Mary Stevenson Cassatt (May 22, 1844 -- June 14, 1926) was an American painter and printma
Mary Stevenson Cassatt (May 22, 1844 -- June 14, 1926) was an American painter and printmaker. She lived much of her adult life in France, where she first befriended Edgar Degas and later exhibited among the Impressionists.
Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. http://www.allpaintings.org/v/Impressionism/Mary+Cassatt/
(more)
(less)
Added: 2 months ago
Views: 208
Henri Rousseau , 1844-1910, French primitive painter, b. Laval. He was entirely self-taugh
Henri Rousseau , 1844-1910, French primitive painter, b. Laval. He was entirely self-taught, and his work remained consistently naive and imaginative. Rousseau was called Le Douanier [the customs officer] because he held a minor post in the Paris customs service for more than 20 years before he retired to paint (1893). Although he claimed to have lived in Mexico in his youth, he later admitted that the claim was false. The only tropical vegetation Rousseau ever saw was in Parisian greenhouses, and his remarkable landscapes had no counterpart in nature. His painted jungles are an organized profusion of carefully defined yet fantastic plants, half-concealing various wild animals with startlingly staring eyes. These scenes are rendered in a vivid, almost hypnotic folk style. The finest ones include The Snake Charmer (1907; Louvre) and The Dream (1910; Mus. of Modern Art, New York City). With the same approach Rousseau employed in painting the familiar (e.g., Village Street Scene, 1909; Philadelphia Mus. of Art), he painted the haunting and dreamlike Sleeping Gypsy (1897; Mus. of Modern Art, New York City). His fantastic Gypsy sleeps in a nighttime desert, closely observed by a lion—the entire absurdity rendered in a compelling, straightforward manner. The painting thus combines the unique elements of Rousseau's art to their most startling effect. Rousseau exhibited at the Salon des Indépendants from 1886, but did not become well known until the early years of the 20th cent. when he was "taken up" by Picasso , Apollinaire , and other members of the Parisian avant garde. http://www.allpaintings.org/v/Post-Impressionism/Henri+Rouss eau/
Video provided by Allpaintings Art Portal. Music: Kevin Johansen, Candombito
(more)
(less)
Added: 2 months ago
Views: 311
Amedeo Modigliani was born in Livorno (Leghorn) on 12 July 1884 into a rich merchant famil
Amedeo Modigliani was born in Livorno (Leghorn) on 12 July 1884 into a rich merchant family. Versed in literature and art at an early age, Modigliani took his first lessons in drawing and painting between 1898 and 1900 at Guglielmo Micheli's studio. Modigliani was particularly fond of the Italian Early Renaissance. In 1902 Modigliani shared a studio in Florence with Oscar Ghilia and became a pupil at the free school for drawing from the nude. A year later Modigliani transferred to the Venice Academy, where he spent a great deal of time studying the works of the Old Masters and became familiar with international movements in art. Modigliani went to Paris in 1906 to study at the private Colarossi Academy. In 1907 he met a young physician, Paul Alexandre, who was the first person to promote his work. Alexandre not only bought paintings and drawings of Modigliani's; he also helped to arrange the artist's first commissions. That same year Modigliani showed work at the Salon d'Automne and a year later at the Salon des Indépendents. The few pictures by Modigliani to have survived from that period reveal the influence of the Fauves, Matisse, Toulouse-Lautrec, Picasso and Cézanne. Paul Alexandre introduced Modigliani to the sculptor Constantin Brancusi and Modigliani began to sculpt under his influence but he gave up sculpture in 1914/15 to devote himself to painting. The same salient features are common to both Modigliani's sculpture and his painting: despite mask-like stylization, a poignant grace and spirituality inform Modigliani's heads. His lasting fame rests on the portraits of artists he did after 1914. On the outbreak of the First World War, Modigliani volunteered for service but was exempted for health reasons: two severe attacks of tuberculosis had left him weakened for the rest of his life. Modigliani began to work with the art dealer Paul Guillaume and was also supported by the Polish poet Léopold Zborovski and his wife, doing many portraits of both. Modigliani's first one-man show was opened by the Galerie Berthe Weill on 3 December 1917 but was closed after only a few hours because his nudes caused a public scandal. Modigliani left Paris while it was under German siege in 1918 and went to Nice with his mistress, Jeanne Hébuterne. There he did some of his best known pictures and some of his few landscapes. A daughter was born to him in Nice. In May 1919 Modigliani returned to Paris and went to England several times, thus ensuring the successful sale of his work there. Early in 1920, however, Modigliani again fell ill of tuberculosis and died in Paris on 24 January.
