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Name:
Darrius or D.J.
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Apr 28, 2010
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VoiceMariah Carey possesses a five-octave vocal range, and was ranked first in a 2003 MTV and Blender magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself."[195] She also placed second in Cove magazine's list of "The 100 Outstanding Pop Vocalists".[196] Regarding her voice, Carey states,
"I have nodules on my vocal cords. My mother says I've had them since I was a kid. That's why I have the high register and the belting register and I can still be husky. The only thing that really affects my voice is sleep. Sometimes if I'm exhausted, I can't hit the really high notes."[197] "My doctors showed me my vocal cords and why I can hit those high notes. It's a certain part of the cord that not many people use—the very top. My natural voice is low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm rested. [...] When I was little, I'd talk in this really high whisper, and my mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing like that. So I started [she goes higher and higher and higher] just messing around with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd tell her, It doesn't hurt/ If I were to try and belt two octaves lower than that, that would be a strain."[198]
She also explains that it was Minnie Riperton who influenced her to use the whistle register.[198]
French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker[199] as well as music critic Stephen Holden of The New York Times[200] and vocal pedagogue Jeannette Lo Vetri[201] state that her lower regiter is "tired", "distended", the medium is pure, full rounded and warm, the belting register "works very well" and has the same timbre that the medium. However, the medium is often breathy and thin and the voice is sometimes strained in belting. The head voice and the whistle register are bright, ample and pure. Malcolm Walker adds: "She passes easily in head voice. It's her true voice."[199]
Sasha Frere-Jones of The New Yorker adds her timbre possesses various colors, saying, "Carey's sound changes with nearly every line, mutating from a steely tone to a vibrating growl and then to a humid, breathy coo."[202] Her wide vocal range allows Carey to take melodies from alto bottom notes to coloratura soprano upper register,[96][202] and, according to music critic Jim Faber of New York Daily News, she can "cover all the octaves between [those voice types], and [possesses] the agility to move between ... with swiftness and aplomb."[96] Carey also possesses what she calls "whisper register". In an interview with the singer, Ron Givens of Entertainment Weekly described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register."[203]
Voice experts praise Carey's vocal technique, like Stephen Holden who said, "[s]he can deliver very accurate staccatos as well as tricky melismas, and she possesses a beautiful and solid trill in upper register".[200] Jeanette Lo Vetri states, "Carey is really a great technician. The staccatos are pin point, executed with amazing speed and control, the legato is a marvel of smoothness, she is the supreme mistress of melismas, she always keeps a neutral larynx position— except sometimes in her lower register— and she glides effortlessly from bottom to top and vice versa."[201] Malcolm Walker adds her vocal lines are "very well led, especially in piano register."
"I have nodules on my vocal cords. My mother says I've had them since I was a kid. That's why I have the high register and the belting register and I can still be husky. The only thing that really affects my voice is sleep. Sometimes if I'm exhausted, I can't hit the really high notes."[197] "My doctors showed me my vocal cords and why I can hit those high notes. It's a certain part of the cord that not many people use—the very top. My natural voice is low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm rested. [...] When I was little, I'd talk in this really high whisper, and my mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing like that. So I started [she goes higher and higher and higher] just messing around with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd tell her, It doesn't hurt/ If I were to try and belt two octaves lower than that, that would be a strain."[198]
She also explains that it was Minnie Riperton who influenced her to use the whistle register.[198]
French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker[199] as well as music critic Stephen Holden of The New York Times[200] and vocal pedagogue Jeannette Lo Vetri[201] state that her lower regiter is "tired", "distended", the medium is pure, full rounded and warm, the belting register "works very well" and has the same timbre that the medium. However, the medium is often breathy and thin and the voice is sometimes strained in belting. The head voice and the whistle register are bright, ample and pure. Malcolm Walker adds: "She passes easily in head voice. It's her true voice."[199]
Sasha Frere-Jones of The New Yorker adds her timbre possesses various colors, saying, "Carey's sound changes with nearly every line, mutating from a steely tone to a vibrating growl and then to a humid, breathy coo."[202] Her wide vocal range allows Carey to take melodies from alto bottom notes to coloratura soprano upper register,[96][202] and, according to music critic Jim Faber of New York Daily News, she can "cover all the octaves between [those voice types], and [possesses] the agility to move between ... with swiftness and aplomb."[96] Carey also possesses what she calls "whisper register". In an interview with the singer, Ron Givens of Entertainment Weekly described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register."[203]
Voice experts praise Carey's vocal technique, like Stephen Holden who said, "[s]he can deliver very accurate staccatos as well as tricky melismas, and she possesses a beautiful and solid trill in upper register".[200] Jeanette Lo Vetri states, "Carey is really a great technician. The staccatos are pin point, executed with amazing speed and control, the legato is a marvel of smoothness, she is the supreme mistress of melismas, she always keeps a neutral larynx position— except sometimes in her lower register— and she glides effortlessly from bottom to top and vice versa."[201] Malcolm Walker adds her vocal lines are "very well led, especially in piano register."
About Me:
Hometown:
Oklahoma
Country:
United States
Occupation:
Student
Schools:
School
Interests:
Singing, reading, GOD, Glee,Charmed(my fav TV series of al time) and Mariah Carey
Music:
Soul, Jazz, R&B, Gospel, Funk, African Hynms, Hip-Hop, Blues, Pop, Dance, and old school jams. also 90's-early 2000's music
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![[HD] Mariah Carey - I Stay in Love [LIVE American Music Awards 2008] Thumbnail](http://i1.ytimg.com/vi/tpsetmmz4wc/default.jpg)

















*Runs into garden, does a somersault*
*Rolls around in the grass Patti LaBelle style*
*Runs back to laptop and begins to breathe*
YESSS! YESSS! YESSS!
If Prue's telekinesis were as powerful as that of Jean Grey, then I would disagree, but yeah, Piper was awesome! Ain't Holly Marie Combs appearing on Pretty Little Liars as the main character's mother, now?
No joke, we probably would be! I think that Storm is an "unrealised" omega level mutant. I LOVED Charmed the most when Shannen Doherty's character (Prue) was alive, though. I may have been a small child when she was on but that was the trio that I remember getting hooked on. Rose McGowan is great too, though!
Sebastien needs to be sent to the roughest ghetto school in America for a few days. 'Nuff said.