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Myths Folklore Storytelling
Mayan Kumara Star Teachers Mentors Legacy
Many of the ancient Mayan star teacher goddesses and gods including Ahkinxoc, Colelcab, Dzacab, Hunabku, Itzamcab, Ixchel, and Yumcaax have all come back to the Earth to serve the peoples of the planet.
For the most part, they were former Mayan, Pleiadian benefactor teachers and mentors of Lemurian Shaman Celtic Mound Builder lineage and background who have recently returned from the Pleiades to once again assist the Maya and those who make pilgrimages to the Mesoamerican areas for succor or feel akin to the Mayans in their evolutionary life spirals.
They will respond to sincere calls for assistance and guidance from those who were under their caring tutelage in the past. For more information about the Lemurians please see the Inspirational Insights, Lemuria and the Lemurians and Orion and Pleiadian Connections to Lemuria.
Ahkinxoc (Ah Kin Xoc, Ah Kin, Xocbiltun, Pizlimtex, Kumara) was the Mayan Mesoamerican magnificent "singer", poet, and musician god who augmented and enhanced Mayan poetry, which is mostly chanted or sung. Considered by many Maya as the "Avatara" of the solar diety Ah Kin Xoc, he often shapeshifted to appear to others as a hummingbird.
Colelcab (Colel Cab, Ix Zacal Nok) was a Mayan Mesoamerican creator, earth mother goddess. She invented weaving, and helped to regulate the cycles and seasons by painting her earthy tapestries of verdant foliage, plants and flowers with her paintbrush.
Myths Folklore Storytelling
Maya Four Worlds and Creation Legends
In the past, the Mayan had a writing system and their codices were decorated with bright drawings and glyphs. Myths like the "Popol Vuh" about Creation, cosmology, and religion suffused their lives. Mayan writing was a complex system of phonetics and pictographs, Mayan writings in stucco, stone, and pottery remain but only four of the bark paper codices survived the Spanish book burnings.
The four remaining Codices made from folded flattened tree bark, (Dresden, Paris, Madrid, and Grolier), generally had writing on both sides and were covered with lime paste. Three of the codices had complex glyphic texts usually read in paired columns. Although the flavor, spirit, and essence was quintessential Mayan, the sheer beauty and artistry of the graphics and writing of the codices were hauntingly reminiscent of the ornately illustrated, Celtic, Book of Kells.
The Maya Creation Book Popul Vuh or "Book of Written Leaves" was originally written in Mayan Hieroglyphs. It was written on flattened tree bark with artistic drawings similar to the beautiful illustrations in Celtic works like the "Book of Kells".
Transcriptions of its contents in the Roman Alphabet in the sixteenth century include Maya cosmology and mythos about Primal Seas, Dark Times, radiantly splendid Mayan Creation Deities, the founding of the Guatemalan highland culture. The knowledge they obtained from other teachings, myths, and symbologies enabled the Maya to conceptualize higher truths and served as bridging tools for them between dimensional realities.
According to the legends of the Maya, the Supreme Creator god Hunab Ku created four new worlds, rebuilding the landscape four times after deluges had poured from the mouth of the sky serpent. What this legend refers to are four times where god Hunabku acted as a benefactor and mentor to the souls inhabiting the physical plane bodies of the people known as the Maya.
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The Indigo and Starseed children are a bewilderment to many of today's parents and teachers who have only a third dimensional understanding of life. The youngsters already "know" who they are and many of them understand the purpose of their present stay on Earth. They are apt to focus on the etheric, rather than the linear, making it difficult for them to adapt to conventional classroom discipline and fit into mainstream society. Frequently these children are diagnosed with Attention Deficit Disorder or some form of hyperactivity, which alarms those who attempt to help all young people avoid frustration and achieve balance and harmony in their lives.
Many believe these leaders of the future are ancient souls from Mu and Atlantis who have returned to help humanity find its way out of the world difficulties. We've had spiritual impoverishment and would benefit from listening to these children with the wise old eyes. As we encounter the current problems of social upheavals, crime and our inhumanity to one another, the wisdom of the Indigo and Starseed Children will offer us a bridge from the third dimension to higher levels.
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Bermuda