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4 days ago
Mick Chillage - Departure (Original Version)
Label: Nice & Nasty Records. Catalog#: NANO 44 Format: File, EP. Country: Ireland.
Released: 26 Jan 2009.
paulchillage • 964 views
Soundsurface
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1 week ago
Compiling a Network v10.0 | datamixed by dee3
For download-links and more info regarding this set - go:
compilinganetwork • 16 views
Soundsurface
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1 week ago
Compiling a Network v9.0 | datamixed by dee3
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compilinganetwork • 5 views
Soundsurface
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1 week ago
Compiling a Network v8.0 | datamixed by dee3
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compilinganetwork • 2 views
Soundsurface
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1 week ago
Compiling a Network v7.0 | datamixed by dee3
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compilinganetwork • 6 views
Soundsurface
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1 week ago
Compiling a Network v6.0 | datamixed by dee3
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compilinganetwork • 4 views
Soundsurface
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1 week ago
Compiling a Network v5.0 | datamixed by dee3
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compilinganetwork • 12 views
Soundsurface
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1 week ago
Compiling a Network v4.0 | datamixed by dee3
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compilinganetwork • 3 views
Soundsurface
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1 week ago
Compiling a Network v3.0 | datamixed by dee3
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compilinganetwork • 20 views
Soundsurface
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1 week ago
Compiling a Network v2.0 | datamixed by dee3
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compilinganetwork • 15 views
Soundsurface
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1 week ago
Compiling a Network v1.0 | datamixed by dee3
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compilinganetwork • 34 views
Soundsurface
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1 week ago
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6 months ago
GusGus - Northern Light
Album: GusGus Vs. T-World (2000)
SoLostInMusic1 • 10,269 views
Soundsurface
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6 months ago
Soundsurface
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7 months ago
T-World - Anthem (part one) (pitched -6) - Underwater Records - 1994
Tworld* - An-Them
Genre:
Electronic
Style:
Techno, Tech House
Year:
1994
Tracklist
An-them (Part One) 9:31
An-them (Part Three) 12:52
Bowie99 • 367 views
Soundsurface
commented:
Thanks Biggi & Herb for producing this Milestone.
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7 months ago
Soundsurface
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7 months ago
Gus Gus - Northern Lights - 2000
Nice progressive track, funky with a trance overlay, found on the same album as the re-nowned "purple"
Added a video i found describing what the a...
ohfuku • 2,667 views
Soundsurface
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7 months ago
Soundsurface
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7 months ago
Soundsurface
commented:
This is one of my alltime favorites. I know that i will listen to it on my 100th birthday.
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7 months ago
Gus Gus - Acid Milk (Live@EB 1999)
Gus Gus - Acid Milk
Performed Live at Electronic Beats (1999)
noname100001 • 5,928 views
Soundsurface
commented:
Never Forget
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7 months ago
Soundsurface
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7 months ago
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7 months ago
Soundsurface
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7 months ago
gus gus-polyesterday
great video!...
hozikkoh • 24,628 views
Soundsurface
commented:
A real Classic. Washed my brain. Like the actual stuff but liked this stuff a little bit more.
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7 months ago
Soundsurface
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7 months ago
Soundsurface
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7 months ago
U-MV153 - Gus Gus - Polyesterday
NOTE TO COPYRIGHT HOLDERS: Please contact us directly with any desire to have your material removed from our channel. Although this material was pr...
mypartofthething • 29,639 views
Soundsurface
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7 months ago
Soundsurface
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7 months ago
Soundsurface
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7 months ago
Testing my starship-touchscreen-studio ;-) (Dell ST2220t)
Touchscreen in my music studio. (Dell ST2220t).
TheatreMagique • 7,688 views
Soundsurface
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7 months ago
The Parallel - The Symmetrical EP [Balans Records]
The audio playing is 96kbps
artist: The Parallel
title: The Symmetrical EP
tracks: Symmetrical, Universal, Odyssey,
label: Balans Records
cat#:...
ExclusivePromo • 1,163 views
Soundsurface
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7 months ago
Soundsurface
commented:
Great track from The Parallel as always.
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7 months ago
Soundsurface
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7 months ago
The Parallel - Optical
Taken from LifeTime EP [SL002] published by Science Label.
Written and produced by The Parallel.
Video produced by Liu Zhiu Xuan.
ScienceLabel • 118 views
Soundsurface
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7 months ago
Soundsurface
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7 months ago
ArdenGalaxe - Starface (rawmix & premaster snippet)
Here's a dirty downbeat electronica fragment for you. It is taken from one of the songs of an EP trilogy I'm currently working on. This should be p...
ArdenGalaxe • 435 views
Soundsurface
commented:
very intense
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11 months ago
seefeel - More Like Space
Polyfusia
billyshitcheese2 • 2,133 views
Soundsurface
commented:
Great Stuff. I love Shoegazing.
