cubanmiamiboy's channel

El totalitarismo en Cuba simplemente se sostiene porque siempre habra HORDAS semi salvajes que nunca han tenido acceso a nada mas que no sea el lento y agresivo proceso de muerte cerebral. Mirenle las caras a esos que gritan...no ven puntos en comun.? Mientras les den su platico con agua por entr...

El totalitarismo en Cuba simplemente se sostiene porque siempre habra HORDAS semi salvajes que nunca han tenido acceso a nada mas que no sea el lento y agresivo proceso de muerte cerebral. Mirenle las caras a esos que gritan...no ven puntos en comun.? Mientras les den su platico con agua por en...

NO SE HAN FIJADO EN ALGO...? En este clip hay 70 comentarios, y NINGUNO en contra de las mujeres. Creo que ya hasta a los comunistas les da verguenza sacar la cara por lo insostenible, aunque sea en Youtube. MIS RESPETOS PARA ESTAS INCREIBLES MUJERES CUBANAS...

@calzoncillosadurillo

La diagonal de pirouettes/passe/chaines viene desde la epoca de Spessivtseva. Markova learned it that way via Sergueiev and his notations and Alonso took it from there while in BT. La ronda de piques es un invento de los tiempos sovieticos...

@KimJongSung Ha,ha,ha...por que...? Ni Villaverde ni Roig ni Fornes fueron proletarios...asi que por que fingir...? Ha,ha,ha...BRAVA ROSA!!!

@raymonda100

Actually this is how the original score really ends. The slow version we get to see so often nowadays was specially arranged for the Anna Pavlova company, and somehow it has become the standard. Now, the original fast ending version has been, for example, always done at Cuban Nati...

@MrMariel1980

Ay pero que vulgar habla usted. Que tristeza el saber que tanto odio barato se respira por tantos lugares. Ojala que su lenguaje no sea el el modelo de la voz del exilio cubano, pues deja mucho que desear, y mucho menos para digerir o respetar. PEro bueno...igual da. Como dice e...

Hi Mr. Lopez. Do you know if the variation of the Ocean Genie was created specifically for this ballet or taken from a previous work...? For some reason I also always thought that this was a later addition by Asafiev.

How sad that Sarabita didn't join ABT just as soon as he left the Cuban Ballet. He has been missing a good really home company ever since, with a similar repertoire as the one he had and the necessity of a homogeneous daily class. With all his back and forth between companies and now hanging up...

If only Soloviev could have lived to dance this...!

@bolshoiboy8 She's PRINCESS Florine dear...he's the bird.

Oh, Tchaikovsky...stop making love with my ears, pleeeeeeeeeeeeeease!!!!

Ya nadie baja el arabesque a penchee en las vaquitas como lo hacian Yuyi y Charin-(ademas de Alicia, que era la experta en eso...igual que las vaquitas de la coda de Coppelia...)

Je,je...despues de 50 anos aun ningun bailarin puede sostener la bailarina con una sola mano por la cintura cuando ella hace el arabesque penchee casi hasta el suelo de la forma que lo hacia Youskevitch con Alicia...

@18joony De cualquier forma no me contestaste mi pregunta sobre que bailarina coterranea tuya puede siquiera acercarse al arte de Miss Garcia. Ah, y por cierto, algunas correcciones..."No se"...es con S , y "Deberia" es con B de Burro...Saludos.

You know you're over him/her when you see this video/hear this song and it don't make you cry any longer...

Dios mio...que lejos estan los dias de aquellas vaquitas espectaculares de Yoyi, Aurora y Charin en que realmente se DESPLAZABAN sin miedo, y bajaban en penchee...(Yoyi era la reina en eso...). Ya no queda nada de aquello...

Definitivamente se nota la ausencia de Romel. Vi se veia mas en su ambiente cuando bailaba con el...

@mrlopez2681 I believe all pre-Markova/Sergueiev London stagings were danced by non-British ballerinas..(Pavlova/Clustine, 1913 and Spessivtseva/Dolin 1932)

At times the over slowing down of the music in order to display the most amount of technique to the very extreme gets a little annoying, as if the conductor is just all eyes on the dancers. This way the score somehow looses most of

its charm...

Tienez razon...a veces era hasta embarrasing ver como aplaudian mas la salida de Bathilde/Loipa que la de la propia Giselle-(quienquiera que la bailara). Ella se robaba completamente la escena en cuanto salia...mucha personalidad.

I don't like Ashton too much. I much prefer this version-(After Gorsky/Nijinska)

@mrlopez2681 According to Elizaveta Gerdt-(Pavel's daughter, who danced as a child in the original production)-Marie never danced the variation done by her father, and so it was dropped. Then Egorova asked Lopukhov to choreograph a new one for her in 1914 when she danced the role at Krasnoe Selo...

It will be more dificult than what we think to erase N.S's staging. Vishneva once famously declared that this production was "for New Russians", somehow identifying herself to whole generations of past dancers and coaches who kept the S. version alive and well kept. Going back to character Li...

@KenViewer We must agree to disagree here. Soloviev is one of those rare examples of dancers who seem to float. His elevation was his trademark, along with his footwork, particularly his breathtaking series of entrechats. We must consider that this is a tiny little space he was confined to dan...

Nick...thanks, as usual, for your labor of love...

@goldenidol Actually, this variation is a little older than that. It goes back to 1887, when Petipa revived the ballet. The music is probably by Drigo. There are divided opinions as who performed it back then, being the British Emma Bessone and the Italian Elena Cornalba the two possible candi...

Lovely clip, Nick...just as you're getting us used to...! Wow...It always amazes me how VIOLENTLY Pavlova falls on the floor.

People. This is just as simple as this. Pavlova+Fokine+Dying Swan=XX Century ballet departure from Petipa!! Just remember. THIS IS NOT PETIPA'S ODETTE!! Can we go back to the stylistic differentiations...?

Good bye, gorgeus. I bet you're up there, enchanting the angels...but still looking down and watching vigilantly to protect ut...just as you always did.

EStos nuevos muchachitos del BNC, tanto Dani como Virelles, parece que no tienen huesos en el empeine...!! Que clase de instep!!

It is amazing how how Alonso has been faithful to the choreographies she learned during her career in US-(many of them during her BRdMC guesting time). Whereas in the rest of the world Aurora runs to Desire into a deep arabesque penchee both times during the 2 consecutive harp's cadenzas Alonso'...