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Peter I. Tchaikovsky (1840-1893)
Symphony No. 5 in E minor, Op. 64 (1888)
4. Finale: Andante maestoso — Allegro vivace — Molto vivace — Moderato assa...
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Peter I. Tchaikovsky (1840-1893)
Symphony No. 5 in E minor, Op. 64 (1888)
4. Finale: Andante maestoso — Allegro vivace — Molto vivace — Moderato assai e molto maestoso — Presto (E major → E minor → E major)
Concertgebouw Orchestra conducted by Wolfgang Sawallisch
Like the Symphony No. 4, the Fifth is a cyclical symphony, with a recurring main theme. Unlike the Fourth, however, the theme is heard in all four movements, a feature Tchaikovsky had first used in the Manfred Symphony, which was completed less than two years before the Fifth. The theme has a funereal character in the first movement, but gradually transforms into a triumphant march, which dominates the final movement. Tchaikovsky was attracted to this particular theme because the topic of the Fifth Symphony is Providence, according to the composer's notebook page dated 15 April 1888, which was about one month before he began composition of the symphony. The composer stated, in describing the introduction, "a complete resignation before fate, which is the same as the inscrutable predestination of fate." The changing character of the motto over the course of the symphony seems to imply that Tchaikovsky is expressing optimism with regard to providence, an outlook that would not return in his Sixth Symphony.
Arranger:Otto Singer II (1863--1931)
Publisher Info.:Hamburg: D. Rahter, n.d.(ca.1898). Plate 1520
Reissue - Leipzig: C.F. Peters, n.d.
Copyright:Public Domain
Rec.: Fontana Grandioso LP Stereo 894 057 ZKY
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(1 month ago)
Info: (J.P.)Mucic Producer and CEO of J.P. Productions
$$$$: I got Beats Holla at me!
Buisness Line: (708)546-8513
Email: jpproductionsbooking@gmai...
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Info: (J.P.)Mucic Producer and CEO of J.P. Productions
$$$$: I got Beats Holla at me!
Buisness Line: (708)546-8513
Email: jpproductionsbooking@gmail.com
Twitter: @jpproductionsjp
Website: soundclick.com/jpproductionsbeats
Located: Chicago/Detroit
Lable: J.P. Productions
I AM A Writer Producer Artist Engineer Entrepreneur Leader
©Copyright All Rights Reserved 2012
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(1 month ago)
Excerpt from the linear notes to Extension Of A Man By Donny Hathaway:
"I decided to call this album "Extension Of A Man" because I a...
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Excerpt from the linear notes to Extension Of A Man By Donny Hathaway:
"I decided to call this album "Extension Of A Man" because I am in the process of expanding and developing styles. I love music, period. So, consequently I would like to record as many styles as humanly possible for one person. The following is a sketch of the album.
When I was growing up, I used to hear, in my church, Black chants of devotion to God. They had been written by Dr. Isaac Watts, who was one of the anthem innovators of his time. There were various 'modes' to sing the anthems on---according to the leader of the chant.
They were based on the pentatonic scale, either major or minor in concept, for example: Major: ♪ F ♪ G ♪ A ♪ C ♪ D ♪ F -or- Minor: ♪ D ♪ F ♪ G ♪ A ♪ C ♪ D. In the midwest and the south (Alabama, Louisiana, etc.), the minor mode was used often to express the pain and anxiety of the hard times suffered by the people.
I chose, however, to depict the anthem, or chant, if you wish, in the major mode, which is more jubilant in sound.
My composition is called "I Love The Lord and is very "impressionistic" in sound---a style taken from the Romantic Period, where composers painted musical pictures (tone poems), of life and nature in general----birds, trees, hillsides, etc. Composers famous for this kind of writing were Debussy, Ravel, Satie and others during the late 1800's and early 1900's. (My writing was also inspired by George Gershwin.)