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11 months ago
Kitchens of Distinction 'Hammer'
From 'Love is Hell'.
The darkest song on the album.
RHutton2710 • 2,139 views
Soundsurface
commented:
It´s the best hammer you can have!!!
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11 months ago
Kitchens of Distinction 12 Hammer 04-08-90
The Kitchens live at Legends, Warrington 4th August 1990
RileyELFuk • 509 views
Soundsurface
commented:
Great!!!
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11 months ago
Soundsurface
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11 months ago
Doves - Last Broadcast
From the album The Last Broadcast (2002).
claudioog • 31,616 views
Soundsurface
commented:
amazing. dreaming is program.
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11 months ago
Soundsurface
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11 months ago
Gus Gus - Polyesterday - Live Nite Club
Gus Gus - Polyesterday - Live Nite Club. VHS Video & Audio Remastered
fiestuki100 • 19,278 views
Soundsurface
commented:
alltime classic
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11 months ago
GUS GUS - Believe ( Best Version Ever, Great Performance, Unforgettable)
http://www.youtube.com/watc... Please use this url for the HD-Version from ''believe'' :)
A Great Live-Performance from GUS GUS. This i...
Dexbam • 562,386 views
Soundsurface
commented:
alltime classic
About Soundsurface
http://www.myspace.com/soundsurfacemusic
http://www.reverbnation.com/soundsurfacemusic
http://soundcloud.com/soundsurfacemusic
http://www.youtube.com/soundsurface
http://twitter.com/soundsurface
Created by
SoundsurfaceLatest Activity
Feb 21, 2012Date Joined
Oct 16, 2008About this user
Soundsurface - A short BiographyThe artist Soundsurface was born as Marcus Theil in the fall of 1982. He always had a distinctive interest in music. Even in his youth he listened to music very mindful. Later, in the mid-1990s the desire to produce his own music came up. 1999 marks his "leap year" as he started to discover the world of novel electronic music. Terms like IDM, Ambient, Electro House, Drum & Bass affected his awareness for music extremely. Releases from artists like Aphex Twin, Autechre, Plaid, Squarepusher, Boards of Canada, GusGus, Underworld or Mouse on Mars washed his brain devilishly. Since then he developed a taste for quirky, creative and non-commercial music.
Today, he doesn't favor just one specific musical style, but is interested in an enormous spectrum of music. Basically, Soundsurface has a liking for non-commercial music. Normally he doesn't listen to the radio, only if he has to. For that reason he doesn't know much about current number one hits. It's likely that constant access to his private music collection with a huge spectrum of musical styles, is an explanation for his spread of creativity in relation to his own productions.
He definitely adores a lot of artists, but never wants to copy their ideas or sounds. In fact, he is always trying to find his own path. If Soundsurface creates a track, he won't waste time to think about what musical style his composition is similar to. He is simply doing it. Other people should label the musical genre(s) for him - if they can. It is only important that he likes the track. The composition should give him a fascinating and worthwhile feeling to work on it.
Soundsurface had his first contact with music software in the late 1990s. Most software tools had no suitable performance according to the desired requirements and that also frustrated him. Pulling prefab, perfect samples in the arranger-window of the software gave him a non-creative and bored feeling. He decided to wait for a better program. It was his primary aim to create his own sounds first with a visible script and secondly to have full control, with no limits at best.
The search for an optimal program was aborted in 2002. A recommendation of a friend helped him to find the appropriate software. Soundsurface worked hard to get a feeling and a good understanding of the various features of the software. During these days he thought that almost everything was possible. For example twiddling knobs of software synthesizers, manipulating sample material or just recording notes via midi keyboard were desired procedures for producing creative music. It was a new and scary feeling at the same time to have so much control over sounds. But this was exactly what Soundsurface was looking for in the past. Naturally, he had a lot of problems to understand the layout of the software - but never gave up. It took him a long time to understand the whole program. Soundsurface had an unbroken will to rule the program. He accomplished it and improved his skills a lot over the years. In the end he was able to control everything. There were no thoughts left about how to handle the software. The result was an uninterrupted process to create music and only the mind was the limit to transfer his own ideas.
Finally the improvements in the manner to produce music empowered Soundsurface to get deeper into sound synthesis. This means in large part that the sounds you hear in his tracks really are his own creations.
Soundsurface is always exerted to produce as much as possible by himself. This starts with the creation of self-made sounds, is transferred with a sophisticated arrangement and ends with the development of a suitable artwork for his next release. Having almost no recognition value is a characteristic trademark for his productions.
In this spirit let yourself be surprised at what Soundsurface will release in the future.
Es geht nicht um das Video sondern nur um den Track und der ist seit 1999 bis heute einer der besten die jemals gemacht wurden. Ich werde diesen Track noch als Opa hören. Bis dahin ist noch ne Menge Zeit. Auf jeden Fall ist das Teil einfach nur zeitlos und beweist, dass man nicht immer Vocals bra...