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This Chanel is all abut my interestings in Internet. Digital design(Comercials and Reels)
About Me:
Hi. Im Menelaos from Greece. I like my self and he likes me 2. Usually u can find me hang out with my friend Superman, Jesus, Satan, JFK and of curse Elvis. Most of them are just nicknames... For example Superman is Kal'el or Satan is Eosphoros.
I like to paint, mountains trees, cars and walls. Also i like to paint my brother while he is sleeping.
My favorite thing is killing and eating domestic animals... like my dogs... I usually buy or steal one dog, 2 months before christmas so I can make it big, strong and tasty... Exactly the new years evening
I hope you like me or else i'll be very sad. Some times when in sad i cut my self. And then I sing with the voices....
Stocata.Org - Technical Analysis training course learning video part9 about stock price trend continuation patterns; triangles, rectangles, flags a...
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Stocata.Org - Technical Analysis training course learning video part9 about stock price trend continuation patterns; triangles, rectangles, flags and pennants. And patterns that can either signal a reversal or a continuation with the rounding top, diamond pattern and wedges.
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Stocata.Org - Technical Analysis training course learning video part19 with a look at candlestick chart continuation patterns. We will discuss the ...
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Stocata.Org - Technical Analysis training course learning video part19 with a look at candlestick chart continuation patterns. We will discuss the bullish and bearish three line strike, the rising and falling three continuation and separating lines, followed by some example trades based on candlestick patterns.
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"There were several light bulbs at several different times, and the first one was when I saw 2001: A Space Odyssey for the first time. And the...
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"There were several light bulbs at several different times, and the first one was when I saw 2001: A Space Odyssey for the first time. And the light bulb there was, "You know, a movie can be more than just telling a story. It can be a piece of art." It can be something that has a profound impact on your imagination, on your appreciation of how music works with the images and so on. It sort of just blew the doors off the whole thing for me at the age of 14, and I started thinking about film in a completely different way and got fascinated by it. " [ Key to Success ] Vision
"The next light bulb was really just the one that says, "Just do it. Just pick up a camera and start shooting something." Don't wait to be asked because nobody is going to ask you and don't wait for the perfect conditions because they'll never be perfect. It's a little bit like having a child. If you wait until the right time to have a child you'll die childless, and I think film making is very much the same thing. You just have to take the plunge and just start shooting something even if it's bad. You can always hide it but you will have learned something, you know. " [ Key to Success ] Courage
"I was living in a Star Wars world in my mind, and all of a sudden I saw this film, and it was like somebody had reached into my hind brain and yanked out a lot of stuff that was in there, and I was seeing it on the screen realized. And not to take anything away from George's creation, because it's obviously a phenomenal milestone, but my reaction to it was not, "Oh, wow, that's cool. I want to see more." It was, "Oh, wow, I better get off my butt because somebody is doing this stuff, you know, and they're beating me to it." That was my reaction. So I -- you know, I basically quit my job and started, you know, doing a little film with visual effects, and sucked my friends into that vortex, and we all quit our jobs and fortunately we've all managed to successfully transition into film making, of that little group of four people. " [ Key to Success ] Passion
A lot of people ask me, you know, "What's the best advice to someone who wants to be a director?" And the answer I give is very simple. "Be a director." Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee. So it's a state of mind is really the point, once you commit yourself to do it. " [ Key to Success ] Passion
"I would say that my father was completely unsupportive in any way, shape or form, and was really sort of just sharpening his knives waiting for me to fail so that he could say, "Ah-ha, I was right. You should have gone into engineering." And it was always this sort of attitude of, "Well, you know, one of these days you'll get a real job and this film thing, you know, will pass as a fad." So there was zero support there. And I actually think that it made me angry enough that I had to succeed. I think if I had a soft, rosy, supportive kind of "It's good if you do it, but if it doesn't work out..." sort of thing that it would have been different. But it kind of made me mad, and I had to prove that I was right, that this was the right thing to be doing and I think it made me mad enough to get good, you know." [ Key to Success ] Courage
"You never really "get" an opportunity. You take an opportunity. You know, in the film making business no one ever gives you anything. Nobody ever taps you on the shoulder and say, "You know, I've really admired the way you talk and the way you draw, and I think you'd make a good director." It doesn't happen that way. You have to constantly be pulling on somebody's sleeve saying, "Hey, I want to direct. I want to direct. I want to direct." And you have to be willing to make sacrifices to do that. The mistake a lot of people, I think, make in Hollywood is that they think, "Well, I'll get to the top of my field as a whatever, editor, production designer, writer, and then I'll just move laterally into directing and I'll be more respected and I'll have more power." It doesn't work that way, because you drop right to the bottom of the pack as a director."
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