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A Machine To See With (short edit)
blasttheory
151 views
A Machine To See With is a film where you play the lead. You sign up online and hand over your mobile phone number. On the day, you receive an automated call giving you the...
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Chemical Wedding
blasttheory
108 views
Chemical Wedding plunges you into a world where the multiple meanings of AIDS are contested. From the Black Death to the movies of paranoid Hollywood this promenade perform...
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A Machine To See With, Banff
blasttheory
984 views
Documentation of A Machine To See With at the Banff New Media Institute, The Banff Centre, Canada, 2010.
Film by The New Media Institute.
A Machine To See With is a film...
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Can You See Me Now? Tokyo
blasttheory
814 views
Can You See Me Now? is a game that happens simultaneously online and on the streets. Players from anywhere in the world can play online in a virtual city against members of...
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Flypad
blasttheory
310 views
Flypad is a site specific work for the Public Gallery in West Bromwich, using augmented reality to create a thrilling, collaborative experience that combines game play with...
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Ulrike and Eamon Compliant
blasttheory
784 views
Ulrike and Eamon Compliant is a new work by Blast Theory which premiered at the 53rd Venice Biennale in June 2009, commissioned by the De La Warr Pavilion and supported by ...
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Atomic performance
blasttheory
281 views
Documentation of the Atomic performance at CASCO in Utrecht in 1998. Premiered at Kunstlerhaus Betthanien in Berlin, 1997.
For further information go to www.blasttheory....
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Kidnap Blipvert
blasttheory
301 views
Advert for the Kidnap project shown in UK cinemas among the usual adverts without titles in 1998. Approx 800,000 people saw it. Commissioned by Chris Dorley-Brown and Bob J...
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Desert Rain
blasttheory
813 views
Desert Rain is a game, an installation and a performance placing particpants in a collaborative virtual environment and sending them on a mission into a virtual world. In a...
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Day Of The Figurines
blasttheory
301 views
Day Of The Figurines continues Blast Theory's enquiry into the nature of public participation within artworks and within electronic spaces (here, through SMS). It uses emer...
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