@VIDE0DR0ME The thing about Rautavaara's piano writing during the period of this concerto is how well the notes "fit" the hand shapes. He thinks about the piano as a big set of symmetrical groupings in conjunction with hand symmetry. In his 1st and 2nd sonatas you can find more of this bilateral ...
@VIDE0DR0ME The thing about Rautavaara's piano writing during the period of this concerto is how well the notes "fit" the hand shapes. He thinks about the piano as a big set of symmetrical groupings in conjunction with hand symmetry. In his 1st and 2nd sonatas you can find more of this bilateral ...