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bentekahan uploaded a new video
(1 month ago)
"Reyzale" from the concert Ani Ma'amin in the White Stork Syna...
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"Reyzale" from the concert Ani Ma'amin in the White Stork Synagouge, Wrocław, Poland on January 18, 2012 Lyrics and music: Moderchai Gebirtig | Translation into English: Bente Kahan Film: Mirosław Emil Koch
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(1 month ago)
"Letter to my Son" performed by Bente Kahan in the Great Synag...
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"Letter to my Son" performed by Bente Kahan in the Great Synagouge of Stockholm on January 27, 2000 Lyrics: Ilse Weber | Music: Bente Kahan and Dariusz Świnoga
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bentekahan uploaded a new video
(1 month ago)
"Shtiller Shtiller" performed by Bente Kahan in the White Stor...
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"Shtiller Shtiller" performed by Bente Kahan in the White Stork Synagoue in Wrocław, Poland, while underconstruction Lyrics: S. Karczerinsky , Music: S.Volkovisky
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bentekahan uploaded a new video
(1 month ago)
Bente Kahan - "Stimmen aus Theresienstadt" Written by Ellen Foy...
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Bente Kahan - "Stimmen aus Theresienstadt" Written by Ellen Foyn Bruun and Bente Kahan Performed at Frankurt alte Oper, November 8, 1998 Acc. Dariusz Świnoga and Mirosław Kuźniak
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bentekahan uploaded a new video
(1 month ago)

"Wallstrasse 13" by and with Bente Kahan. Acc. Tomasz Kasiukewi...
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"Wallstrasse 13" by and with Bente Kahan. Acc. Tomasz Kasiukewicz, Igor Pietraszewski, Artur Dominik, Jacek Wegrzynowski Breslau 1933 -- Wroclaw 1968 A play which links present reality with a powerful past.
The Polish, Jewish character Barbara (a fictive character), is born in a townhouse in Wroclaw on Wlodkowica Street 13, formerly Wallstrasse 13 in the German city Breslau. In 1968, 10 years old, she leaves Poland because of an anti-Semitic campaign organized by the communist regime. Her father remained in the country, and first when he dies, Barbara returns to her hometown. She is then a grown up woman, and is suddenly confronted with her and her parents past through documents and photos found in her father's flat. A photo leads her also to Leontine Dambitsch, the flat's pre-war resident. The audience is witness to Barabra's determination to confront the past and to recreate the dramatic human lives and times that came before her. We join Barbara on a historical journey through the German Jewish community of Breslau in the 1930's and the Polish Jewish community of Wroclaw in 1946-68. A wide variety of archival material, as well as photos from private albums, are presented on a multi-media set during the performance. Repertoir from the "Breslau Jewish Culture Guild" (1935-41) and the "Yiddish Theatre of Lower Silesia" (1946-68) including songs in German, Yiddish and Polish, are integral parts of the play.
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