The words shaping my writing go as follows: "I Love The Lord; He Heard My Cry And pitied every groan
Long as I live while trouble rise
I'll hasten to his throne"
Section A: Adante
The tone poem is divided into two sections; the slower section being the adante. The theme is stated, then developed by 45 men in the orchestra.
Section B: Allegro (Jubilation)
The second section is written in five/four (5/4) meter, which is broken down even further to 2½/4. The melody is restated in the allegro with a solo by your's truly.
It is then sequed into a song I wrote entitled, 'Someday We'll All Be Free', which is basically a tune of "standard" quality, in my opinion."
---DONNY HATHAWAY
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edie2k2 uploaded a new video
(1 month ago)
Excerpt from the linear notes to Extension Of A Man By Donny Hathaway:
"I decided to call this album "Extension Of A Man" because I a...
more
Excerpt from the linear notes to Extension Of A Man By Donny Hathaway:
"I decided to call this album "Extension Of A Man" because I am in the process of expanding and developing styles. I love music, period. So, consequently I would like to record as many styles as humanly possible for one person. The following is a sketch of the album.
When I was growing up, I used to hear, in my church, Black chants of devotion to God. They had been written by Dr. Isaac Watts, who was one of the anthem innovators of his time. There were various 'modes' to sing the anthems on---according to the leader of the chant.
They were based on the pentatonic scale, either major or minor in concept, for example: Major: ♪ F ♪ G ♪ A ♪ C ♪ D ♪ F -or- Minor: ♪ D ♪ F ♪ G ♪ A ♪ C ♪ D. In the midwest and the south (Alabama, Louisiana, etc.), the minor mode was used often to express the pain and anxiety of the hard times suffered by the people.
I chose, however, to depict the anthem, or chant, if you wish, in the major mode, which is more jubilant in sound.
My composition is called "I Love The Lord and is very "impressionistic" in sound---a style taken from the Romantic Period, where composers painted musical pictures (tone poems), of life and nature in general----birds, trees, hillsides, etc. Composers famous for this kind of writing were Debussy, Ravel, Satie and others during the late 1800's and early 1900's. (My writing was also inspired by George Gershwin.)
The words shaping my writing go as follows: "I Love The Lord; He Heard My Cry And pitied every groan
Long as I live while trouble rise
I'll hasten to his throne"
Section A: Adante
The tone poem is divided into two sections; the slower section being the adante. The theme is stated, then developed by 45 men in the orchestra.
Section B: Allegro (Jubilation)
The second section is written in five/four (5/4) meter, which is broken down even further to 2½/4. The melody is restated in the allegro with a solo by your's truly.
It is then sequed into a song I wrote entitled, 'Someday We'll All Be Free', which is basically a tune of "standard" quality, in my opinion."
---DONNY HATHAWAY
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edie2k2 liked a video
(2 months ago)
Die komplette Beat Club-Folge mit diesem Auftritt im iTunes Store erhältlich!
http://clk.tradedoubler.com/click?p=2...
Ex-Animal Eric Burdon und die ...
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Die komplette Beat Club-Folge mit diesem Auftritt im iTunes Store erhältlich!
http://clk.tradedoubler.com/click?p=2...
Ex-Animal Eric Burdon und die amerikanische Funk-Band War mit ihrer Hit-Single "Spill The Wine" live im Beat Club am 26.09.1970.
The first chart hit of the multi-ethnic band War, sang by short-time member Eric Burdon. Burdon, tired of his parent band The Animals in the UK, joined the Californian jam band in 1969. But after two albums, highly acclaimed concerts and rave reviews in the music press, Burdon suddenly left the group in the middle of an European tour and never went back. The song Spill The Wine was rediscovered in the late 90s as part of the soundtrack to Boogie Nights, Paul Thomas Andersons film about the Californian adult movie business of the 70s. It can be heard during the pool party scene with Mark Wahlberg, Burt Reynolds and Philip Baker Hall.
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