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froehlicherelter

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  • 2 months ago

    Blooper de la Feliz Navidad!

    Tambien los profesionales cometen sus errores! Quien nacio de quien? que rama nacio de que Señor??

  • 2 months ago

    Feliz Navidad 2

    Villancicos

  • 2 months ago

    Feliz Navidad...

    Ay guachi torito!

  • 3 months ago

    Menuhin talking about Furtwängler

    This sheds some light on the relationship between Furtwängler and Menuhin and his professional relationship towards Heifetz and Toscanini.

    froehlicherelter froehlicherelter commented:

    HappyWandy457, one ot the great problems, human beings have, is to accept welfare instead of hate. Furtheron, in art there seems to happen the same situation: They want to do art, in spite off . . . In this case, Furtwägler, as a human being and artist, is so far away of having lack of integrit...

  • 3 months ago

    Brahms/Schönberg: Piano Quartet in G-minor, Op.25 (2/4)

    Intermezzo. Allegro, ma non troppo.

    froehlicherelter froehlicherelter commented:

    HappyWandy457 What treasure this piece means: Brahms inspired (as usual) in Folk-music but enriched by his intellect and unique musical vocabulary . . . And Schoenberg adding his inspiration and orchestral R. Strauss shaped fullfillment of this masterpiece . . . We listeners will allways b...

  • 3 months ago
    froehlicherelter froehlicherelter commented:

    @CARFREAKENATOR1 Poor fellow, I mean you and not the bassoon player!! If you look at yourself, God has made some mistake too (as in all of us!) He shaped our bones (among other features) NOT IN A STRAIGHT MANNER!!! Take it as a rule: In art things have to be endured towards FULLFILLM...

  • 4 months ago

    Schumann Intermezzo op 26

    Schumann Intermezzo opus 26 piano

    froehlicherelter froehlicherelter commented:

    Yo me pregunto: Como es posible que pianistas tomen este canto del 5 dedo como si fuera un "jopo" de un rulo enardecido? No tienen la capacidad de colocar su corazón en esa extensión, cual si fuera a desangrarse???

    Si Schumann es tan elecuente en su forma de componer, pianísticamente hablando, ...

  • 4 months ago
    froehlicherelter froehlicherelter commented:

    Froehlicherelter@hotmail.com I wonder what opinion has the interpreter of this Romanze ? It looks like she is in a terrible hurry to finish it, unfortunately! To bear in mind: Schumann has allways handled the piano as a singing instrument, in this particular case, you notice that the follow ...

  • 7 months ago

    Salut Salon 2009 - EPK (english)

    Salut Salon 2009 "klassisch verführt"

  • 7 months ago

    Ruggero Raimondi - Il Barbiere di Siviglia - La Calunnia

    Ruggero Raimondi sings Don Basilio's aria from Rossini's Barber of Seville.

    Versailles, 1980.

    For a free english translation, please see the foll...

    froehlicherelter froehlicherelter commented:

    @voltape HappyWandy457, I agree with you and may explain why melomans act like that: They seem to know enough music to permit their limited brain to jump to some conclusions which may confirm themselves. They, naturally, miss the main point of listening to music: It is ment to rejoice eac...

  • 7 months ago

    Geistliches Lied - Johannes Brahms

    Johannes Brahms' Geistliches Lied.

    Sung by the choir of St. Bride's, London.

    score from cpdl.org

    froehlicherelter froehlicherelter commented:

    HappyWandy457, I could consider myself a musician if I really ever be able to conduct this unique piece of art from Brahms . . . Following up each voice, menwhile listening what others do, gives you full insight of what is at our disposal on this marvelous composition . . . That Amen, at th...

  • 7 months ago

    Renee Fleming - Strauss' 4 Last Songs - Im abendrot

    Renee Fleming sings the 4th of Strauss' vier letzte lieder.

    Proms, 2001.

    froehlicherelter froehlicherelter commented:

    HappyWandy457, here we have an example of magnificent art. . . . We see a master of the batton, assisted by a singer who has technique of the finest: Renee´s air resources .seem not to end and she administrates it musically to a priviledged voice where all inspiration has room enough to deve...

  • 1 year ago

    Begrabnisgesang

    Opera Musicale Classica, scritta da J. Brahms, Concerto diretto da Stefano Seghedoni, con l'Orchestra Jupiter di Mirandola (MO)l' Opera è stata ins...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, here we hear the result of a conductor´s mistaken view of a choir work: The melisms were not properly reahearsed separately. Phrases do not match between choir and instruments. Choir has good voices but operates unsecure due to unproper work.

    Hans Fröhlich - Germany

  • 1 year ago

    Salut Salon in der NDR Schaubude

    Salut Salon in der NDR Schaubude

    froehlicherelter froehlicherelter commented:

    HappyWandy457, hervorragend: Diese Mädels zeigen ihr ganzes Können mit viel Bescheidenheit (Hoffentlich verdirbt der Erfolg nicht ihre Herzen). Leider muss Klassische Music wie ein süsser Bonbon einen amerikanisierten Publikum schmackhaft gemacht werden. Das Land der Dichter und Denker...

