

    hedgechair hedgechair commented:

    Let us enjoy what we hear. Souzay keeps the yearning night mood of this song throughout and spins its thread of magic. Superb line and measured intensity, I think, but not every note a jewel. Thank God we are human and do not look to ourselves for the unnatainable.

  • 1 year ago

    Hermann Prey - Tannhauser - O du mein holder Abendstern

    Hermann Prey sings the beautiful 'Song to the Evening Star' from Wagner's Tannhauser.

    hedgechair hedgechair commented:

    I really do think, however fine anyone's ear is, that intonation can only be judged live.

    Live harmonics can raise a note a quarter tone to my mind, as indeed natural acoustics rarely may flatten pitch. I felt this was very good legato singing, drifting a little low, which I attribute to record...

  • 1 year ago

    Guess the Baritone by the High Ab!

    Okay, so you may have aced Guess the Tenor parts I and II, but now the real question: is your knowledge of baritones up to snuff? Here are 11 famou...

    hedgechair hedgechair commented:

    Singing isn't a game. Fantastic if any male can sing 4 octaves; I think Yma Sumac, (female) could sing 5. Is there confusion between head voice and falsetto here?

    The perceived sensations are quite different to the singer, but nomenclature in singing is always confused. Joan Sutherland's final...

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