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Leonardo da Vinci - Codex Atlanticus
A few images from the Codex Atlanticus (119 of 1119 pages).
Biblioteca Ambrosiana - Milan - italy
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JusPrimaeNoctis
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Leonardo Da Vinci
JusPrimaeNoctis
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Leonardo Da Vinci - Universal Genius
"Sad is the disciple that doesn't surpass his master" (Forster codex III, f. 66 v.)
"Tristo รจ lo discepolo che non avanza il suo maestro" (Codice F...
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Jan 11, 2008Date Joined
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MOS MAIORUM -Virtus -Fortitudo et Constantia-Sapientia -Disciplina -Fides -Dignitas (gravitas et solemnitas)-Pietas -Religio
This original Roman spirit was based on a human type characterized by a group of typical dispositions. Among them we should include self-control, an enlightened boldness, a concise speech and determined and coherent conduct, and a cold dominating attitude, exempt from personalism and vanity. To the Roman style belong virtus, in the sense not of moralism, but of virile spirit and courage; fortitudo and constantia, namely spiritual strength; sapientia, in the sense of thoughtfulness and awareness; disciplina, understood as love for a self-given law and form; fides, in the specifically Roman sense of loyalty and faithfulness; and dignitas, which in the ancient patrician aristocracy became gravitas and solemnitas, a studied and moderate seriousness. The same style is characterized by deliberate actions, without grand gestures; a realism that is not materialism, but rather love for the essential; the ideal of clarity, which eventually turned into rationalism in only some Latin peoples; an inner equilibrium and a healthy suspicion for every confused form of mysticism; a love for boundaries; the readiness to unite, as free human beings and without losing one's identity, in view of a higher goal or for an idea. We may also add religio and pietas, which do not mean "religiosity" in the Christian sense of the word, but instead signify for a Roman an attitude of respectful and dignified veneration for the gods and, at the same time, of trust and re-connection with the supernatural, which was experienced as omnipresent and effective in terms of individual, collective, and historical forces. Obviously, I am far from suggesting that every Roman man and woman embodied these traits; however, they represented the "dominant factor" and were embodied in the ideal that everybody perceived to be specifically Roman.
Likewise, these elements of style are self-evident. They are not connected to past times; they may act in every period as character-forming influences and effective values as soon as a corresponding calling is awakened. They have a normative value. In the worst case, they might have only the value of a measure. Moreover, we should not think they must be adopted by every individual; this would be absurd and even unnecessary. It would suffice if only a certain social stratum, called to inspire the others, could embody them.
(G.C.E)
All the western cultures are just a pale imitation of the glorious Roman Empire, the greatest civilization of all time.
The Italian Renaissance has represented the pinnacle of human intellect.
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