  • 1 year ago

    Perfiles Gustavo Dudamel

    Entrevista a Gustavo Dudamel para el segmento Perfiles, de CineLink

    froehlicherelter froehlicherelter commented:

    HappyWandy457, Gustavo, que ejemplo para la juventud de todo el mundo. Gracias a "El Sistema" el mundo musical puede encontrar el raro privilegio que ofrece una ESPERANZA de paz y sosiego a todos los pueblos oprimidos por la mediocridad y el materialismo. Observen: En esta orquesta no h...

  • 1 year ago

    Gustavo Dudamel and the Israel Philharmonic Orchestra

    The Israel Philharmonic Orchestra proudly announces its November 2008 United States tour led by the dynamic Venezuelan conductor Gustavo Dudamel.

    ...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, estamos ante la presencia de un grande! Dudamel seguirá creciendo en su magnificencia, ya que tiene la capacidad retrospectiva de su enorme intelecto vital. El sabe lo que siente y tambien sabe trasmitirlo sin aires de superioridad: Es un músico entre músicos.

    Hans Fröhlich ...

  • 1 year ago

    Zubin Mehta Talks to Charlie Rose

    Conductor Zubin Mehta talks about how the Israel Philharmonic Orchestra has the responsibility of showing the cultural side of Israel to the world.

    froehlicherelter froehlicherelter commented:

    HappyWandy457, Bravo Master! Here we see that music is great: As a religion, it bares break-down impulse to hate. As a human attitude (Art so to speak) there is no room to prejudgments, because it has to be played plainly out in front of any feeling. It is as neutrons which penetrate an...

  • 1 year ago

    Daniel Barenboim - Pathétique - 1º movement

    Beethoveen - Pathétique sonata - Grave - Allegro di molto e con brio

    froehlicherelter froehlicherelter commented:

    HappyWanda457, when a master - as Barenboim certainly is - chooses a tempo, there is little room to discuss: It is the result of deep developtment confronting dynamics - public response - an particular moment feeling. There is no use to compare it to other interpreters: They all breathe t...

  • 1 year ago

    Strauss: Till Eulenspiegel / Barenboim · Berliner Philharmoniker

    Full-length concert at http://www.digitalconcertha...

    Richard Strauss: Till Eulenspiegels lustige Streiche / Daniel Barenboim, condu...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, because you never played an instrument in an orchestra! Wy is it that silence has to be specified on note paper?

    Hans Fröhlich - Germany

  • 1 year ago

    Liszt: Über allen Gipfeln ist Ruh, S.306 (1. version)

    Franz Liszt

    (1811-1886)

    Lied - Über allen Gipfeln ist Ruh

    S.306

    Mitsuko Shirai, mezzo

    Hartmut Höll, piano

    froehlicherelter froehlicherelter commented:

    HappyWandy457 @gedugat

    Ich stimme dem zu: Elisabeth Schwarzkopf konnte mit ihre Stimme wie ein Instrument Musik gestalten (Bach -Kantaten) oder den Inbegriff der Lyrik Ausdrücken (Richard Strauss - 4 letzte Lieder). Dies verdanken wir ihrer ausgeprägten Atemtechnik und einzigartiges Musiker...

  • 1 year ago

    Liszt - Es muss ein Wunderbares sein

    Franz Liszt (1811-1886)

    Lied "Es muss ein Wunderbares sein", S315 (1852)

    Text: Oscar von Redwitz

    froehlicherelter froehlicherelter commented:

    HappyWandy457 @gedugat

    Nur einen ganz großen Sänger wie Dietrich Fischer-Dieskau ist so ein langsames Tempo zuzutrauen: Die Gestaltung ist perfekt!!! Der Zuhörer sollte sich diesem Tempo anpassen und nicht störrisch kritisieren, eher dankbar sein mit dem Gehör in der Luft zu schweben . ....

  • 1 year ago

    Brahms - "Gestillte Sehnsucht", Op. 91, No. 1 - Janet Baker

    Gestillte Sehnsucht (Stilled Longing) is the first of two songs, Op. 91, which Brahms wrote for alto with viola obbligato and is notable for its sp...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, here we see again how this unique composer has the gift to bear music with his heart: The secret lyes in working with the middle notes always approaching and stretching narrow about themselves. Narrow intervals worked out in fading melisms, are favorite examples of soul song...

  • 1 year ago

    Schicksalslied, Op. 54 Johannes Brahms song of destiny (2/2)

    Schicksalslied, Op. 54 Johannes Brahms

    San Francisco Symphony & Chorus

    Herbert Blomstedt

    Ye move up yonder in light,

    On airy ground, o blessed sp...

    froehlicherelter froehlicherelter commented:

    HappyWandy457 @bloodymary61 I would ask this gentleman if he ever has sang this masterpiece!

    If the maestro Abbado has chosen a slow tempo and sustained the work as it sounds, is a signal of great professional skil whatsoever . . . Critisism in music is a poison against joy . . .

    Ha...

