even these mr sakamotos' compositions for piano, easy leasing pieces, which could be described as nothing original in its own, as follow a musical path far away discovered started by others, have its own 'touch', there is some mr sakamoto on them. on these, he is not original but he makes good ones
mr sakamoto's huge talent seems to have no end. this instrumental, short ensemble of classical instruments (and very good musicians) came from the original bibo no aoroza (meaning kind of blue sky in japanese) which as a avant-garde pop tune. the center of the piece, which completes to an endeles...
mr sakamoto's reading and update to nowdays sounding of mr. jobim eternal song is atonished. it is so clever and sensitive, so differente in sound but so close to its esence. its face has being clean with very cold water but the makeup is still there, extremely attached to its original face..
what a difficult piece to give a 'personal touch'. mr sakamoto always surprising. a masterpiece so well composed and arranged still had the chance under such incredible hands of a very subtle 'version'
this is a lyrical abstraction masterpiece, the music, the words, the soft voices of mr. sakamoto and mr.lindsay, the instrumentation chosen, the arrangements..all form a 'whole' of subtle and pure beauty. impossible to make it better. it sound was so ahead it still is valid.
even these mr sakamotos' compositions for piano, easy leasing pieces, which could be described as nothing original in its own, as follow a musical path far away discovered started by others, have its own 'touch', there is some mr sakamoto on them. on these, he is not original but he makes good ones