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brujucatu favorited a video
(1 day ago)
This is a keyboard composition from My Lady Nevells Booke.
This Fancy can also be found, in the Fitzwilliam Virginal book.
Ernst Stolz harpsichord
(I...
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This is a keyboard composition from My Lady Nevells Booke.
This Fancy can also be found, in the Fitzwilliam Virginal book.
Ernst Stolz harpsichord
(Italian type harpsichord by Peter Suringa/Bédard)
Main article: My Ladye Nevells Booke (from Wiki Engl.)
The 1580s were also a productive decade for Byrd as a composer of instrumental music. On 11 September 1591 John Baldwin, a tenor lay-clerk at St George's Chapel, Windsor and later a colleague of Byrd in the Chapel Royal, completed the copying of My Ladye Nevells Booke, a collection of 42 of Byrd's keyboard pieces which was probably produced under Byrd's supervision and includes corrections which are thought to be in the composer's hand. Byrd would almost certainly have published it if the technical means had been available to do so. The dedicatee long remained unidentified, but John Harley's researches into the heraldic design on the fly-leaf have shown that she was Lady Elizabeth Neville, the third wife of Sir Henry Neville (Gentleman of the Privy Chamber) of Billingbear in Berkshire, who was a Justice of the Peace and a warden of Windsor Great Park.[3] Under her third married name, Lady Periam, she also received the dedication of Thomas Morley's two-part canzonets of 1595. The contents show Byrd's mastery of a wide variety of keyboard forms, though liturgical compositions based on plainsong are not represented. The collection includes a series of ten pavans and galliards in the usual three-strain form with embellished repeats of each strain. (The only exception is the Ninth Pavan, which is a set of variations on the passamezzo antico bass)
There are indications that the sequence may be a chronological one, for the first pavan is labelled the first that ever hee made in the Fitzwilliam Virginal Book and the Tenth Pavan, which is separated from the others, evidently became available at a late stage before the completion date. It is dedicated to William Petre (the son of Byrd's patron John Petre, 1st Baron Petre) who was only 15 years old in 1591 and could hardly have played it if it had been composed much earlier. The collection also includes two famous pieces of programme music. The Battle, which was apparently inspired by an unidentified skirmish in Elizabeth's Irish wars, is a sequence of movements bearing titles such as The marche to fight, The battells be joyned and The Galliarde for the victorie. Although not representing Byrd at his most profound, it achieved great popularity and is of incidental interest for the information which it gives on sixteenth-century English military calls. It is followed by The Barley Break (a mock-battle follows a real one), a light-hearted piece which follows the progress of a game of barley-break, a version of the game now known as piggy in the middle played by three couples with a ball. My Ladye Nevells Booke also contains two monumental Grounds, and sets of keyboard variations of variegated character, notably the huge set on Walsingham and the popular variations on Sellinger's Round, Carman's Whistle and Lord Willoughby's Welcome Home. The fantasias and voluntaries in Nevell also cover a wide stylistic range, some being austerely contrapuntal (A voluntarie, no. 42)) and others lighter and more Italianate in tone. Like the five-and six-part consort fantasias, they sometimes feature a gradual increase in momentum after an imitative opening paragraph.
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brujucatu favorited a video
(1 day ago)
Bach- Well Tempered Clavier I , C-major Prelude & Fugue
Lautenwerk
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brujucatu favorited a video
(1 day ago)
VideoNotas por JOSÉ MARÍA DOMÍNGUEZ
Domingo 18 de marzo de 2012
Concierto: HOPKINSON SMITH. Suites de Johan Sebastian Bach.
Festival Internacional de...
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VideoNotas por JOSÉ MARÍA DOMÍNGUEZ
Domingo 18 de marzo de 2012
Concierto: HOPKINSON SMITH. Suites de Johan Sebastian Bach.
Festival Internacional de Música Pórtico de Zamora
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brujucatu favorited a video
(4 days ago)
Anton Bruckner (1824-1896)
Symphony No.7 in E major, WAB107
Nikolaus Harnoncourt
Wiener Philharmoniker
Festspielhaus, Salzburg, 26 8/2007
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Anton Bruckner (1824-1896)
Symphony No.7 in E major, WAB107
Nikolaus Harnoncourt
Wiener Philharmoniker
Festspielhaus, Salzburg, 26 8/2007
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brujucatu favorited a video
(5 days ago)
Minha (até que enfim posso chamar alguma coisa de minha) "tradução" para a música O Barbeiro de Sevilha... Não sabe qual é? Claro que sab...
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Minha (até que enfim posso chamar alguma coisa de minha) "tradução" para a música O Barbeiro de Sevilha... Não sabe qual é? Claro que sabe! "Fiiiiigaro, Figaro, Figaro..."... Lembrou agora?
Essa peça foi composta por Rossini, como disse uma grande pianista entendida do assunto, e ela é uma peça BEM antiga e uma infinidade de pessoas já a cantou, incluindo o Seu Madruga, e talvez até você mesmo durante o banho...
A versão que utilizei eu imaginava que quem estava cantando fosse o Pavarotti, na verdade o LimeWire me fez acreditar isso quando me forneceu essa música com o nome dele, mas pelo visto não é. Se você sabe quem é, ou apenas quiser arriscar um chute, fique à vontade!
Acredito que este vídeo tenha ficado um tanto frenético, mas tenho que adimitir que essa FOI minha intenção!
Nem vou colocar a lista de programas usados pois dessa vez foi uma batelada que nem consigo saber como foi que eu fiz pra esse vídeo ficar pronto... Só digo que o Google ajudou bastante...
Não esqueçam de comentar para eu saber o que acharam... E, é claro, aceito críticas... Isso é, desde que construtivas e não esculachadoras! Tenham piedade!
Divirtam-se com mais essa "tradução", e em breve tem mais!
(E pode falar, a abelhinha é perturbadora, não é?)
Uma produção de:
Máfia Foffano
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-Obrigado pelas 100k visualizações!
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