  • 1 year ago

    Richard Strauss, Introduction from "Also Sprach Zarathustra"

    Richard Strauss

    Also Sprach Zarathustra

    Op. 30

    Introduction

    froehlicherelter froehlicherelter commented:

    HappyWandy457, I dont know how the score is, but my feelings to this masterpiece say to me: Strauss fitted this unique introduction with natural intervals such as any brass instrument has - to undermine Zarathustra´s fundamental saying - . Thereafter, please do not jump from mayor to minor so...

  • 1 year ago
    froehlicherelter froehlicherelter commented:

    HappyWandy457, thanks for your reply. Incidentally, there is an important factor I have not considered: In this wonderful piece you have the triplets of timpani which will give you all support breathing for orchestra an choir. Please tell your instrumentalist to (allways) hold triplets back...

  • 1 year ago

    Inma Cuesta Entrevista Tecnópolis

    El programa, que presenta y dirige Roberto Sánchez Benítez, incluye una entrevista con la actriz Inma Cuesta, una de las protagonistas de la serie ...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, esta serie representa todo un cuadro explicativo de una cultura basada en una época oscura de nuestra historia. En ella se reflejan todos los distintos desenlaces horrorosos que plasmaron persecusiones religiosas, el despotismo producto de monarquías decadentes, etc.. Es

    mar...

  • 1 year ago

    Strauss: Eine Alpensinfonie / Bychkov · Berliner Philharmoniker

    Full-length concert at http://www.digitalconcertha...

    Richard Strauss: Eine Alpensinfonie / Semyon Bychkov, conductor · Berliner Phi...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, here is an example of unique contact between conductor and interpreters. I have never seen a german orchestra playing with such endeavour and energy. Of course, R. Strauss demands the outmost of musicians!

    Bravo Mr. Bychkov!!!

    Hans Fröhlich - Germany

  • 1 year ago

    J. Brahms - "Schicksalslied" (Song of Fate) Op. 54 for mixed choir and orchestra

    J. Brahms - "Pieśń przeznaczenia" na chór mieszany i orkiestrę op. 54./J. Brahms - "Schicksalslied" (Song of Fate) Op. 54 for mixed choir and orche...

    froehlicherelter froehlicherelter commented:

    @moonpearl666

    I would ask about the slow tempo: Fates do not occur fast, unfortunately . . . Thereafter, a tempo chosen is never too slow . . . In Brahms, a conductor has to watch firstly how the Chor breathes (divisi of voices), in order to keep sound, and so on . . .

    HappyWandy457 - Germany

  • 1 year ago

    Χορ.Δήμ.Κερκυραίων (Corfu) - Schoneberg S.Orch. : J.Brahms (1)

    Δημοτικό Θέατρο Κερ/ρας, 20.10.2008. Η Χορωδία Δήμου Κερκυραίων (Corfu Municipal Choir - Greece) και η Συμφωνική Ορχήστρα Schoneberg Βερολίνου στο ...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, here we have an example of spot conducting: If you watch the

    gestures - without hearing the performance - you could imagine any piece of calm music, but of course not Brahms! This explains the accurate sound of choir and orchestra, professionally rehearsed but completely lo...

  • 1 year ago

    Daniel Barenboim in conversation with Stanley Dodds

    Free full-length version at http://www.digitalconcertha...

    Daniel Barenboim in conversation with Stanley Dodds, violinist of the...

    froehlicherelter froehlicherelter commented:

    HappyWandy457, this is superb musical thinking! The subtle links between this trilogy -Conductor-Interpreter and Composer were wonderfully described by Barenboim because he is king in all of them! Nevertheless, his hight is quite of a lonely place to share with fellow musicians: There is a...

  • 1 year ago

    The Ten Tenors - Bohemian Rhapsody

    Bohemian Rhapsody by The Ten Tenors, taken from the NDR TV special (Deutschland)

    froehlicherelter froehlicherelter commented:

    happywandy457, all I can say is: Comparing this highlight with our great music-inheritance generations ago, there is not much beeing left for us in the future...

    Human culture is degrading day by day. It is a sad thing to say . . .

    Hans Fröhlich - Germany

  • 1 year ago

    Shostakovich: Symphony No. 10 / Rattle · Berliner Philharmoniker

    Full-length concert at http://www.digitalconcertha...

    Dmitri Shostakovich: Symphony No. 10 / Sir Simon Rattle, conductor · Berliner ...

    froehlicherelter froehlicherelter commented:

    happywandy457, when you watch conductors gestures, you´ll find out that great conductors mostly tend to save them as much as possible: This gives confidence to interpreters and permits more body language and mimics to guide all kind of details of the work performed. This piece is an exam...

  • 1 year ago

    Sir Simon Rattle in Conversation - Part I

    In an interview given on the occasion of the opening of the Berliner Philharmoniker's 2009-10 season Principal Conductor Sir Simon Rattle talks to ...

    froehlicherelter froehlicherelter commented:

    happywandy457, this superb man is a really sponsor of music culture. We all have to bear in mind that market requirements rather destroys culture, as "normal" people consume trash rather than refined stuff. Gifted artists shood have more power over public opinion in order to sustain culture...

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