dysfunctionaldave's channel

@WFCoW You serious? After the controversy in the D'alelio fight, where she TRIED to be nice- you're surprised that this happened? People have to learn when a fucking armbar is locked in you do NOT GET OUT. Struggle to stop her extending it by all means, but as soon as you're on your back with the...

@grahamhg this isn't judo. In MMA, they're exactly what he called them- footsweep, hiptoss etc, that's all the throw names are in Japanese, after all, if translated into ordinary English, anyway. Major outer reaping? Nah, footsweep works fine for this.

awesome playing! Definitely agree that looks like you've trained in classical guitar, but one criticism would be to work on your rock vibrato- Malmsteen stuff needs MASSIVE wide vibrato for authenticity. Especially on the main melody phrases, the vibrato is key to the sound, and it's missing some...

I'm reasonably sure every person bringing travis/joey into videos of any of the elite drummers are just desperately trolling for what they're worth. But it's kinda old now.

@Ic3h0rnEt14

This is absolutely epic, VERY well played sir.

@tucktimosprime +1 to this, start is absolutely spot on. I can't nail the middle section yet, still working on it, but this is the backing track I always practice to and it's perfect throughout.

Agreed completely that if the start is throwing you off you really shouldn't be trying Vai, there's n...

the fool in the rain beat is nothing like rosanna other than the ghosted triplets, and you're missing the point- the groove comes from the bass drum, the hi-hat and ghosted snare is just adding colour to it, the bass drum pattern and feel is just like fool in the rain (though a little fast). And ...

what?! that, especially for a high school performance, is amazingly in tune- god, you obviously haven't heard many high school orchestras of that complexity to say it's bad.

The first minute and a half, apart from the first wayward note, was nearly flawless. In fact, apart from the odd dodgy not...

@Drummr88

He couldn't play what Peart or Portnoy can, granted.

Neither of those can play what he can, either. He's put his work into showmanship and flamboyant movements, they put theirs into technique. They all have the same dedication to what they do, though. This guy has tight pocket, and a...

Actually, scratch that- he plays the backbeat with LH, so it's more likely to be a paradiddle variant. He also keeps the bassdrum in unison with the RH for added emphasis.