Orhan Anafarta
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El Ultimo Tremolo by Barrios (Flamenco Style)
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649 views
My first attempt at Barrios' music.
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La Cumparsita (arr. Cacho Tirao)
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1,320 views
Cacho Tirao's arrangement of arguably the most famous tango piece. Composer: Gerardo Matos Rodriguez. It's not as cleanly played as I'd like it to be, but decided to post i...
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Recuerdos de la Alhambra (Flamenco Style)
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2,203 views
The most classic of classical guitar pieces, Francisco Tarrega's Recuerdos de la Alhambra played with the flamenco tremolo (piami) on a flamenco guitar.
I hope I'm not o...
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Samba by Jorge Cardoso
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3,696 views
The part that represents Brazil in Jorge Cardoso's 24 Southamerican Pieces (24 Piezas Sudamericanas). Another one of Cardoso pieces that slides through your fingers. Really...
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Apanhei-te, Cavaquinho! by Ernesto Nazareth
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2,946 views
Jorge Cardoso's arrangement of this lively polca from 1914 by Nazareth. No space to breathe for the performer... Cardoso plays the piece much faster than this.
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Odeon by Ernesto Nazareth
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2,409 views
The famous tango Brasileiro by Ernesto Nazareth from 1926. Lovely piece, as all other Nazareth pieces. Transcription by Paulo Barreiros.
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Bailecito by Jorge Cardoso
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1,337 views
The piece is part of Cardoso's "24 Piezas Sudamericanas." Another one of Cardoso's musical gems. I actually heard Cardoso sing this piece with lyrics and everything. The 6...
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Zapateado by Manolo Sanlucar
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2,336 views
Manolo Sanlucar's Andares Gaditanos, which I picked up by ear some time ago. I am no expert in flamenco but I think this piece reflects the true spirit of the zapateado for...
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Vals Venezolano (Suite Sudamericana) by Jorge Cardoso
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5,215 views
Another Vals Venezolano by Jorge Cardoso. This one is the finale for the Suite Sudamericana and it's dedicated to the amazing Maria Luisa Anido. I may change my mind in the...
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Air de Milonga by Jorge Cardoso
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3,751 views
The full title of the piece is Air de Milonga - Sobre un tema de Eduardo Falu (based on a theme by Eduardo Falu). It represents Uruguay in Suite Sudamericana. Beautiful cho...
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