Hi! I'm Tomer!

Did you go to interlochen in 2010?

What program? I went Vocal Soloist Studies 2011 :)

@emoanimeducky

Actually, when you're singing classical music (according to rules of lyric diction),

you're expected to flip all french 'r's, rather than to sing with rolled, or uvular 'r's.

Yeah, it's definitely a Bb, but thats crazy.

@SsteinwayS have you seen her do Olympia in Les Contes d'Hoffman?

She has a video on here where she plays around with doing some en pointe stuff while singing the doll aria. It's crazy!

The entire coloratura passage starting at 7:50 is the craziest thing ever. She's one of the few who sing this who can still make that into a flowing legato line, instead of going really staccato. Don't get me wrong, Gruberova and the like are wonderful, but they just can't seem to make that line ...

@lalindabahiana In real opera, there should never be microphones.

any good lyric soprano can do opera houses to at least 2000 (seats).

Dramatic is a whoooole different story, like, 3000-4000 (also seats).

Does anyone know what aria sutherland is singing near the end of the video, for the fioritura example?

17/M/USA

This seems like the one with the fewest severe repercussions, and seemingly the only way she can avoid violence at home with her father, in my opinion.

Regardless of what she does with her baby, I think we should also be encouraging her to get some help from child protective services, in...

Your voice is absolutely stunning. It has a phenomenal natural quality, and such an ease of production!

:) Please post more! I would absolutely love to hear more!

Me parece con las otras personas que hacen comentarios.

También, solo quiero decir que esta canción es una canción para las chicas.

Se habla sobre una gitana que pregunta "quien quiere la gitana?"

@sprtichck

Z. Randall Stroope, who is conducting this choir.

Be careful about some of your vowels, they need to be a little more round and tender, and to keep the voice spinning on your higher notes.

You also have a slight vowel creep on the word "forever"

avoid saying for-yev-er.

Beautiful instrument, though :)

@GraceMccThe1st It's amazing isn't it?

Have you heard her rendition of the doll aria

in les contes d'hoffman? its amazing, so perfect.

They stop Cthulhu eating ye!?!?!

I needta get me one of them nifty thangs!

that dog is the CUTEST dog EVER.

Um. In the american music system, isn't this considered a G6?

It's very odd that she sings this, being jewish and the like. However, she performs it really nicely. Its gorgeous.

Did you really stop singing? You have a gorgeous, mature voice, keep singing!

Try to stay out of your throat, open up your nasal cavity, and make sure you're not pulling your tongue back. That'll also help with the last che la mia pace in the a section. With the word 'sento' also, try not to say sen-toe, rather, try to say sen-toh.

Sitivit anima mea was our all-state audition piece this year.

Its just so gorgeous, and satisfying.

Oh, how I love polyphony, especially palestrina's, at that.

this light, powerful, stoccato sound is the epitomy of baroque singing.

Its great :)

Very nice, but she needs to watch herself. If she keeps on this path, her voice will sink further back into her throat, and that jaw will never stop!

its pretty, but it still cant beat Monserrat Caballe's.

Gorgeous, but theres one big thing thats bothering me to death. When you start phrases (which you have great understanding of, dont get me wrong!) you tend to scoop. and its absolutely killing me, because its the only thing i see, but it sticks out like a sore thumb >.<

gorgeous voice, but possibly a little more support, and just one quick nitpicky german thing, the 'I's that you sing should be like your singing baseball mit, not ground meat