Video Provided by http://www.allpaintings.org/v/Expressionism/Amedeo+Modiglian i/
Music by Gotan Project - La Revancha Del Tango
(more)
(less)
Added: 2 months ago
Views: 1,232
|
(1841-1919) Renoir was born in Limoges on February 25, 1841. As a child he worked in a por
(1841-1919) Renoir was born in Limoges on February 25, 1841. As a child he worked in a porcelain factory in Paris, painting designs on china; at 17 he copied paintings on fans, lampshades, and blinds. He studied painting formally in 1862-63 at the academy of the Swiss painter Charles Gabriel Gleyre in Paris. Renoir's early work was influenced by two French artists, Claude Monet in his treatment of light and the romantic painter Eugène Delacroix in his treatment of color. Renoir first exhibited his paintings in Paris in 1864, but he did not gain recognition until 1874, at the first exhibition of painters of the new impressionist school (see Impressionism). One of the most famous of all impressionist works is Renoir's Le Bal au Moulin de la Galette (1876, Louvre, Paris), an open-air scene of a café, in which his mastery in figure painting and in representing light is evident. Outstanding examples of his talents as a portraitist are Madame Charpentier and Her Children (1878, The Metropolitan Museum of Art, New York City) and Jeanne Samary (1879, Louvre). Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris in 1883. In 1887 he completed a series of studies of a group of nude female figures known as the Bathers (Philadelphia Museum of Art). These reveal his extraordinary ability to depict the lustrous, pearly color and texture of skin and to impart lyrical feeling and plasticity to a subject; they are unsurpassed in the history of modern painting in their representation of feminine grace. Many of his later paintings also treat the same theme in an increasingly bold rhythmic style. During the last 20 years of his life Renoir was crippled by arthritis; unable to move his hands freely, he continued to paint, however, by using a brush strapped to his arm. Renoir died at Cagnes-sur-Mer, a village in the south of France, on December 3, 1919. Other notable paintings by Renoir include La Loge (1874, Courtauld Institute Galleries, London); Woman with Fan (1875) and The Swing (1875), both in the Louvre, Paris; The Luncheon of the Boating Party (1881, Phillips Collection, Washington, D.C.); and Vase of Chrysanthemums (1895, Musée de Beaux-Arts, Rouen)-one of the many still lifes of flowers and fruit he painted throughout his life. This French impressionist painter was noted for his radiant, intimate paintings, particularly of the female nude. Recognized by critics as one of the greatest and most independent painters of his period, Renoir was noted for the harmony of his lines, the brilliance of his color, and the intimate charm of his wide variety of subjects. Unlike other impressionists he was as much interested in painting the single human figure or family group portraits as he was in landscapes; unlike them, too, he did not subordinate composition and plasticity of form to attempts at rendering the effect of light. http://www.allpaintings.org/v/Impressionism/Pierre-Auguste+R enoir/
Video provided by Allpaintings Art Portal. Music by Yann Tiersen - le moulin (BSO Amelie)
(more)
(less)
Added: 3 months ago
Views: 1,839
(1853-1890) Vincent van Gogh was born near Brabant, the son of a minister. In 1869, he got
(1853-1890) Vincent van Gogh was born near Brabant, the son of a minister. In 1869, he got a position at the art dealers, Goupil and Co. in The Hague, through his uncle, and worked with them until he was dismissed from the London office in 1873. He worked as a schoolmaster in England (1876), before training for the ministry at Amsterdam University (1877). After he failed to get a post in the Church, he went to live as an independent missionary among the Borinage miners. He was largely self-taught as an artist, although he received help from his cousin, Mauve. His first works were heavily painted, mud-colored and clumsy attempts to represent the life of the poor (e.g. Potato-Eaters, 1885, Amsterdam), influenced by one of his artistic heroes, Millet. He moved to Paris in 1886, living with his devoted brother, Theo, who as a dealer introduced him to artists like Gauguin, Pissarro, Seurat and Toulouse-Lautrec. In Paris, he discovered color as well as the divisionist ideas which helped to create the distinctive dashed brushstrokes of his later work (e.g. Pere Tanguy, 1887, Paris). He moved to Arles, in the south of France, in 1888, hoping to establish an artists' colony there, and was immediately struck by the hot reds and yellows of the Mediterranean, which he increasingly used symbolically to represent his own moods (e.g. Sunflowers, 1888, London, National Gallery). He was joined briefly by Gauguin in October 1888, and managed in some works to combine his own ideas with the latter's Synthetism (e.g. The Sower, 1888, Amsterdam), but the visit was not a success. A final argument led to the infamous episode in which Van Gogh mutilated his ear. In 1889, he became a voluntary patient at the St. Remy asylum, where he continued to paint, often making copies of artists he admired. His palette softened to mauves and pinks, but his brushwork was increasingly agitated, the dashes constructed into swirling, twisted shapes, often seen as symbolic of his mental state (e.g. Ravine, 1889, Otterlo). He moved to Auvers, to be closer to Theo in 1890 - his last 70 days spent in a hectic program of painting. He died, having sold only one work, following a botched suicide attempt. His life is detailed in a series of letters to his brother (published 1959). http://www.allpaintings.org/v/Post-Impressionism/Vincent+Van +Gogh/
Video Provided by Allpaintings Art Portal. Music by Antònia Font, Alegria
(more)
(less)
Added: 3 months ago
Views: 471
Paintings of the great master of academic art William - Adolphe Bourguereau. William is th
Paintings of the great master of academic art William - Adolphe Bourguereau. William is the maximum exponent of academic art. http://www.allpaintings.org/v/Academic+Art/William-Adolphe+B ouguereau/
Video provided by http://www.allpaintings.org
Music: Paul Casals - El cant dels ocells
(more)
(less)
Added: 3 months ago
Views: 96
|