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Velocities (1990) by Joseph Schwantner 45,940

by datimpster 4 years ago

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The Call of Boromir (1997) by Daniel McCarthy (b.1955) datimpster 3,299 views Brigette Hopkins, horn Daniel McCarthy (b.1955) is currently Chair of Composition and Theory at the University of Akron School of Music. His works for percussion, marim...
Stubernic (Mark Ford) datimpster 4,291 views Maureen Tassche, marimba Nicole Nasrallah, marimba University of Florida Senior Percussion Recital Gainesville, Florida February 2002
Cadenza (Neboysha Zivkovich) datimpster 2,417 views University of Florida Senior Percussion Recital Gainesville, Florida February 2002
Kumbengo (Gregg Koyle) datimpster 1,362 views Abby Goldstein, clarinet University of Florida Senior Percussion Recital Gainesville, Florida February 2002
Escape! (2002) by Justin R. Stolarik datimpster 1,840 views World Premiere Mike Sammons, marimba University of Florida Senior Percussion Recital Gainesville, Florida February 2002
"Opening" from Glassworks (Philip Glass) datimpster 51,087 views Philip Glass (b.1937) is arguably one of the most innovative and influential composers of the twentieth century. His orchestral works, operas, film scores, dance pieces, a...
"March" from 8 Pieces for Timpani (Elliot Carter) datimpster 62,412 views Elliot Carter (b.1908) became seriously interested in music in high school and was influenced by Charles Ives. After studying with Walter Piston at Harvard University, he ...
The Offering (Michael Burritt) datimpster 4,539 views Michael Burritt (b.1962) has built a program of international distinction as the Director of Percussion Studies at Northwestern University. He has become one of the worlds...
Fabian Theory (Nigel Westlake) datimpster 7,896 views Nigel Westlake (b.1958) has spent his musical career as a clarinetist with fusion bands, soundtrack-recording groups, and with some of Australias leading instrumental and o...
20th-Century Wind Band Excerpts for Timpani: IV-B. Articulation and Mallet Considerations datimpster 550 views Continuation from IV-A. Articulation and Mallet Considerations With the evolution of the wind band has come an increase in the technical challenges placed on the performer...

About JUSTIN R. STOLARIK

Welcome!

What guides me as a musician: "MUSIC is an emotional expression unique to each person who expresses it. Each performance should make an unapologetic statement." (Justin Stolarik)

What guides me as a conductor: "Make a musical motion that matches the musical moment." (Thomas Burritt)

I perform on my custom 5-octave Marimba One.

http://www.justinstolarik.com
http://www.twitter.com/justinstolarik
http://www.facebook.com/pages/Justin-R-Stolarik/102979397531

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